Category Archives: Documentary

On TV: IF YOU BUILD IT

If-you-Build-It-Key-Image-Courtesy-of-Long-Shot-Factory-Release-280x140Coming to PBS’s America ReFramed series this coming Tuesday, June 2: IF YOU BUILD IT

Patrick Creadon’s look at design-focused education debuted at Full Frame in 2013. Fest screenings followed at DOC NYC, AFI Docs, Cucalorus, Austin, Heartland, Hot Springs, and the Hamptons, among others.

I previously wrote about the doc here.

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Brooklyn Film Festival 2015: Documentary Overview

BFF_logoThe Brooklyn Film Festival returns for its 18th edition tomorrow, Friday, May 29, presenting 109 films before it wraps up on Sunday, June 7, curated by new director of programming Bryce Renninger from a record number of film submissions. Among these are the following ten feature documentaries, which premiered at several notable film events and now come to NYC via BFF: Continue reading

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On VOD: HOT GIRLS WANTED

hot girls wantedComing to VOD this Friday, May 29: HOT GIRL WANTED

Jill Bauer and Ronna Gradus’ candid exploration of the amateur porn industry made its world premiere at Sundance earlier this year. Other screenings have included the Miami film festival, Indiana University, and the Kinsey Institute. It now comes to VOD exclusively through Netflix.

My pre-Sundance profile of the doc may be found here.

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On DVD: KUMU HINA

kumu hinaNew to DVD this week: KUMU HINA

Dean Hamer and Joe Wilson’s portrait of a transgender Hawaiian teacher debuted at the Hawaii International Film Festival last year. It has traveled widely on the LGBT and Asian fest circuits, among other events, including Frameline, QDoc, Beijing, Chicago, Jakarta, Austin, Hong Kong, Auckland, Wellington, Dallas, and NYC.

I previously wrote about the film here.

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On VOD: BORN TO FLY: ELIZABETH STREB VS GRAVITY

born to flyComing to VOD today, Tuesday, May 26: BORN TO FLY: ELIZABETH STREB VS GRAVITY

Catherine Gund’s portrait of a dynamic choreographer made its bow at SXSW last year. Its fest circuit included Cleveland, Full Frame, Seattle, Sydney, Brooklyn, Sheffield, and Frameline, among others. It now comes to VOD exclusively through iTunes, with Netflix availability scheduled for June 11.

I previously wrote about the doc here.

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Special Screening: HOT TYPE: 150 YEARS OF THE NATION

hot typeComing to NYC’s Stranger Than Fiction series tomorrow, Tuesday, May 26: HOT TYPE: 150 YEARS OF THE NATION

Barbara Kopple’s exploration of the flagship magazine of the left had its world premiere at MoMA’s Documentary Fortnight earlier this year. It has since screened at Sarasota, IFF Boston, and Montclair, and will be part of the lineups of Nantucket and AFI Docs, among other upcoming events.

I previously wrote about the doc for Nantucket’s program, saying:
Acclaimed documentarian Barbara Kopple, a two-time Academy Award® winner, returns to the festival with her latest film, a fascinating inside look at the oldest continuously published weekly magazine in the United States, THE NATION. Now in its 150th year, the left-leaning publication remains as dedicated to its progressive mission as ever, but faces the daunting prospect of an aging readership and a new digital media landscape. As its captivating publisher, Katrina vanden Heuvel, tackles increasingly polarized political current affairs, Kopple skillfully weaves in stories from the magazine’s past to form an illuminating bridge to its present and future.

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On TV: OIL & WATER

OilAndWater_400x222Coming to the WORLD Channel’s Global Voices series this Sunday, May 24: OIL & WATER

Laurel Spellman Smith and Francine Strickwerda’s look at two young men’s encounter with ecological disaster had its world premiere at Seattle last year. Other screenings included Rhode Island, Rio, Bahamas, Wild & Scenic, Maryland, Sebastopol Doc, and Princeton and DC’s Environmental fests.

Despite vastly different backgrounds, David and Hugo are linked by a common interest. David is an American who became passionate about the negative impact of oil exploitation in South America when he was a pre-teen, and eventually made his way to Ecuador working for fair trade practices in oil. Hugo is of the Cofan people, and was sent by his tribe to get an education in the US in order to return with the knowledge of the Western world and become a leader to help his people against the further destruction of their lands and traditions. Spellman Smith and Strickwerda follow both men’s stories over six years, as David finds success in his efforts, while Hugo initially struggles to figure out a way to attend university without American residency so he may fulfill the mandate of his people. Unfortunately, in addition to Hugo largely playing second fiddle to David’s more dynamic trajectory, their two stories are always very separate and only tangentially related, ultimately making the project feel somewhat arbitrarily structured.

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