Coming to NYC’s Stranger Than Fiction series tonight, Tuesday, March 24: THE MUSES OF ISAAC BASHEVIS SINGER
Asaf Galay and Shaul Betser’s profile of the Nobel Prize winner debuted at Haifa last year. It has gone on to screen at Miami, and at Jewish fests in New York, San Francisco, Philadelphia, Washington DC, and Toronto, among others.
Singer, best known by mainstream audiences as the author of YENTL and ENEMIES, A LOVE STORY through the film adaptations, was long celebrated among Jewish American audiences since he began publishing his Yiddish stories in the 1930s. As signaled by the film’s title, Galay and Betser cleverly approach the writer from the perspectives of the various translators with whom he worked, always women, and, most surprisingly given their role, typically unable to read or speak Yiddish. This “harem,” as Singer referred to them, offer candid insight into his personal and professional life, and, most intriguingly, on the prickly social, cultural, and political questions that accompany the role of translation in literature. While targeting existing fans of his work, this sprightly biography still succeeds in introducing the man and his work to the unconverted in an unusual and engaging manner.
Coming to VOD tomorrow, Tuesday, March 23: OPEN SECRET
Steve Lickteig’s search for his roots had its world premiere at Hot Docs in 2011. Other fest berths included Thessaloniki Doc, Indie Grits, and Kansas, among others. It now comes to VOD platforms including iTunes, Amazon, Xbox and Google Play.
I previously wrote about the film out of Hot Docs here.
Coming to DVD tomorrow, Tuesday, March 24: BITE SIZE
Corbin Billings’ exploration of childhood obesity premiered at Cinequest last year. The film will also screen at the upcoming TIFF Kids fest. It was released on Vimeo earlier this month and now expands to additional VOD platforms, including iTunes, Google Play, Amazon Instant Video, and VUDU, in addition to its DVD release.
I previously wrote about the doc here.
Coming to DVD tomorrow, Tuesday, March 24: ACTRESS
Robert Greene’s portrait of a woman looking for her comeback had its world premiere at True/False last year. It went on to screen at Nantucket, Hot Docs, AFI Docs, Art of the Real, DMZ Docs, Camden, CPH:DOX, RIDM, and IDFA, among several others.
I previously wrote about the doc upon its theatrical release here.
Coming to The WORLD Channel’s Strength of Women series today, Friday, March 20: THE LEGEND OF PANCHO BARNES AND THE HAPPY BOTTOM RIDING CLUB
Amanda Pope’s biography of a colorful aviation pioneer debuted at NewFest in 2009. Other screenings included Hot Springs Doc, Los Angeles and San Francisco Women’s film fests, and various aviation museums, conventions, and air shows around the country.
Florence Lowe Barnes was once a well-known aviatrix and contemporary of Amelia Earhart who had a love for speed and danger – qualities which enabled her to become the first female stunt pilot in Hollywood, working for directors like Howard Hughes, before setting up a ranch on Edwards Air Force base that had a wild reputation as a test pilot hang out. Pope’s buoyant profile uncovers her forgotten history, exploring how the daughter of a well-to-do Pasadena family found herself married off to a priest, escaped her unhappy marriage by disguising herself as a man, and became unexpectedly embroiled in the Mexican Civil War, where she earned her masculine nickname, “Pancho.” Influenced by her grandfather’s love for flying, Pancho – who received lessons from Orville Wright while in her male guise – beat Earhart’s airspeed record before heading to Hollywood. When her hard-partying ways put an end to her flying career, she made a fresh start by forming the titular ranch – which despite its suggestive name, was not a brothel – and became a fixture on the airbase. Pope ably and genially celebrates a larger-than-life character who refused to let proscribed gender roles dictate her life.
Coming to PBS’s Independent Lens next Monday, March 23: LITTLE WHITE LIE
Lacey Schwartz’s coming to grips with family secrets debuted at the San Francisco Jewish Film Festival last year. Its fest circuit has also included DOC NYC, New Orleans, Sidewalk, Black Harvest, BlackStar, Martha’s Vineyard African American, and Philadelphia Jewish fests, among others.
I previously wrote about the doc here.
Cinéma du Reél, the documentary festival of Paris, opens its 37th edition tonight, Thursday, March 19, and continues through Sunday, March 30. While programming remains geared to visual anthropology, this year’s event also has stated an openness to flexible considerations of nonfiction forms, represented by opening night selection AUSTERLITZ, a hybrid by Stan Neumann which draws inspiration from a novel by WG Sebald. The event’s various special screenings, retrospectives, and tributes – covering a range of creators from Haskell Wexler to Amit Dutta, and exploring nonfiction from China to Greece – also attempt to bridge the past with the future. The focus below, however, remains on the newer films in the fest’s lineup, as represented in its three feature competition sections: Continue reading