Coming to VOD this Friday, May 29: HOT GIRL WANTED
Jill Bauer and Ronna Gradus’ candid exploration of the amateur porn industry made its world premiere at Sundance earlier this year. Other screenings have included the Miami film festival, Indiana University, and the Kinsey Institute. It now comes to VOD exclusively through Netflix.
My pre-Sundance profile of the doc may be found here.
New to DVD this week: KUMU HINA
Dean Hamer and Joe Wilson’s portrait of a transgender Hawaiian teacher debuted at the Hawaii International Film Festival last year. It has traveled widely on the LGBT and Asian fest circuits, among other events, including Frameline, QDoc, Beijing, Chicago, Jakarta, Austin, Hong Kong, Auckland, Wellington, Dallas, and NYC.
I previously wrote about the film here.
Coming to VOD today, Tuesday, May 26: BORN TO FLY: ELIZABETH STREB VS GRAVITY
Catherine Gund’s portrait of a dynamic choreographer made its bow at SXSW last year. Its fest circuit included Cleveland, Full Frame, Seattle, Sydney, Brooklyn, Sheffield, and Frameline, among others. It now comes to VOD exclusively through iTunes, with Netflix availability scheduled for June 11.
I previously wrote about the doc here.
Coming to NYC’s Stranger Than Fiction series tomorrow, Tuesday, May 26: HOT TYPE: 150 YEARS OF THE NATION
Barbara Kopple’s exploration of the flagship magazine of the left had its world premiere at MoMA’s Documentary Fortnight earlier this year. It has since screened at Sarasota, IFF Boston, and Montclair, and will be part of the lineups of Nantucket and AFI Docs, among other upcoming events.
I previously wrote about the doc for Nantucket’s program, saying:
Acclaimed documentarian Barbara Kopple, a two-time Academy Award® winner, returns to the festival with her latest film, a fascinating inside look at the oldest continuously published weekly magazine in the United States, THE NATION. Now in its 150th year, the left-leaning publication remains as dedicated to its progressive mission as ever, but faces the daunting prospect of an aging readership and a new digital media landscape. As its captivating publisher, Katrina vanden Heuvel, tackles increasingly polarized political current affairs, Kopple skillfully weaves in stories from the magazine’s past to form an illuminating bridge to its present and future.
Coming to the WORLD Channel’s Global Voices series this Sunday, May 24: OIL & WATER
Laurel Spellman Smith and Francine Strickwerda’s look at two young men’s encounter with ecological disaster had its world premiere at Seattle last year. Other screenings included Rhode Island, Rio, Bahamas, Wild & Scenic, Maryland, Sebastopol Doc, and Princeton and DC’s Environmental fests.
Despite vastly different backgrounds, David and Hugo are linked by a common interest. David is an American who became passionate about the negative impact of oil exploitation in South America when he was a pre-teen, and eventually made his way to Ecuador working for fair trade practices in oil. Hugo is of the Cofan people, and was sent by his tribe to get an education in the US in order to return with the knowledge of the Western world and become a leader to help his people against the further destruction of their lands and traditions. Spellman Smith and Strickwerda follow both men’s stories over six years, as David finds success in his efforts, while Hugo initially struggles to figure out a way to attend university without American residency so he may fulfill the mandate of his people. Unfortunately, in addition to Hugo largely playing second fiddle to David’s more dynamic trajectory, their two stories are always very separate and only tangentially related, ultimately making the project feel somewhat arbitrarily structured.
A coming of age documentary in the shadow of TWIN PEAKS.
As a boy, Travis Blue witnessed the transformation of his small hometown into the setting for David Lynch’s groundbreaking television series, TWIN PEAKS. Inspired, he sought an escape from his tormented upbringing, especially connecting with the series’ enigmatic central figure, Laura Palmer, a homecoming queen with a dark double life. Echoing her reckless adolescent exploration, Travis began experimenting with his sexuality and with drugs as he became more and more obsessed with the show and its fan festivals. In his first feature documentary, Adam Baran, the long-time co-curator of NYC’s popular Queer/Art/Film series, tells Travis’ story, working with executive producers Jonathan Caouette (TARNATION director) and P David Ebersole and Todd Hughes (ROOM 237 executive producers) to offer a stranger than fiction tale of life imitating art. Continue reading
Coming to theatres today, Friday, May 22: SOMETHING BETTER TO COME
Hanna Polak’s longitudinal portrait of a Russian girl made its debut at IDFA last year, where it claimed a special jury award. Other festival screenings have included True/False, ZagrebDox, Documenta Madrid, Doc.fest Munich, and Docs Against Gravity.
Polak first encounters her protagonist, Yula, at the age of ten. She seems unremarkable, save for the place she calls home: the Svalka, the largest landfill in Europe, located just outside of Moscow. Curious to understand how people could live in such an environment, Polak tenaciously returned periodically over the course of fourteen years, tracking Yula, her mother, and the loose-knit community that shared the unorthodox environs, and in the process allows the viewer to witness a girl grow into a young woman. Though at a decided disadvantage, having grown up with virtually nothing and struggling with the same factors that plagued her mother, Yula nevertheless dreams of escaping the trap of poverty. Polak crafts an impressionistic, indelible study of adolescence and of a hardscrabble existence.