New to DVD this week: PAPIROSEN
Gastón Solnicki’s generational portrait of his family debuted at Locarno in 2011. Other screenings have included Thessaloniki Doc, Rotterdam, BAFICI, Edinburgh, Jerusalem, San Sebastian, Jeonju, and the New York and San Francisco Jewish fests.
Solnicki captures four generations of his argumentative Argentine-Jewish family over more than fifty years. While most of the footage is his own, stemming from about ten years of recording, the director also mixes in Super 8 shot by other family members that goes back much further. Presented in an often jumbled manner, moving back and forth through time, the cacophony can overwhelm at times. Still, Solnicki’s intimate profile also forces the viewer into the role of silent witness, privy to the tortured imprint the Holocaust has left on his entire clan, from those who made the initial journey from Poland to Argentina in the 1940s, to their offspring who grew up feeling the consequences of this exodus: anger, sadness, and seemingly perpetual dissatisfaction.
New to DVD: THE BRAINWASHING OF MY DAD
Jen Senko’s personal look at right-wing media premiered at Cinequest earlier this year. Screenings followed at Sarasota, Beverly Hills, and San Luis Obispo.
I previously wrote about the doc here.
Coming to DVD today, Tuesday, August 23: WEINER
Josh Kriegman and Elyse Steinberg’s immersive look at an infamous political campaign had its world premiere at Sundance this year, where it won a grand jury prize. Screenings followed at True/False, New Directors/NewFilms, Hot Docs, Full Frame, Sarasota, RiverRun, Nashville, IFF Boston, San Francisco, Montclair, and Sydney, among other events.
I profiled the doc before Sundance here.
Coming to theatres tomorrow, Wednesday, August 24: KATE PLAYS CHRISTINE
Robert Greene’s provocative exploration of performance and empathy made its debut at Sundance this year, where it won a special jury prize. The film went on to screen at Nantucket, Berlin, True/False, Indielisboa, DocAviv, Sydney, BAMcinemaFest, New Zealand, Melbourne, and Sydney.
My pre-Sundance profile of the doc may be found here.
Coming to DVD tomorrow, Tuesday, August 23: TAB HUNTER CONFIDENTIAL
Jeffrey Schwarz’s look at the screen icon’s secrets made its bow at SXSW last year. Its fest circuit included Cleveland, Seattle, Maryland, Provincetown, Revelation, and LGBT fests all over the world.
I previously wrote about the doc here.
Coming to DVD and VOD tomorrow, Tuesday, August 23: THE OTHER SIDE
Roberto Minervini’s hybridized look at life on Louisiana’s margins debuted at Cannes last year. It went on to screen at Toronto, Karlovy Vary, Biografilm, Bergen, Rio, Palm Springs, True/False, Goteborg, Docs Against Gravity, and the Film Society of Lincoln Center’s Art of the Real.
I previously wrote about the film here.
Coming to theatres today, Friday, August 19: MAKING A KILLING: GUNS, GREED, AND THE NRA
Robert Greenwald’s polemic against the pro-gun lobby debuts this weekend around the country.
Like his previous films about Halliburton, the Koch brothers, and Wal-Mart, Greenwald’s latest exhaustively trumpets that the core motivation of the National Rifle Association is not some principled desire to protect a constitutional right but instead a far simpler one: profit, at any cost. With its pointed subtitle, this won’t come as a surprise to anyone, and will just serve to confirm the viewpoint of its likely audience of like-minded gun control advocates – it’s hard to imagine that the NRA membership would bother to watch. In practice, the film falls short of its intended goal – beyond noting the annual salaries of key NRA officials and the profits of notable gun companies or gun sellers, it doesn’t dig deeper than listing NRA campaign contribution amounts to legislators who have blocked sensible gun laws and, in a big misstep, flashing pictures of mansions, yachts, and private jets as some kind of indictment against profit – as if these trappings of success are somehow unique to this industry. Instead of investigating the money trail further, Greenwald instead spends the bulk of his film on several stories related to gun violence, including a woman shot by her estranged husband, a teenager accidentally killed with a family’s unlocked gun, a suicide enabled by an impulsive gun purchase, a broader consideration of illegal guns in Chicago, and the Aurora CO movie theatre mass shooting. While overlong, particularly the Chicago segment, these episodes illustrate textbook examples of the problems with America’s lax gun laws, from the lack of background checks and waiting periods to the gun show loophole. Hammering the point home, Greenwald overlays statistic over statistic over statistic, so much so that they sadly become numbing after awhile. Ultimately, the film has the best of intentions, but is hampered by its execution.