Author Archives: basiltsiokos

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About basiltsiokos

Basil Tsiokos is a Senior Programmer for the Sundance Film Festival, focusing on nonfiction features. He was most recently with DOC NYC for nearly a decade, where he served as Director of Programming since 2014, and with the Nantucket Film Festival as its Film Program Director. Prior to those positions, Basil was the longtime Artistic and Executive Director of NewFest. He has been affiliated with Sundance since 2005 as a Programming Associate. Basil serves on the feature nominating committees for the International Documentary Association Awards and Cinema Eye Honors. He has written about documentaries daily since 2010 on what (not) to doc. Basil holds a Masters degree from New York University and two undergraduate degrees from Stanford University.

On TV: LANCE

Coming to ESPN in two parts, this Sunday, May 24 and next Sunday, May 31:
LANCE

Director:
Marina Zenovich

World Premiere:
Sundance 2020

About:
The rise and fall of Lance Armstrong.

I profiled the doc before Sundance here.

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Filed under Documentary, Film, Film Festivals, Recommendations, Releases, Sundance

On TV/VOD: AKA JANE ROE

Coming to FX tonight, Friday, May 22 and to VOD via Hulu tomorrow, Saturday, May 23:
AKA JANE ROE

Director:
Nick Sweeney

World Premiere:
FX broadcast (May 2020)

About:
Right before her death, Norma McCorvey – better known as “Jane Roe” – sets the record straight on her true beliefs.

In 1969, 21-year-old Norma McCorvey was denied an abortion in Texas, and was unable to obtain one, legally or illegally, elsewhere. Eventually, she was referred to attorneys Linda Coffee and Sarah Weddington, who were looking for a poor pregnant woman who could serve as a pseudonymous plaintiff for the case that would become Roe v Wade. Following the landmark US Supreme Court case, McCorvey revealed herself to be “Jane Roe.” Decades later, following the publication of her autobiography, she made headlines by becoming a staunch anti-abortionist and acolyte of Operation Rescue after her conversion to Christianity, also renouncing her homosexuality in the process. Director Nick Sweeney speaks with McCorvey in a nursing home in the last months before her 2017 death, getting her perspective on her connection to the forever contentious issue and her controversial reversal. She reveals a difficult life, one of abuse and disenfranchisement, and a recurring feeling of being used – first by Coffee and Weddington, who used her as a symbol but did not involve her in the case in any practical manner, and then, she confesses, by Operation Rescue, who had systematically targeted her to flip and use to undermine the pro-choice movement. McCorvey makes a “deathbed confession” that it was all an act, done for profit and publicity – a charge verified by reformed evangelical pastor Robert Schenck, who used to work with her. There’s power in McCorvey, held up as an anonymous symbol on both sides of the reproductive rights debate, speaking her more complicated truth and claiming her own agency, though the viewer may want a greater sense of acknowledgement from her of the damage done by her cynical about face.

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In Virtual Release: KATE NASH: UNDERESTIMATE THE GIRL

Coming to virtual theatrical via Alamo Drafthouse tomorrow, Friday, May 22:
KATE NASH: UNDERESTIMATE THE GIRL

Director:
Amy Goldstein

World Premiere:
Los Angeles 2018

Select Festivals:
DOC NYC, DOK.Fest Munich, Sheffield, Cleveland, St Louis, Hot Springs Doc, ZagrebDox, Krakow, Doc Edge, Minneapolis-St Paul, Salem, Bentonville

About:
A portrait of the musician and actress.

The film screened as part of DOC NYC, for which our program notes read:
Director Amy Goldstein crafts an intimate and inspiring portrait of British darling and powerhouse musician Kate Nash, whose meteoric rise to fame is quickly followed by a soul-crushing release from her major record label and devastating financial developments. Determined to make music on her own terms, Nash self-funds her third album, pursues acting opportunities, and produces her own world tour. Unfiltered and unfettered, Nash’s resilience will make you laugh, cry, and sing.

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In Virtual Release: DIANA KENNEDY: NOTHING FANCY

Coming to virtual theatrical tomorrow, Friday, May 22:
DIANA KENNEDY: NOTHING FANCY

Director:
Elizabeth Carroll

World Premiere:
SXSW 2019

Select Festivals:
DOC NYC, Hot Docs, San Francisco, Hawaii, Vermont, Tallinn Black Nights, Sedona

About:
A portrait of the nonagenarian British author, an expert in regional Mexican cuisine.

The film screened as part of DOC NYC, for which our program notes read:
Diana Kennedy fell in love with Mexican food over 60 years ago, and has made it her mission to document and celebrate the regional varieties of Mexico’s cuisine ever since, becoming the world’s leading authority. Now in her 90s, the celebrated British-born chef and cookbook author is still as feisty and no-nonsense as ever, leading teaching workshops, advocating for environmental sustainability, and planning to turn her home into a foundation for culinary education in Mexico.

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On VOD: GRIT

New to VOD this week:
GRIT

Directors:
Cynthia Wade and Sasha Friedlander

World Premiere:
Hot Docs 2018

Select Festivals:
DOC NYC, Full Frame, Hamptons, Big Sky Doc, Bergen, One World, Mill Valley, GlobeDocs, Hawaii, Movies That Matter, Ashland, Doc Edge, Salem, Atlanta, Environmental fests in Washington DC, Princeton, and Yale

About:
In East Java, Indonesia, a mother and daughter battle a corporation over a man-made catastrophe.

I previously wrote about the doc here.

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On VOD: ANBESSA

Coming to VOD this Friday, May 22:
ANBESSA

Director:
Mo Scarpelli

World Premiere:
Berlin 2019

Select Festivals:
DOC NYC, IDFA, Hot Docs, Thessaloniki Doc, Durban, Mountainfilm, RiverRun, Maryland, Woods Hole, Cleveland, Cucalorus, Washington DC Enviro, San Francisco DocFest

About:
A young Ethiopian boy turns to his imagination to reckon with the urbanization of his home.

I previously wrote about the doc here.

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In Virtual Release: THE GHOST OF PETER SELLERS

Coming to virtual theatrical this Friday, May 22:
THE GHOST OF PETER SELLERS

Director:
Peter Medak

World Premiere:
Venice 2018

Select Festivals:
DOC NYC, Telluride, Raindance, Oldenburg, Gent, Sao Paulo

About:
A revisitation of the director’s experience making an ill-fated 1970s Peter Sellers comedy.

I previously wrote about the film for DOC NYC’s program, saying:
In 1973, director-on-the-rise Peter Medak nabbed notoriously difficult comic genius and box-office star Peter Sellers for his new pirate comedy, GHOST IN THE NOONDAY SUN. Outrageously, Sellers immediately began sabotaging the film. While the actual behind-the-scenes shenanigans were often funnier and more bizarre than the film itself, the filmmaking was an excruciating experience that threatened the sanity and career of its director. Medak revisits the ill-fated production to exorcise his demons in this tragicomic documentary.

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In Virtual Release & On VOD: THE PAINTER AND THE THIEF

Coming to virtual theatrical and VOD this Friday, May 22:
THE PAINTER AND THE THIEF

Director:
Benjamin Ree

World Premiere:
Sundance 2020

Select Festivals:
Rotterdam, Full Frame, One World, San Francisco

About:
A dual portrait of an artist and the thief who stole her art but becomes her friend.

I profiled the doc before Sundance here.

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On DVD: THE VENERABLE W

Coming to DVD today, Tuesday, May 19:
THE VENERABLE W

Director:
Barbet Schroeder

Premiere:
Cannes 2017

Select Festivals:
Locarno, Telluride, New York, London, IDFA, CPH:DOX, Docslisboa, Jihlava, Docs Against Gravity, Jerusalem, Melbourne, New Zealand, Helsinki, Moscow, Vancouver, Rio, Mill Valley, Mar del Plata, Singapore

About:
A portrait of a Buddhist monk who has fomented Islamophobia in Burma.

I previously wrote about the doc here.

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On DVD: THE GENE: AN INTIMATE HISTORY

Coming to DVD today, Tuesday, May 19:
THE GENE: AN INTIMATE HISTORY

Directors:
Chris Durrance and Jack Youngelson

World Premiere:
PBS broadcast (April 2020)

About:
A far-ranging history of the discovery and research into the human genome.

I previously wrote about the doc here.

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