Author Archives: basiltsiokos

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About basiltsiokos

Basil Tsiokos is a Senior Programmer for the Sundance Film Festival, focusing on nonfiction features. He was most recently with DOC NYC for nearly a decade, where he served as Director of Programming since 2014, and with the Nantucket Film Festival as its Film Program Director. Prior to those positions, Basil was the longtime Artistic and Executive Director of NewFest. He has been affiliated with Sundance since 2005 as a Programming Associate. Basil serves on the feature nominating committees for the International Documentary Association Awards and Cinema Eye Honors. He has written about documentaries daily since 2010 on what (not) to doc. Basil holds a Masters degree from New York University and two undergraduate degrees from Stanford University.

Margaret Mead 2018 Overview

Festival:
The 42nd Margaret Mead Film Festival

Dates:
October 18-21

About:
NYC’s American Museum of Natural History presents this annual event, which this year showcases more than 30 documentary features.

WHAT THE WIND TOOK AWAY

North American premieres at the festival include: Georgina Barreiro’s TARA’S FOOTPRINT, following four siblings in a sacre Buddhist village; Ljiljana Šišmanović and Davor Borić’s THE FLYING FRIAR, about a priest working to preserve Croatian music in rural Bosnia and Herzegovina; and Helin Celik and Martin Klingenböck’s WHAT THE WIND TOOK AWAY, about two Yazidis living in a refugee camp after escaping from ISIS.

RUNNERS

Mead’s US premieres include: Anja Reiss’ TRUTH DETECTIVES, on the use of technology to uncover human rights violations; Carmen Torres’ AMANECER (DAWN), which follows the filmmaker as she seeks out her birth mother; Kurt Reinhard and Christoph Schreiber’s CIAO BABYLON, on the vanishing languages of NYC; Marcia Mansur and Marina Thomé’s THE SOUND OF BELLS, on the significance of church bell ringers in Brazil; and Łukasz Borowski’s RUNNERS, about a treacherous ultramarathon in Poland.

THE GUARDIANS

Finally, NYC premieres include opening night film, Gemma Atwal’s STOLEN DAUGHTERS: KIDNAPPED BY BOKO HARAM; Ben Crosbie and Tessa Moran’s THE GUARDIANS, about the struggle of Mexican indigenous people to protect their land, the migatory home of monarch butterflies; Tenzin Phuntsog and Joy Dietrich’s RITUALS OF RESISTANCE, a personal exploration of Tibetan resistance to Chinese occupation; and Charlie Samuels’ VIRGIN BLACKTOP, a look back at a skateboarding crew in Nyack NY in the late 1970s.

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On DVD: WHITNEY

WHITNEY | Image © Stefano Baroni

New to DVD this week:
WHITNEY

Director:
Kevin Macdonald

Premiere:
Cannes 2018

Select Festivals:
Edinburgh, Sydney, Munich, Biografilm

About:
A candid exploration of the rise and fall of Whitney Houston.

I previously wrote about the doc here.

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New Orleans 2018: Documentary Overview

Festival:
The 29th New Orleans Film Festival

Dates:
October 17-25

About:
Filmmakers and industry continue to be drawn to this popular and well-regarded Southern regional event, which presents nearly 40 docs among its 60+ feature offerings.

WHILE I BREATHE, I HOPE

Among the films competing in the Documentary Competition are: Emily Harrold’s WHILE I BREATHE, I HOPE, which follows Bakari Sellers uphill struggle as he runs for lieutenant governor in South Carolina; Nadia Shihab’s JADDOLAND, a portrait of the filmmaker’s mother, an Iraqi artist in Texas; and Hao Zhang’s GIMME A FAITH, which follows evangelical Christian Chinese students studied in North Carolina.

BUCKJUMPING

The Louisiana Competition’s nonfiction titles include: Mark K Brockway and Timothy Givens’ MISSISSIPPI MADAM: THE LIFE OF NELLIE JACKSON, about an African-American divorcee-turned-brothel madam; Allison Bohl Dehart and Peter Dehart’s BENDING LINES: THE SCULPTURE OF ROBERT WIGGS, a portrait of an artist and his unique scientific approach to his work; and Lily Keber’s BUCKJUMPING, a look at New Orleans’ dance traditions.

THIS TACO TRUCK KILLS FASCISTS

Other sections featuring documentaries include: Spotlight Films, with upcoming DOC NYC opening night selection, John Chester’s THE BIGGEST LITTLE FARM, which follows a couple’s odyssey to establish a biodynamic farm; Caribbean Voices, with Jose Hiriart’s PÉP SOUVREN (SOVEREIGN PEOPLE), about activists fighting for true democracy in Haiti; and Change-Makers, which includes Harry Moses’ GUILTY UNTIL PROVEN GUILTY, a case study exposing the injustices in New Orleans’ criminal justice system; Ada McMahon and Wendi Moore-O’Neal’s THIS LITTLE LIGHT, about a woman forced to stay closeted to do relief work post-Katrina; and Rodrigo Dorfman’s THIS TACO TRUCK KILLS FASCISTS, about a traveling theatre project exposing the impact of immigration on New Orleans.

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On VOD: THE DEVIL WE KNOW

Coming to VOD today, Tuesday, October 16:
THE DEVIL WE KNOW

Director:
Stephanie Soechtig

Co-Director:
Jeremy Seifert

Premiere:
Sundance 2018

Select Festivals:
Hot Docs, Vancouver, Santa Barbara, Lunenberg Doc, New Zealand, SF Jewish, Washington DC Environmental, Greenwich, Riverrun, Sun Valley, Martha’s Vineyard, Boulder, Philadelphia

About:
An exposé of a corporation’s widespread use of dangerous chemicals, despite their known impact on human health.

I profiled the doc before Sundance here

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On DVD: GENERATION WEALTH

photo by Lauren Greenfield

Coming to DVD tomorrow, Tuesday, October 16:
GENERATION WEALTH

Director:
Lauren Greenfield

Premiere:
Sundance 2018

Select Festivals:
Nantucket, Berlin, SXSW, CPH:DOX, Docville, Full Frame, San Francisco, Sarasota, IFF Boston, Transilvania, Ambulante, Jeonju, Dallas, Docs Against Gravity, Greenwich, Provincetown

About:
A film essay and career retrospective examining society’s preoccupation with materialism.

I profiled the doc before Sundance here.

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Special Screening & On TV: THE SENTENCE

Coming to HBO tonight, Monday, October 15 and to Stranger Than Fiction tomorrow, Tuesday, October 16:
THE SENTENCE

Director:
Rudy Valdez

Premiere:
Sundance 2018

Select Festivals:
Nantucket, DOC NYC, Locarno, Traverse City, Montclair, Sarasota, Urbanworld, Thin Line, Provincetown, LA Latino, Aspen Ideas, SF Jewish, Freep, GlobeDocs

About:
A filmmaker reveals the personal impact of mandatory minimum laws on his own family.

I profiled the doc before Sundance here.

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On TV: ITZHAK

Coming to PBS’s American Masters this Sunday, October 14:
ITZHAK

Director:
Alison Chernick

Premiere:
Hamptons 2017

Select Festivals:
DOC NYC, Palm Springs, Jewish fests in Miami, Palm Beach, Atlanta, and Phoenix

About:
A deeply intimate portrait of acclaimed violin master, Itzhak Perlman.

I previously wrote about the doc here.

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On TV: ABOVE AND BEYOND: NASA’S JOURNEY TO TOMORROW

Coming to Discovery tomorrow, Saturday, October 13:
ABOVE AND BEYOND: NASA’S JOURNEY TO TOMORROW

Director:
Rory Kennedy

Premiere:
Sarasota 2018

Select Festivals:
Nantucket, AFI Docs, Hamptons, Martha’s Vineyard, GlobeDocs

About:
A celebration of the pioneering and continuing work of NASA.

I previously wrote about the doc here.

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On VOD: FEMINISTS: WHAT WERE THEY THINKING?

Coming to Netflix today, Friday, October 12:
FEMINISTS: WHAT WERE THEY THINKING?

Director:
Johanna Demetrakas

Premiere:
Big Sky Doc 2017

Select Festivals:
RiverRun, California Women’s, New Haven Docs,

About:
A look at feminism’s past and present.

In 1977, Cynthia MacAdams published Emergence, a book of portraits of self-identified feminists, ranging from influential activists and celebrities to artists and everyday women. On the occasion of a photographic exhibition of those images, Feminist Portraits: 1974-1977, filmmaker Johanna Demetrakas, herself one of the book’s subjects, revisits various women pictured within. As she meets with the likes of Jane Fonda, Lily Tomlin, Laurie Anderson, Meredith Monk, Judy Chicago, and Kate Millett, the filmmaker engages with an expansive set of concerns, both historical and all too topical. Interviewees recall dawning consciousness of sexism, early fear of identifying as “feminists,” and ways they rebelled; the emergence of the second wave of feminism and the fractures within it, felt especially by women of color; political organizing around reproductive freedom and around the ERA; and personal stories that run the gamut of women’s experiences of the 1970s. At the same time, the film introduces younger, modern-day voices, like filmmaker Wendy JN Lee, who recalls being treated as an afterthought during an award ceremony for her own project, the statuette handed to her male actor instead – underscoring the inequality that still remains. While taking on a bit too much, with an at times cursory, episodic feel as a result, Demetrakas’ project is a worthwhile and engaging one as it reminds viewers of the gains made when passionate women worked together to demand change.

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In Theatres: OVER THE LIMIT

Coming to theatres tomorrow, Friday, October 12:
OVER THE LIMIT

Director:
Marta Prus

Premiere:
IDFA 2017

Select Festivals:
Hot Docs, Moscow Doc, Visions du Reél, DOK.fest Munich, DocsBarcelona, Zagreb Dox, Krakow, Docpoint, Göteborg, Thessaloniki Doc, One World, Ambulante

About:
A brutally candid look at a rhythmic gymnast’s Olympic training.

Prus’ observational portrait focuses on Margarita Mamun, facing high expectations to win the gold medal for Russia at the 2016 Summer Olympics, her last. Subject to a rigorous training regimen, she barely is shown outside of the gym here, save for a few moments talking remotely via FaceTime to her boyfriend, another Olympian, or dealing with family matters. But fears that this would result in a dull film are quickly dismissed when Irina Viner-Usmanova the head coach of Russia’s national gymnastics program, makes her presence known. A larger-than-life figure, prone to extravagant hats, Viner-Usmanova doesn’t mince words – instead she swears, berates, and verbally uses her young athletes to a shocking degree, and, here, Mamun seems to take the brunt. Her unrelenting abuse is tempered to some degree by Mamun’s personal coach, Amina Zaripova, but it’s clear that the young gymnast is miserable, but still she perseveres. Though not always an easy watch, Prus’ well-constructed film offers a provocative inside look at the pressures facing a world-class athlete and questions if it’s all worth it in the end.

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