Author Archives: basiltsiokos

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About basiltsiokos

Basil Tsiokos is a Senior Programmer for the Sundance Film Festival, focusing on nonfiction features. He was most recently with DOC NYC for nearly a decade, where he served as Director of Programming since 2014, and with the Nantucket Film Festival as its Film Program Director. Prior to those positions, Basil was the longtime Artistic and Executive Director of NewFest. He has been affiliated with Sundance since 2005 as a Programming Associate. Basil serves on the feature nominating committees for the International Documentary Association Awards and Cinema Eye Honors. He has written about documentaries daily since 2010 on what (not) to doc. Basil holds a Masters degree from New York University and two undergraduate degrees from Stanford University.

2017 DOC NYC in Focus: New World Order

RECRUITING FOR JIHAD


New to DOC NYC this year, a section focused on today’s most pressing issues: Continue reading

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DOK Leipzig 2017 Overview

Festival:
The 60th anniversary DOK Leipzig

Dates:
October 30-November 5

About:
This long-running German festival of documentary and animated films features approximately 90 new and recent nonfiction films. Continue reading

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2017 DOC NYC in Focus: DOC NYC PRO – Short List Day


My focus on DOC NYC‘s industry programming series, DOC NYC PRO, continues with this look at panels and events on Friday, November 10. Continue reading

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2017 DOC NYC in Focus: International Perspectives

THE PINK HOUSE


My DOC NYC focus continues with some globetrotting: Continue reading

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On VOD: NO MAN’S LAND

Coming to VOD tomorrow, Tuesday, October 31:
NO MAN’S LAND

Director:
David Byars

Premiere:
Tribeca 2017

Select Festivals:
Montclair, Denver, St Louis, Mill Valley, Ashland, Camden

About:
An inside look at the controversial occupation of Oregon’s Malheur Wildlife Refuge by right-wing militants.

Last year, when an armed group of self-styled “patriots,” frustrated by the policies of the federal government’s Bureau of Land Management, occupied Malheur, they cagily drew the attention of both traditional and social media, quickly becoming the subject of a national debate that encompassed concepts of state rights, federal over reach, gun control, and racial and religious bias in how “homegrown terrorism” is defined. Director David Byars managed to embed with the militants, led by Ammon Bundy, and is well-positioned to present their personalities and rationale for their extreme action, though as the days pass, both take on a desperate, paranoid air, with over dramatic macho posturing unable to disguise a lack of a clear plan. Balancing out their anger and discontent are the viewpoints of journalists who covered the story, as well as the nearby community of Burns OR, who are fearful of the protestors and the violence they expect will come in their wake. Byars film emerges as a remarkably intimate chronicle of the 41 day standoff, and of the disturbing anti-federalist sentiment at its heart that continues to reverberate across the country today.

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2017 DOC NYC in Focus: American Perspectives

FATHER’S KINGDOM

Continuing my DOC NYC spotlight, a look at our section highlighting stories from around the US: Continue reading

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2017 DOC NYC in Focus: DOC NYC PRO – The State of Documentary Day

Running concurrent with DOC NYC‘s film programming is DOC NYC PRO, a robust series of daily panels, case studies, and networking opportunities for working nonfiction professionals. Continue reading

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In Theatres & On VOD: JOAN DIDION: THE CENTER WILL NOT HOLD

Coming to theatres and to VOD via Netflix today, Friday, October 27:
JOAN DIDION: THE CENTER WILL NOT HOLD

Director:
Griffin Dunne

Premiere:
New York Film Festival 2017

Select Festivals:
Woodstock, Middleburg

About:
An expansive portrait of the celebrated, influential author and journalist by her nephew.

As much a look at America over the past half century as it is a tribute to one of its most insightful chroniclers, Dunne’s film is engaging, candid, and as accessible to newcomers to Didion’s work as it is to her devotees. Despite her small frame, Didion’s presence on camera is imposing, perhaps even more so in the central interview of the film now, in her 80s, than in the archival materials following her eruption onto the literary scene in the early 1960s after several years writing for Vogue. Dunne covers her major work, from PLAY IT AS IT LAYS to more recent achievements like THE YEAR OF MAGICAL THINKING, while framing the film largely through the lens of her long personal and professional partnership with husband John Gregory Dunne until his death in 2003. Through it all, Didion’s matter-of-fact reflections, accompanied by excerpts from her writing, underscore her uncanny ability to encapsulate and illuminate existential truths.

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In Theatres: THE WORK

Coming to theatres today, Friday, October 27:
THE WORK

Directors:
Jairus McLeary and Gethin Aldous

Premiere:
SXSW 2017

Select Festivals:
Seattle, Sheffield, BAMcinemaFest, Sarajevo, Melbourne

About:
Folsom State Prison hosts an intensive men’s group therapy workshop.

I previously wrote about the doc here.

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In Theatres: BILL NYE: SCIENCE GUY

Coming to theatres today, Friday, October 27:
BILL NYE: SCIENCE GUY

Directors:
David Alvarado and Jason Sussberg

Premiere:
SXSW 2017

Select Festivals:
Nantucket, San Francisco, Hot Docs, Telluride Mountainfilm, Seattle, Human Rights Watch, AFI Docs, Hot Springs Doc, Traverse City, Los Angeles, Provincetown

About:
A revealing profile of the well-known educational television personality turned science advocate.

The doc screened at Nantucket, for which our program notes read:
Everybody’s favorite television scientist takes center stage in this captivating portrait. Bill Nye’s earliest collaborators and those closest to him – as well as the quirky “Science Guy” himself – trace his path from charismatic engineer to world renowned science rock star. Directors David Alvarado and Jason Sussberg present an illuminating profile that showcases both Nye’s wit and wisdom and his increasingly important position as an outspoken voice on climate change.

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