Author Archives: basiltsiokos

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About basiltsiokos

Basil Tsiokos is a Senior Programmer for the Sundance Film Festival, focusing on nonfiction features. He was most recently with DOC NYC for nearly a decade, where he served as Director of Programming since 2014, and with the Nantucket Film Festival as its Film Program Director. Prior to those positions, Basil was the longtime Artistic and Executive Director of NewFest. He has been affiliated with Sundance since 2005 as a Programming Associate. Basil serves on the feature nominating committees for the International Documentary Association Awards and Cinema Eye Honors. He has written about documentaries daily since 2010 on what (not) to doc. Basil holds a Masters degree from New York University and two undergraduate degrees from Stanford University.

ON DVD/VOD: THE ROYAL ROAD

royal roadComing to DVD and VOD today, Tuesday, September 6: THE ROYAL ROAD

Jenni Olson’s essay on memory, history, and butch identity made its bow at Sundance last year. Screenings have also included Minneapolis St Paul, Art of the Real, BAFICI, Nashville, San Francisco, Seattle, Galway, Dokufest Kosovo, Vancouver, Wroclaw’s American, Napa Valley, Goteborg, and LGBT tests all over the world.

My pre-Sundance profile of the film may be found here.

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On VOD: THE SEVENTH FIRE

seventh fireComing to VOD today, Tuesday, September 6: THE SEVENTH FIRE

Jack Pettibone Riccobono’s candid look at Native American gang life debuted at Berlin last year. Its fest circuit has included New Orleans, Palm Springs, Documenta Madrid, Mar del Plata, Stockholm, Minneapolis-St Paul, Big Sky, Hawaii, Iran’s Cinema Vérité, Ashland, and Hot Springs Doc.

I previously wrote about the doc here.

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Toronto 2016: Documentary Overview

tiffThis week will see the film industry descend on the Toronto International Film Festival, which begins its fifth decade this Thursday, September 8. Once again, the event will turn the spotlight on over 280 new and recent feature films, in addition to shorts, retrospectives, television, and panels. Nearly 60 documentary or hybrid feature films are on offer, including numerous world premieres as well as buzzed about titles just fresh from Venice or Telluride berths. The following offers some highlights of this year’s impressive roster: Continue reading

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On DVD: BROTHERS OF THE BLACK LIST

1201x782-BROTHERS-OF-THE-BLACK-LIST-Students-protest-in-front-of-the-colleges-administration-building-in-Fall-1992-Image-by-Bruce-Endries-2-1160x652Coming to DVD today, Tuesday, September 6: BROTHERS OF THE BLACK LIST

Sean Gallagher’s look at a campus civil rights abuse debuted on the campus of SUNY Oneonta in early 2014. Screenings followed at DOC NYC, Dallas, DocuWest, and at several universities around the country.

I previously wrote about the film for DOC NYC’s program, saying:
In the fall of 1992, despite efforts to recruit minority students, SUNY Oneonta set off a firestorm of controversy that led to the longest litigated civil-rights case in US history. After an attempted rape of an elderly woman off-campus, school administrators released a list of its black male students to the police. Sean Gallagher’s affecting film chronicles how this act of institutionalized racial profiling left an indelible mark on the university, its students, and the larger community.

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On VOD: NUTS!

nutsComing to VOD tomorrow, Tuesday, September 6: NUTS!

Penny Lane’s subversive look at an eccentric self-made man premiered at Sundance earlier this year, where it picked up an award. Its festival circuit also included Nantucket, Hot Docs, San Francisco, BAMcinemaFest, Rotterdam, Ashland, Durban, Sarasota, Ashland, Cleveland, BAFICI, Seattle, Jerusalem, Melbourne, Bucheon, New Zealand, and Deauville.

I profiled the doc before Sundance here.

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Special Screening: THE WOLFPACK

THEWOLFPACK-KEYComing to NYC’s Bronx Documentary Center Women’s Film Series tomorrow, Tuesday, September 6: THE WOLFPACK

Crystal Moselle’s look at a band of unconventional brothers debuted at Sundance last year, claiming the US Documentary Grand Jury Prize. Screenings followed at DOC NYC, Nantucket, Cleveland, Full Frame, Sarasota, Tribeca, San Francisco, and Seattle, among other events.

My pre-Sundance profile of the doc may be found here.

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On DVD: HOCKNEY

hockney-001Coming to DVD tomorrow, Tuesday, September 6: HOCKNEY

Randall Wright’s artist profile premiered at BFI London in 2014. Screenings followed at BAFICI, Doc Aviv, Minneapolis St Paul, Brighton, Vancouver, Palm Springs, and St Louis, among other festivals.

I previously wrote about the doc here.

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On TV: THE BIRTH OF SAKÉ

birthofsakeComing to PBS’s POV this coming Monday, September 5: THE BIRTH OF SAKÉ

Erik Shirai’s exploration of the making of the distinctive Japanese beverage debuted at Tribeca last year. Additional screenings included Seattle, Dokufest Kosovo, San Sebastian, Milan, ZagrebDox, Philadelphia, Chicago, Antenna, Mar del Plata, Sidewalk, Palm Springs, Tallinn Black Nights, and Goteborg, among others.

I previously wrote about the doc here.

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Telluride 2016: Documentary Overview

telluride_film_festival_posterServing as a bellweather for the upcoming awards season and a celebration of the love of film, the annual Telluride Film Festival kicks off today, Friday, September 2. Keeping with tradition, the beloved event’s lineup was just revealed yesterday, and is now available online via its program guide. Through its wrap on Monday, September 5, the 43rd edition will showcase nearly 40 new and recent features, with nonfiction representing more than half its offerings. Among these are the following:

chasingtrane_03Twelve documentary programs are included in the main slate, Show. These include: Errol Morris’ THE B-SIDE: ELSA DORFMAN’S PORTRAIT PHOTOGRAPHY, about the celebrated oversized Polaroid photographer and her work; Werner Herzog’s INTO THE INFERNO, which follows the work of a leading volcanologist; Angus Macqueen’s THE END OF EDEN, about the impact of modern civilization on a hitherto undisturbed remote Brazilian tribe; Kief Davidson and Richard Ladkani’s THE IVORY GAME, on attempts to protect African elephants from poachers; Ryan Suffern’s FINDING OSCAR, which follows the forensic detective work to discover what happened to the survivors of a brutal Guatemalan massacre; Doug Nichol’s CALIFORNIA TYPEWRITER, a love letter to a typewriter repair store and to those who still cherish the not-quite obsolete writing implement; and John Scheinfeld’s CHASING TRANE (pictured), on the legendary John Coltrane.

beautiesofthenight_01Additional nonfiction appears in sections devoted to films about films and tributes to filmmakers and performers, Backlot and Frontlot/Backlot. Among these are María José Cuevas’ BEAUTIES OF THE NIGHT (pictured), a portrait of aging Mexican showgirls; Janus Køster-Rasmussen’s COOL CATS, a portrait of American jazz musicians in Denmark after jazz fell from favor in America; and Steven Okazaki’s MIFUNE: THE LAST SAMURAI, a celebration of the Japanese actor best known for his classic collaborations with Akira Kurosawa.

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On VOD: CITY 40

City_40_1Coming to VOD today, Thursday, September 1: CITY 40

Samira Goetschel’s clandestine profile of a secret Soviet-era city debuted at Hot Docs earlier this year. Other fest engagements have included Sheffield and Antenna. It now becomes available worldwide via Netflix.

Before 1994, after the collapse of the Soviet Union, Ozersk didn’t exist – or at least it was never permitted to appear on maps. It wasn’t even known as Ozersk during the Soviet era, but instead as “City 40,” a fittingly bureaucratic and vaguely mysterious name that underscored its secretive purpose: housing the families of scientists, engineers, and workers who worked on the USSR’s classified nuclear program. Convinced they were doing their patriotic duty as Mother Russia’s “nuclear shield,” the residents traded their freedom – generally cutting off outside contact – for a seemingly idyllic existence of relative plenty and harmony. Where other Soviet cities reckoned with food shortages or lack of resources at times, City 40 kept its population well-fed, cared for, and entertained. However, as those who provide testimony in this portrait attest, the true cost of their residency also included cancer, rare medical conditions, premature death, and living within an irradiated and polluted environment. Goetschel, who was aided by locals in smuggling in film equipment, speaks to ordinary citizens as well as a local journalist, nuclear scientists, and a human rights attorney advocating for justice for those maltreated by the Russian state, providing a compelling inside look at a fascinating, once-invisible “closed city.”

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