Author Archives: basiltsiokos

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About basiltsiokos

Basil Tsiokos is a Senior Programmer for the Sundance Film Festival, focusing on nonfiction features. He was most recently with DOC NYC for nearly a decade, where he served as Director of Programming since 2014, and with the Nantucket Film Festival as its Film Program Director. Prior to those positions, Basil was the longtime Artistic and Executive Director of NewFest. He has been affiliated with Sundance since 2005 as a Programming Associate. Basil serves on the feature nominating committees for the International Documentary Association Awards and Cinema Eye Honors. He has written about documentaries daily since 2010 on what (not) to doc. Basil holds a Masters degree from New York University and two undergraduate degrees from Stanford University.

Outfest 2016: Documentary Overview

outfestOutfest, the Los Angeles LGBT film fest, opens its 34th edition tonight, Thursday, July 7. Over 60 features will screen before the event comes to a close on Sunday, July 17, including 25 documentaries. Among these are its doc centerpiece, KIKI, Sara Jordenö’s intimate look at NYC’s youth ballroom scene, which debuted earlier this year at Sundance.

0049The festival’s remaining nonfiction includes a mix of highlights from Sundance and other notable events, as well as lesser known or brand new work. Among these are: Dante H Alencastre’s RAISNG ZOEY, a profile of a typical teenage girl, who happens to be trans; Annalise Ophelian’s MAJOR! (pictured), a biography of a notable black trans community leader; C Fitz’s JEWEL’S CATCH ONE, about the long-running African-American owned disco; Tiffany Rhynard’s FORBIDDEN: UNDOCUMENTED AND QUEER IN RURAL AMERICA, on a young man’s dual activism around immigration and LGBT rights; Robyn Symon’s UNCLE GLORIA: ONE HELLUVA RIDE!, about a criminal who found her true gender after crossdressing to escape the law; and Yony Leyser’s hybrid DESIRE WILL SET YOU FREE, an exploration of Berlin’s queer art scene.

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In Theatres: NORMAN LEAR: JUST ANOTHER VERSION OF YOU

norman learComing to theatres tomorrow, Friday, July 8: NORMAN LEAR: JUST ANOTHER VERSION OF YOU

Heidi Ewing and Rachel Grady’s portrait of the small screen pioneer debuted at Sundance at the beginning of the year. Further fest play has included Nantucket, Hot Docs, Seattle, Montclair, Palm Beach, AFI Docs, True/False, Miami, Sarasota, RiverRun, Biografilm, and the upcoming Traverse City, Woods Hole, San Francisco Jewish, and Martha’s Vineyard fests.

My pre-Sundance profile of the doc may be found here.

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Jerusalem 2016: Documentary Overview

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Tomorrow, Thursday, July 7, sees the start of the 33rd Jerusalem Film Festival, which will present more than 100 new feature films before its closing night on Sunday, July 17. With more than 40 documentaries, the festival demonstrates an increase from last year’s nonfiction numbers, though still fewer than it has shown in past editions. The following offers some highlights, focused primarily on new Israeli offerings:

F0_0540_0329_PepeLastBattleThis year’s Documentary Competition once again presents seven titles: Michael Alalu’s PEPE’S LAST BATTLE (pictured), which follows the director’s secular father in his longshot Jerusalem mayoral run; Yariv Mozar’s BEN-GURION, EPILOGUE, constructed from a long-lost interview conducted with the Israeli pioneer late in his life; Michal Aviad’s DIMONA TWIST, about the experiences of women who immigrated to a small Israeli desert community in the 1950s and ’60s; Maya Zinshtein’s FOREVER PURE, which chronicles the racist backlash that followed the inclusion of Muslim players on a Jerusalem soccer team; Kobi Faraj’s PHOTO FARAJ, a personal excavation of the director’s family’s photography business; Yonatan Nir’s MY HERO BROTHER, about a group of Down syndrome youth trekking through the Himalayas with their siblings; and Era Lapid and Haim Lapid’s KINDERGARTEN, which re-examines an accusation of abuse against a schoolteacher.

F0_0540_0329_HouseCallAmong the Israeli work appearing outside of competition are Maayan Schwartz’s MY FRIEND, YANIV, about a man who longs to finally find his independence; and Neta Shoshani and David Ofek’s HOUSE CALL (pictured), an intimate look at home hospice care for the terminally ill. Additional newer, non-Israeli, titles appearing at the festival and focused on Middle Eastern concerns include Stephen Apkon and Andrew Young’s DISTURBING THE PEACE, on former enemies turned peacemakers; and David Schisgall’s THEO WHO LIVED, about an American journalist kidnapped and later freed by Al-Qaeda forces in Syria.

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In Theatres & On VOD: ZERO DAYS

zeroComing to theatres and to VOD this Friday, July 8: ZERO DAYS

Alex Gibney’s exploration of Internet-based threats to global security made its debut at Berlin earlier this year. The film has gone on to screen at Nantucket, AFI Docs, Sydney, Edinburgh, Biografilm, and the upcoming Jerusalem and New Zealand fests.

I previously wrote about the doc for Nantucket’s program, saying:
Oscar®-winning filmmaker Alex Gibney turns his attention to the disturbing world of cyber warfare in this urgent, riveting investigation of Stuxnet, a self-replicating computer virus that was designed to sabotage Iran’s nuclear program but inadvertently spread throughout the world. Surprising evidence points to the collusion of two world powers in creating the sophisticated weapon; though both governments officially deny it, they still face recrimination and retaliation. Clearly laying out the origins and trajectory of this powerful new mode of international combat, Gibney convincingly demonstrates its staggering destructive potential.

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On VOD: JALANAN

ho-titi-boni-jalanan-jalananmovie.comComing to iTunes today, Tuesday, July 5: JALANAN

Daniel Ziv’s portrait of Indonesian amateur musicians premiered at Busan in 2013, where it won best documentary. Other fest berths have included DocAviv, Biografilm, Melbourne, Vancouver, Reykjavik, Zanzibar, Margaret Mead, ZagrebDox, and DOK Leipzig. The doc was released on VOD via Vimeo last Fall and now expands to iTunes.

Over the course of five years, Ziv profiles three impoverished young buskers on the buses of Jakarta, subsisting through their music while trying to deal with a rapidly developing city. When not riding the buses, Boni is a tunnel dweller, but a city beautification and infrastructure improvement project threatens his makeshift home. Ho, whose dreadlocks announce his rebel status, is a politically-minded womanizer who runs afoul of the police. Young mother Titi can’t afford to care for her three children, leaving them with relatives as she tries to complete her education. Weaving these three stories together – with the first two offering the more compelling arcs – Ziv offers a street-level look at modern Indonesia through the lenses of class, politics, education, and, of course, music.

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On DVD: JIM: THE JAMES FOLEY STORY

jimComing to DVD today, Tuesday, July 5: JIM: THE JAMES FOLEY STORY

Brian Oakes’ chronicle of the life and death of the American journalist had its world premiere at Sundance this year, where it won the US Documentary Audience Award. Other fest screenings include New Zealand, East End, Telluride Mountainfilm, Newport, and True/False.

I profiled the doc before Sundance here.

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In Theatres: UNDER THE SUN

under the sunComing to theatres tomorrow, Wednesday, July 6: UNDER THE SUN

Vitaly Mansky’s subversive portrait of North Korea debuted at DOK.Leipzig last year. Screenings followed at Nantucket, IDFA, Hot Docs, Tallinn Black Nights, Jihlava, DocPoint, SXSW, DOXA, San Francisco, and Seattle, among others.

I previously wrote about the doc for Nantucket’s program guide, saying:
To gain permission to shoot a documentary in Pyongyang, Russian director Vitaly Mansky works closely with the North Korean government. Functionaries handpick his subjects: 8-year-old Zin-mi, who has just joined a party youth group, and her parents, workers at impressively productive factories. What starts as an authorized portrait of a typical family, however, soon proves to be a carefully orchestrated piece of propaganda. Beyond simply dictating parameters for the supposed documentary shoot, government handlers have written a script to present a utopian version of life inside North Korea. Turning the tables, Mansky instead crafts a wry exposé of Kim Jong-un’s regime.

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On VOD: STAR MEN

Star_Men_(640x360)Coming to VOD tomorrow, Tuesday, July 5: STAR MEN

Alison Rose’s chronicle of a reunion of astronomers made its debut at Sheffield last year. Screenings followed at CPH:DOX, Cambridge, RIDM, Cork, and Docville, among other events.

Driven by the Cold War’s space race, astronomy was a high priority in 1960s America, and resulted in the recruitment of international experts to US universities like CalTech. Five such British astronomers bonded on a research trip through the deserts of the Southwest, visiting observatories, and now, fifty years later, the four surviving friends decide to recreate that journey. Amiable and intelligent, the four titular star men reminiscence about the past and what inspired their course of study, while also offering a sensitive consideration of aging and mortality, even if the road trip structure seems more of a distraction than an appropriate vehicle through which to really focus on their lifelong passion for the stars. Laying this aside, what truly hampers the project is the unfortunate presence of the filmmaker both within the space of the film, and, most unnecessarily, as its narrator.

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On DVD/VOD: MAD TIGER

MADTIGER-KEYComing to DVD and VOD tomorrow, Tuesday, July 5: MAD TIGER

Jonathan Yi and Michael Haertlein’s candid look at the personalities behind an eclectic music group made its bow at DOC NYC last year. Other fest berths have included CAAMFest, Minneapolis-St Paul, Salem, and Osaka.

I previously wrote about the doc here.

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On DVD: A SINNER IN MECCA

Sinner_in_Mecca_1Coming to DVD tomorrow, Tuesday, July 5: A SINNER IN MECCA

Parvez Sharma’s clandestine chronicle of a religious pilgrimage debuted at Hot Docs last year. The doc went on to screen at Sheffield, Outfest, and LGBT fests in Chicago, Toronto, Philadelphia, Sydney, and Dublin, among others.

I previously wrote about the film here.

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