Author Archives: basiltsiokos

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About basiltsiokos

Basil Tsiokos is a Senior Programmer for the Sundance Film Festival, focusing on nonfiction features. He was most recently with DOC NYC for nearly a decade, where he served as Director of Programming since 2014, and with the Nantucket Film Festival as its Film Program Director. Prior to those positions, Basil was the longtime Artistic and Executive Director of NewFest. He has been affiliated with Sundance since 2005 as a Programming Associate. Basil serves on the feature nominating committees for the International Documentary Association Awards and Cinema Eye Honors. He has written about documentaries daily since 2010 on what (not) to doc. Basil holds a Masters degree from New York University and two undergraduate degrees from Stanford University.

On VOD: BIKES VS CARS

bikesNew to iTunes this week: BIKES VS CARS

Fredrik Gertten’s exploration of the environmental impact of personal transportation premiered at Tempo Documentary Festival last year. Screenings followed at SXSW, Docs Against Gravity, Sydney, Melbourne, Transilvania, Big Sky, Sedona, SF Green, and DC’s Environmental fest. While the film has previously been available on Vimeo on Demand, Kino Lorber now expands its VOD to include iTunes.

I previously wrote about the doc here.

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On DVD: CODEGIRL

la-et-codegirl-movie-review-20151101-001New to DVD this week: CODEGIRL

Lesley Chilcott’s look at a competition that encourages teenage girls to enter the tech space premiered at CPH:DOX last year. The doc has also screened at Athena and the Los Angeles Women’s International fests.

Noting the lack of women in the otherwise burgeoning tech field, the Technovation Challenge aims to kickstart girls’ involvement, ultimately awarding a $10,000 prize to a winning smartphone app pitch developed by teams of high school girls around the world. Chilcott follows a number of teams as they prepare their entries, which are meant to focus on identifying and solving local problems via technology, and learn of their standing in the overall competition. Once a team fails to advance, the film moves on to profile a new set of contenders from scratch, ultimately resulting in an oddly cursory sense of eleven teams and their hit-or-miss projects, and very little individuation for its members. In contrast to other films in the competition doc sub-genre, the focus seems less about who wins and more about the empowerment gained through involvement in Technovation. Still, what’s missing is a personal or driving force to the narrative, aside from the mechanics of the challenge process. The audience doesn’t have a chance to connect with any particular team or individual personality, making the presentations by the finalists drag, and the announcement of the winning group lack impact.

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In Theatres & On VOD: SEX AND BROADCASTING: A FILM ABOUT WFMU

sexComing to theatres and to VOD today, Wednesday, March 30: SEX AND BROADCASTING: A FILM ABOUT WFMU

Tim K Smith’s portrait of a maverick radio station had its world premiere at DOC NYC in 2014. The doc went on to screen at Rotterdam, Salem, and Montclair, among other events. In addition to its limited theatrical release, the film now also becomes available on Vimeo on Demand.

I previously wrote about the film for DOC NYC’s program, saying:
New Jersey’s WFMU has occupied a unique position as an independent, commercial-free, listener-supported radio station since its inception in the late 1950s. At its heart is the dedicated station manager Ken Freedman, committed to an unstructured, free-form broadcasting model which has won WFMU acclaim as the best – and perhaps weirdest – radio station in the tristate area, if not the country. Facing a budget crisis, can Ken rally both his volunteer staff and his listeners to keep the station afloat?

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On VOD: THANK YOU FOR PLAYING

thank_you_for_playing_stillComing to VOD today, Tuesday, March 29: THANK YOU FOR PLAYING

David Osit and Malika Zouhali-Worrall’s chronicle of creativity in the face of mortality debuted at Tribeca last year. The film’s fest circuit also included New Orleans, Hot Docs, IDFA, Bentonville, Woods Hole, Melbourne, Camden, Antenna, United Nations Association, and Rio. FilmBuff now releases the doc on VOD platforms following a limited theatrical release earlier this month.

I previously wrote about the film here.

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On DVD: A POEM IS A NAKED PERSON

poem is a naked personComing to DVD today, Tuesday, March 29: A POEM IS A NAKED PERSON

Les Blank’s long unreleased 1974 Leon Russell film finally made its debut at SXSW last year. The film went on to screen at AFI Docs, BAMcinemaFest, New Zealand, Melbourne, IDFA, London, and Goteborg, in addition to a theatrical release this past Summer.

I previously wrote about the doc upon its release here.

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On DVD: KILLING THEM SAFELY

KillingThemSafelyComing to DVD today, Tuesday, March 29: KILLING THEM SAFELY

Nick Berardini’s look at the dangers of Taser use in law enforcement premiered at Tribeca last year. The film went on to screen at Hot Docs, Tallgrass, Big Sky, and St Louis, among other fests.

I previously wrote about the doc here.

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On DVD: CARTEL LAND

cartel landComing to DVD today, Tuesday, March 29: CARTEL LAND

Matthew Heineman’s investigation of Mexican cartel violence had its world premiere at Sundance last year, winning two awards. Screenings followed at Nantucket, DOC NYC, True/False, Full Frame, Dallas, Sarasota, Tribeca, IFF Boston, Docville, Seattle, Sydney, Human Rights Watch, AFI Docs, and Sheffield, among many others. The film went on to be nominated for the Documentary Feature Academy Award.

I profiled the doc before Sundance here.

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On TV: DOG DAYS

dog daysComing to PBS’s America ReFramed tomorrow, Tuesday, March 29: DOG DAYS

Laura Waters Hinson and Kasey Kirby’s look at street food vending in Washington DC debuted at the Austin Film Festival in 2013. It also screened at the Santa Barbara fest as well as at special events in DC.

After Coite, a newly-married industrial engineer, loses his job, he takes a gamble by starting an entrepreneurial venture: Providing more creative, healthier food options for DC’s street vendors to sell – despite having no kitchen experience or skill. Taking a crash culinary course thanks to his visiting aunt, Coite seeks out vendors who will test market his idea, and finds an early client in Eritrean immigrant Siyone, a divorced mother of four who has run her struggling hot dog stand for 22 years. While the film reveals how vendors like Siyone are subject to both stringent regulation and a suppliers monopoly, it stumbles in placing most of its focus on Coite. While affable enough, he’s far less compelling than Siyone, and, despite his unemployment woes, he awkwardly comes from a position of privilege as a white male seeking to enter a field he knows nothing about, hawking appropriated cuisine (Jamaican jerk chicken) he doesn’t even know how to make through the vehicle of still-beleaguered vendors who, at least as its represented here, are primarily female people of color. Still, Waters Hinson and Kirby succeed in demonstrating the bureaucracy, and the lack of advocacy, that has made it difficult for small business owners like Siyone to realize their American Dream.

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On VOD: THE MESSENGER

messengerComing to VOD tomorrow, Tuesday, March 29: THE MESSENGER

Su Rynard’s look at the endangered songbird debuted at Hot Docs last year. The film went on to screen at Jackson Hole Wildlife, Vancouver, Mill Valley, Reykjavik, Calgary, and Bergen, among others. Kino Lorber now releases the doc on iTunes and other VOD platforms.

I previously wrote about the film here.

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Cleveland 2016: Documentary Overview

CIFF 2016_1457119237174_764749_ver1.0This year’s edition marks the 40th anniversary of the Cleveland International Film Festival. Between this Wednesday, March 30 and Sunday, April 10, the event will showcase nearly 200 feature films, including approximately 70 documentaries, a mix of highlights from other notable festivals and several brand new works, many vying for recognition in the fest’s several competitions, noted below: Continue reading

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