Author Archives: basiltsiokos

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About basiltsiokos

Basil Tsiokos is a Senior Programmer for the Sundance Film Festival, focusing on nonfiction features. He was most recently with DOC NYC for nearly a decade, where he served as Director of Programming since 2014, and with the Nantucket Film Festival as its Film Program Director. Prior to those positions, Basil was the longtime Artistic and Executive Director of NewFest. He has been affiliated with Sundance since 2005 as a Programming Associate. Basil serves on the feature nominating committees for the International Documentary Association Awards and Cinema Eye Honors. He has written about documentaries daily since 2010 on what (not) to doc. Basil holds a Masters degree from New York University and two undergraduate degrees from Stanford University.

In Theatres: STATION TO STATION

station to stationComing to LA theatres today, Friday, August 21: STATION TO STATION

Doug Aitken’s collaborative look at creativity premiered at Sundance earlier this year. It has gone on to screen at Sydney, Singapore’s Design fest, and the Film Society of Lincoln Center’s Sound + Vision.

My pre-Sundance profile of the film may be found here.

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Filed under Documentary, Film, Film Festivals, Recommendations, Releases, Sundance

On TV: POINT AND SHOOT

point-blog480Coming to PBS’s POV this coming Monday, August 24: POINT AND SHOOT

Marshall Curry’s look at an unlikely freedom fighter in Libya debuted at Tribeca last year, where it won the Best Documentary Award. Its fest circuit has also included Hot Docs, AFI Docs, IFF Boston, Nashville, Traverse City, New Zealand, and Melbourne.

I previously wrote about the doc here.

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In Theatres & On VOD: MATEO

mateoComing to LA theatres tomorrow, Friday, August 21 and to VOD next Tuesday, August 25: MATEO

Aaron I Naar’s portrait of a gringo mariachi singer made its bow at SXSW last year. Screenings followed at Hot Docs, Martha’s Vineyard, the Film Society of Lincoln Center’s Sound+Vision series, Camden, Hot Springs Doc, In-Edit, Cork, and Rotterdam.

I previously wrote about the doc here.

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In Theatres & On VOD: BEING EVEL

being evelComing to theatres and VOD tomorrow, Friday, August 21: BEING EVEL

Daniel Junge’s look at the larger-than-life exploits of the motorcycle showman debuted at Sundance earlier this year. Its extensive festival run has also included SXSW, Miami, Cleveland, Dallas, IFF Boston, Seattle, Sydney, deadCENTER, Las Vegas, Melbourne, and New Zealand.

My pre-Sundance profile of the doc may be found here.

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Filed under Documentary, Film, Film Festivals, Recommendations, Releases, Sundance

On TV: NATIONAL GALLERY

national galleryComing to PBS this Friday, August 21: NATIONAL GALLERY

Frederick Wiseman’s tour of the London institution made its bow at Cannes last year. Other fest screenings included Toronto, NYFF, Deauville, Biografilm, London, Chicago, Vancouver, Sydney, and Busan, among others.

I previously wrote about the film upon its theatrical release here.

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On Cable: ÉVOCATEUR

evocateur-1Coming to CNN tomorrow, Thursday, August 20: ÉVOCATEUR: THE MORTON DOWNEY JR MOVIE

Daniel Miller, Seth Kramer, and Jeremy Newberger’s re-examination of the career of the controversial talk show host made its bow at Tribeca in 2012. Festival play followed at IDFA, Montclair, TromaDance, and Denver, among other fests.

I previously wrote about the doc out of Tribeca here.

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On VOD: SOUND AND CHAOS: THE STORY OF BC STUDIO

sound chaosComing to VOD today, Tuesday, August 18: SOUND AND CHAOS: THE STORY OF BC STUDIO

Ryan Douglass and Sara Leavitt’s surprising history of a nondescript Brooklyn music studio debuted in the Netherlands last Summer. In addition to one-off engagements around Europe and the US, the doc has screened at Sound Unseen, Noise Pop, and the Film Society of Lincoln Center’s Sound + Vision. It now comes to iTunes, Google Play, Amazon, VHX, and more via FilmBuff.

Revealing the underground music history of a singular place, Douglass and Leavitt explore Martin Bisi’s titular recording studio, which has been in operation since the 1970s and has hosted a diverse range of musicians, from Brian Eno and Debbie Harry to Sonic Youth and Africa Bambaataa. As much a look back at a changing New York City as it is about its vibrant music culture, this modest film’s interviewees paint a vivid picture of a pre-gentrified Brooklyn full of gangs and stray dogs, and the kind of ramshackle old industrial buildings that provided Bisi’s studio with its unique sound.

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On VOD: DARK STAR: HR GIGER’S WORLD

gigerComing to VOD today, Tuesday, August 18: DARK STAR: HR GIGER’S WORLD

Belinda Sallin’s profile of the celebrated popular artist had its world premiere at Zurich last year. It has also screened at Hong Kong, BAFICI, and Sitges, among others.

I previously wrote about the doc upon its theatrical release here.

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On DVD/VOD: LAMBERT AND STAMP

lambert and stampComing to DVD and VOD tomorrow, Tuesday, August 18: LAMBERT AND STAMP

James D Cooper’s profile of the would-be filmmakers who discovered The Who made its world premiere at Sundance last year. Other fest appearances included Sundance London, Sarasota, Belfast, Knoxville, Whistler, and Chattanooga, among others.

My pre-Sundance profile of the doc may be found here.

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On TV: NEULAND

neulandComing to PBS’s POV today, Monday, August 17: NEULAND

Anna Thommen’s look at the process of cultural integration debut at Zurich in 2013. Other fests have included Berlin, DOK.fest Munich, and DocPoint, among others.

Over the course of two years, Thommen’s sharply observed verité film profiles several students in one of the special classes mandated by the Swiss government for asylum seekers to facilitate integration within the larger society, a program that simultaneously provides a leg up to newcomers while insisting on the preservation of Swiss culture and languages in the face of rising immigration. Wisely focused on just three adolescent students, Ehsanullah from Afghanistan and siblings Nazlije and Ismail from Serbia, and their frank teacher/de facto father figure, Mr Zingg, the film details the youths’ challenging backgrounds, the factors that led them to migrate, their struggles with language, and balancing sometimes unattainable aspirations for careers and wealth with pragmatism, crafting a complex portrait of immigration, assimilation, and Swiss national identity.

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