Author Archives: basiltsiokos

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About basiltsiokos

Basil Tsiokos is a Senior Programmer for the Sundance Film Festival, focusing on nonfiction features. He was most recently with DOC NYC for nearly a decade, where he served as Director of Programming since 2014, and with the Nantucket Film Festival as its Film Program Director. Prior to those positions, Basil was the longtime Artistic and Executive Director of NewFest. He has been affiliated with Sundance since 2005 as a Programming Associate. Basil serves on the feature nominating committees for the International Documentary Association Awards and Cinema Eye Honors. He has written about documentaries daily since 2010 on what (not) to doc. Basil holds a Masters degree from New York University and two undergraduate degrees from Stanford University.

On VOD: TERRA BLIGHT

Available on VOD tomorrow, Tuesday, September 25: TERRA BLIGHT

Isaac Brown’s examination of the impact of computer construction and disposal premiered at Slamdance earlier this year. Additional stops include Docutah, Maui, and the upcoming New Orleans Film Festival, among others. The doc will be available via iTunes, Amazon, and Movies on Demand thanks to FilmBuff.

Running just under an hour, Brown’s film presents a unique subject that merits greater public awareness: the environmental impact of the rapid growth of a disposable electronics culture, and, specifically, of the personal computer. Focusing on the life cycle of a computer, the film exposes the hazards posed by e-waste, from the creation through the casual disposal of our electronics, which is much more involved than most consumers think. Subjects include scavengers, anti-waste activists, and computer resellers in Ghana, where computers are disposed of by the US; big box store employees, who push for sales of electronics; electronics recyclers in the US; gamers and gaming convention employees, who demonstrate the remarkable amount of power used for computers; residents of a town polluted by IBM computer manufacturing chemical spills; and even the inventor of the UPC barcode, who reflects on the way computers have changed society. While there may be a few too many subjects packed into its slim running time, the film is decidedly successful in confronting viewers with the inconvenient truth about first world e-waste, and how poorer countries are suffering because of it.

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In Theatres & On VOD: HEAD GAMES

Available on VOD and in select theatres beginning today, Friday, September 21: HEAD GAMES

Steve James’ investigation into sports-related head injuries premiered as the opening night film of the Boston Film Festival last night. It opens in select cities today and expands through November.

Based on Christopher Nowinski’s book of the same name, James explores the mounting evidence that links debilitating brain injuries to concussions suffered during game play in a wide variety of sports. Nowinski, who might be familiar to some viewers as a former WWE pro wrestler – or would-be wrestler reality TV star before that – serves as a key subject in the film. A former Harvard football player, he found his pro wrestling career cut short by physical problems he believes are linked to the countless head injuries he suffered through his sports careers, motivating the research that led to his book and current activist work around the subject. With professional sports associations parroting that studies are far from conclusive, the affable Nowinski tries to convince pro athletes to donate their brains for post-mortem scientific analysis; currently available specimens offer compelling visual evidence of damage, even if they’re from a limited sample size, but perhaps most telling is a brief and painful neurological exam with a former football player in which the man can’t quite recite the months of the year in order. Covering football, boxing, hockey, women’s soccer – to highlight the potentially worse effect of head injuries on women’s brains – and even youth football – sure to make parents think twice – Nowinski, and James’ film, signals the need for greater public awareness of the issue and steps to remedy the problem before it affects more athletes, young and old.

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In Theatres: THE WAITING ROOM

Coming to NYC’s IFC Center this coming Wednesday, September 26: THE WAITING ROOM

Peter Nicks’ microcosmic portrait of the US health care system premiered at Full Frame, scoring the Emerging Artist Award. Other stops on the fest circuit included True/False, Hot Docs, Silverdocs, Ashland, and San Francisco – taking home awards at the latter two. Its theatrical roll-out will continue through the end of the year.

I previously wrote about the film out of Hot Docs here.

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New York Film Festival 2012: Documentary Overview

The Film Society of Lincoln Center celebrates a half century of the New York Film Festival beginning next week. The 50th Anniversary edition of North America’s second oldest film festival runs from September 28 through October 14, and is also notable as Richard Peña’s 25th and final festival as the Film Society’s Program Director and NYFF Selection Committee Chair.

For NYC film lovers, the launch of the NYFF marks the start of the Fall, and its carefully curated programming exposes audiences to some of the world’s best cinema. Among the offerings this year, there are easily more than fifty documentary features, made up of new films, retrospective screenings, experimental essays, and doc/fiction hybrids. While I won’t be able to see the bulk of these what with hundreds of Sundance submissions to watch, the following highlights those in which I’m most interested: Continue reading →

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On DVD: PINK RIBBONS, INC

Coming to DVD this coming Tuesday, September 25: PINK RIBBONS, INC

Léa Pool’s investigation into the breast cancer industry made its world premiere in Toronto last year. Its festival circuit included IDFA, Provincetown, Sarasota, Nashville, and Portland, among others, before a limited theatrical release.

I previously wrote about the film here.

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On DVD: SPLINTERS

Coming to DVD this coming Tuesday, September 25: SPLINTERS

Adam Pesce’s Papua New Guinea surfing doc premiered at Tribeca last year. Screenings followed at IDFA, Hawaii, and Newport Beach, and it received a limited theatrical release earlier this year.

I wrote about the film out of Tribeca here.

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Special Panel: Film Festival Academy

If you’re based in the NYC area or planning on being in town next week for the 50th anniversary New York Film Festival, I’m taking part in a panel for the launch of the Film Festival Academy on Thursday, September 27 from 3:15-4:45pm. I’m one of the panelists for “Programming for Niche Audiences,” looking at what’s involved in targeted, niche- or genre-focused programming. For more information and the entire program for the two-day FFA, follow the link above.

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On DVD: SURVIVING PROGRESS

Coming to DVD next Tuesday, September 25: SURVIVING PROGRESS

Mathieu Roy and Harold Crooks’ look at “progress traps” premiered at Toronto last year. The film went on to screen at Vancouver, IDFA, Dubai, and Big Sky, among others, before a limited theatrical and VOD release.

I previously wrote about the film here.

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In Theatres: DIANA VREELAND: THE EYE HAS TO TRAVEL

Coming to theatres this Friday, September 21: DIANA VREELAND: THE EYE HAS TO TRAVEL

Lisa Immordino Vreeland’s love letter to the influential fashion editor made its premiere at Venice last year. It’s festival run included Telluride, IDFA, San Francisco, and Silverdocs, among others.

I included the film in my Silverdocs roundup here.

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In Theatres: HOW TO SURVIVE A PLAGUE

Coming to theatres this Friday, September 21: HOW TO SURVIVE A PLAGUE

David France’s affecting look back at a community fighting for their lives made its world premiere at Sundance earlier this year. It’s gone on to screen at True/False, Silverdocs, New Directors/New Films, San Francisco, and Outfest, among others.

I profiled the film before Sundance here.

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