Author Archives: basiltsiokos

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About basiltsiokos

Basil Tsiokos is a Senior Programmer for the Sundance Film Festival, focusing on nonfiction features. He was most recently with DOC NYC for nearly a decade, where he served as Director of Programming since 2014, and with the Nantucket Film Festival as its Film Program Director. Prior to those positions, Basil was the longtime Artistic and Executive Director of NewFest. He has been affiliated with Sundance since 2005 as a Programming Associate. Basil serves on the feature nominating committees for the International Documentary Association Awards and Cinema Eye Honors. He has written about documentaries daily since 2010 on what (not) to doc. Basil holds a Masters degree from New York University and two undergraduate degrees from Stanford University.

In the Works: STUDIO H

The filmmaking team behind Sundance docs WORDPLAY and IOUSA profiles an inspiring and innovative hands-on design classroom.

Two designers come to a rural NC town to run a high school class on design and building that culminates in architecture that benefits the struggling community. Emily Pilloton and her partner Matthew Miller are committed to using design to find practical solutions to address the problems of those most in need through their non-profit Project H. Bertie County certainly qualifies, recognized as the poorest and most rural county in NC. With the help of a forward-thinking school superintendent, the duo pitches a high-school curriculum to offer about a dozen kids direct experience with their mantra: “Design. Build. Transform.” Beyond learning how the process of design works, students learn to work together to actually create useful objects. Smaller initial projects culminate in a grandscale project that will benefit, and, hopefully, reinvigorate the entire town. Director Patrick Creadon and Producers Christine O’Malley and Neal Baer follow Emily and Matthew (and some of their students) for a year, through a challenging, but ultimately uplifting year. Continue reading →

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On DVD: THE BLACK POWER MIXTAPE 1967-1975

Coming to DVD next Tuesday, December 13: THE BLACK POWER MIXTAPE 1967-1975

Göran Hugo Olsson’s look at the Black Power movement premiered at Sundance at the beginning of the year. The film had a limited theatrical and VOD release following additional festival screenings.

My pre-Sundance profile of the doc may be found here.

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Indiewire @ Hulu Docs: WWII Remembered

Commemorating Pearl Harbor Day, this week’s Indiewire-curated Hulu documentaries takes a look back at the war to end all wars with a focus on docs and historical programming on WWII. View them all now for free!

For more information about the selections, see my Indiewire article.

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In Theatres: DAGUERRÉOTYPES

Coming to NYC’s Maysles Cinema after 36 years for an exclusive one-week run beginning next Monday, December 12: DAGUERRÉOTYPES

Legendary filmmaker Agnès Varda made this love letter to her Parisian neighborhood back in 1975. Though it screened as part of series or festivals, it has never received a US theatrical release until now.

Punning on the name of her street, Rue DaGuerre, Varda likens her portrait of its various shopkeepers to the early 19th century photographs developed by Frenchman Louis Daguerre, notable as the first commercially successful photographic process. Besides a few sequences of brief narration, the bulk of Varda’s film consists of scenes set within the quaint mom-and-pop boulangerie, boucherie, salon de coiffure, and apothicaire that line the 14th Arrondissement street that’s been her home for more than half a century. Usually, the filmmaker merely observes as the shopkeepers open up for the day or tend to customers, but there are also sequences in which her subjects, speaking directly to the camera, reveal where they were born, how they met their partners, when they came to Paris, and how they began working in their trade. In a more unusual sequence, they attend and participate in a magic show. Despite the temporary spectacle the latter provides, the true magic in this understated doc is the beauty in the mundane – the everyday moments that populate these individuals lives: the way one shopkeeper folds and unfolds the shutters in the front of her store as her husband moves merchandise outside, the pleasure another merchant shows when finding and selling a customer two buttons, and the same merchant quietly coping with his wife’s apparent dementia. It’s a lovely, small film, revealing a slice of 1970s Paris that is now long gone.

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Sundance 2012: Shorts Lineup Announced

The final pointer to the 2012 Sundance Film Festival wraps up this year’s lineup, revealing the Shorts selections here.

Last week: US and World Cinema Documentary and Dramatic Competitions and NEXT, Spotlight, Park City at Midnight, and New Frontier

Yesterday: Premieres and Documentary Premieres

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Special Screening: (A)SEXUAL

Screening at NYC’s Harlem Stage tomorrow, Friday, December 7: (A)SEXUAL

Angela Tucker’s film on the dawning of a new identity-based movement had its premiere at Frameline this Summer. It went on to screen at NewFest, Seattle LGBT, and the New Orleans Film Festival.

Last year, I profiled Tucker’s project while it was still in production (and before she finally settled on its (suggested-by-me) title). I had the opportunity to watch the completed film at NewFest back in July, though I’ve yet to write about it again here until now. In many ways, launching the film on the LGBT film circuit makes a lot of sense – it’s very much a film about sexuality and identity, two concepts that are often at the core of LGBT films. The difference in Tucker’s film, of course, is that her subjects’ identities are not defined by the gender they’re sexually attracted to, but instead by not being sexually attracted to anyone. As the film asks, in a culture where sex is everywhere, how does the 1% of the population who are asexual fit in? The film benefits from focusing on the asexuality movement’s poster child, the handsome and charismatic David Jay, who came out to his parents as asexual more than a decade ago. While his attempts at navigating intimate relationships without sexual attraction might exasperate some viewers – why does everything have to be so complicated that it needs a literal flowchart? – his outspoken personality engenders fascinating dialogue and contemplation about concepts we all too easily take for granted. In watching the film, I was reminded of the first time I heard gender theorist Kate Bornstein discuss her own transition indepth, an experience that certainly shifted some of my own paradigms about gender, sexuality, identity, and attraction. Beyond this kind of confrontation with societal assumptions, what also makes Tucker’s film fascinating is that she’s essentially documenting the beginning of an identity in its first years. As the Internet helps to bring together individuals who have always thought they were unique, they’re only now organizing public gatherings and events to put a face to the concept of asexuality – and Tucker is there, capturing their anxiety and excitement, as well as the confusion and sometimes, bizarrely, the hostility of those confronted by their existence.

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Special Screenings: BATTLE FOR BROOKLYN

Coming to NYC’s Stranger Than Fiction as a pre-Winter season special screening next Tuesday, December 13 and as part of Rooftop Films’ “Films for the Occupation” series next Wednesday, December 14: BATTLE FOR BROOKLYN

Suki Hawley and Michael Galinsky’s doc on the impact of the Atlantic Yards development project previously screened at Rooftop Films, multiple festivals, and enjoyed a limited theatrical run. It has been shortlisted for the Academy Award for Best Documentary.

I previously wrote about the film here.

Note: Directors Suki Hawley and Michael Galinsky will be present for post-screening Q&As at both screenings. The Rooftop Occupation screening is free to the general public.

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Sundance 2012: Non-Competition Lineups Announced, Part Two

This third pointer wraps up the feature lineup for the 2012 Sundance Film Festival. Revealed today is the second of two releases on non-competition sections of the festival, including Premieres and Documentary Premieres, located here.

Coming tomorrow: Shorts.

Announced last week: US and World Cinema Documentary and Dramatic Competitions and NEXT, Spotlight, Park City at Midnight, and New Frontier.

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In Theatres: KNUCKLE

Coming to theatres this Friday, December 9: KNUCKLE

Ian Palmer’s twelve year profile of the Irish Traveller community premiered at Sundance earlier this year. After further festival exposure, the film opened in the UK and Ireland this past summer before its US run.

I wrote about the film pre-Sundance here.

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In Theatres: AN AFRICAN ELECTION

Now screening at NYC’s Quad Cinema as part of the African Diaspora International Film Festival: AN AFRICAN ELECTION

Director Jarreth Merz and co-director Kevin Merz’s engaging behind-the-scenes view of Ghana’s 2008 presidential election premiered at IDFA and came stateside for Sundance at the beginning of the year. Since then it won at the Atlanta Film Festival and at Visions Du Reel.

My pre-Sundance profile of the film may be found here.

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