Category Archives: Documentary

In Theatres: FROM THIS DAY FORWARD

FROMTHISDAYFORWARD-KEYComing to theatres today, Friday, June 24: FROM THIS DAY FORWARD

Sharon Shattuck’s personal reflection on her transgender father debuted at Full Frame last year. Additional screenings include DOC NYC, AFI Docs, Hot Docs, Framline, Outfest, Camden, Sarasota, Traverse City, Hot Springs Doc, Anchorage, and LGBT fests in Seattle, Austin, North Carolina, and Milwaukee, among others.

I previously wrote about the film for DOC NYC’s program, saying:
On the eve of her own wedding, Sharon Shattuck seeks to understand the relationship between her parents in this revealing portrait of an unorthodox family. When she was in middle school, Shattuck’s father came out as transgender, taking the name Trisha, yet remained married to the filmmaker’s straight-identified mother, Marcia. With sensitivity and affection, the film explores Trisha’s transformation, its repercussions on her family, and the complexity and resilience of love and marriage.

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In Theatres: BREAKING A MONSTER

breakingComing to theatres tomorrow, Friday, June 24: BREAKING A MONSTER

Luke Meyer’s portrait of a teenage band’s breakout made its bow at SXSW last year. Its extensive fest circuit has also included Hot Docs, Sheffield, BAMcinemaFest, Sydney, Traverse City, Melbourne, Camden, Mill Valley, CPH:DOX, RIDM, Big Sky Doc, IndieLisboa, and Durban, among other events.

Unlocking the Truth is an aspiring heavy metal/speed punk band with a couple of key differences – first, despite the music genres’ usual demographics, the trio is African American; and second, they’re 7th graders. After they achieve acclaim via a viral video of a street performance in Times Square, Alec, Malcolm, and Jarad’s stars are on the rise. They land a $1.8 million deal with Sony, and take on a new manager, Alan Sacks, to usher them through the ins and outs of their newfound status as professional musicians. As Meyer’s largely observational film demonstrates, the reality of the record industry is not quite the fairy tale that aspiring musicians might dream of – the boys are shuttled from meeting to meeting, subjected to label demands around marketing and branding, with their frustration and confusion palpable at times. They make for a compelling contrast with Sacks, a 70-year-old entertainment industry veteran, and together provide an insightful, and troubling, look at an industry that seems to remain unable to adapt and instead continues to alienate artists.

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In Theatres: MISCONCEPTION

misconceptionComing to theatres tomorrow, Friday, June 24: MISCONCEPTION

Jessica Yu’s re-examination of myths around overpopulation debuted at Tribeca in 2014. Other fest berths have included IDFA, AFI Docs, Sedona, and Seattle’s Women in Cinema, among others.

Working from the findings of master statistician Hans Rosling, who has been debunking popular beliefs about out-of-control population growth at TED Talks and other forums for some time, Yu profiles three individuals in a microcosmic exploration of the theme, which ultimately rests on access to family planning and reproductive rights for women. Noting that 80% of the world demonstrates sustainable reproduction – essentially parents replacing themselves by having an average of two children – the film focuses on the other 20%: Cases where the population rate is too low, such as China and its once-longstanding one-child policy; or too high, in typically underdeveloped regions, where women still often bear a large number of children. After a teaser about governmental policies that incentivize couples to either procreate (in Russia) or to become sterilized (in India) – depending on population needs – Yu breaks her film into three discrete chapters. The first focuses on a Chinese man who is desperate to marry before he turns 30; the second, on a Canadian woman whose zealotry against abortion leads her to lobby developing nations to resist family planning policies; and the third, on a Ugandan journalist who profiles lost and abandoned children. Combined with often unnecessary narration from Kyra Sedgwick, this structure makes the project feel more suited to episodic broadcast than a fully-realized feature, despite the intriguing nature of Rosling’s data and the overarching subject matter.

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In Theatres: T-REX

t-rex-sigComing to NYC’s Made in New York Media Center as part of its Screen Forward series starting tomorrow, Friday, June 24: T-REX

Drea Cooper and Zackary Canepari’s look at a boxer’s Olympic dreams debuted at SXSW last year. It went on to screen at Hot Docs, New Orleans, San Francisco, Traverse City, Camden, Hot Springs Doc, DOK Leipzig, Cucalorus, Athena, and Atlantic, among others.

I previously wrote about the film here.

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In Theatres: EAT THAT QUESTION

eat that question zappaComing to theatres tomorrow, Friday, June 24: EAT THAT QUESTION: FRANK ZAPPA IN HIS OWN WORDS

Thorsten Schütte’s subversive portrait of the maverick musician made its bow at Sundance this year. The film also appeared at Berlin, Montclair, New Zealand, and Asbury Park.

I profiled the doc before Sundance here.

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On DVD/VOD: THE BLACK JACKET

black jacketNew to DVD and VOD this week: THE BLACK JACKET

Ryan Simon’s profile of a gang intervention program makes its debut this week. In addition to DVD, it comes to VOD and digital download via Virgil Films.

Set in South Central LA, Simon’s observational film follows three men involved with PCITI, a grassroots program that aims to interrupt gang violence by enabling former gang members and other community members to take an active role in intervention. The program director, Aquil Basheer, is a former Black Panther who has been successful at getting rival gangs to set aside their turf wars to participate in the program. Reynaldo is a graduate of PCITI, who puts the lessons learned into practice as an interventionist in his community. James is a member of the latest PCITI class, a young man who is eager to find an alternative to gang life. While somewhat of a rough-hewn production, the film does a good job of balancing its three subjects and their three different perspectives on the admirable program and its various challenges.

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In Theatres: NUTS!

nutsComing to NYC’s Film Forum today, Wednesday, June 22: NUTS!

Penny Lane’s unconventional chronicle of a self-made turn-of-the-century doctor debuted at Sundance this year, where it won the US Documentary Editing award. Other fest play has included Hot Docs, San Francisco, BAMcinemaFest, Rotterdam, Ashland, Durban, and the upcoming Nantucket.

My pre-Sundance profile of the doc may be found here.

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On TV: SERENA

2016_01_27 Serena_0173.tifComing to Epix tonight, Wednesday, June 22: SERENA

Ryan White’s portrait of the tennis champion debuted at Sheffield earlier this month. It will also screen at the upcoming Nantucket Film Festival this weekend.

I previously wrote about the doc for the Nantucket program, saying:
Serena Williams won her first major championship tennis title in 1999, and she hasn’t stopped winning since. Seventeen years later, she has claimed more than 20 Grand Slam titles and four Olympic gold medals. How does the international sports icon, considered by many the greatest tennis player of all time, handle the pressure? In this revealing portrait of perseverance, Ryan White follows Serena as she looks poised to complete a calendar slam by winning four Grand Slams in a single year for the first time since Steffi Graf managed that feat in 1988.

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AFI Docs 2016 Overview

afi docsThe 14th edition of AFI Docs comes a week later this year, opening tomorrow, Wednesday, June 22 and running through the end of the weekend. The Washington DC event opens with Alex Gibney’s cyber-warfare investigation, ZERO DAYS, and closes with Heidi Ewing and Rachel Grady’s tribute to a television pioneer, NORMAN LEAR: JUST ANOTHER VERSION OF YOU, while LO AND BEHOLD, REVERIES OF THE CONNECTED WORLD screens as part of this year’s Guggenheim Symposium with director Werner Herzog.

visitorsWhile the majority of this year’s approximately 50 features offer DC audiences the chance to catch films that have generated attention at major fests like Sundance, IDFA, SXSW, and Tribeca, AFI Docs also offers a number of premieres. This year’s world premieres are: Judd Apatow and Michael Bonfiglio’s DOC & DARRYL, on baseball legends Dwight Gooden and Darryl Strawberry; Jamie Sisley and Miguel MiG Martinez’s FAREWELL FERRIS WHEEL, a look at the lives of Mexican migrant carnival workers; and Nicole Opper’s VISITOR’S DAY (pictured), about the efforts of a street kid to better his life.

Man-Who-Saw-Too-Much-The-1Other films making at least US debuts at the festival include: Tamar Tal Anati’s SHALOM ITALIA, which follows Jewish brothers as they search for the Tuscan cave that sheltered their family during WWII; Martin Kollar’s 5 OCTOBER, a portrait of the director’s brother before a potentially life-threatening surgery; Maciej Adamek’s TWO WORLDS, about a hearing teenage daughter of deaf parents; Paula Heredia’s TOUCAN NATION, on an abused bird that became a rallying symbol for Costa Rican animal rights; and Trisha Ziff’s THE MAN WHO SAW TOO MUCH (pictured), about a veteran crime scene photographer in Mexico City.

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On DVD/VOD: ORIENTED

orientedComing to DVD and VOD today, Tuesday, June 21: ORIENTED

Jake Witzenfeld’s profile of gay Palestinians in Tel Aviv had its world premiere at Sheffield last year. Screenings have followed at Los Angeles, Cleveland, Nashville, QDoc, Seattle Jewish, Other Israel, Chicago Palestine, Seret London, and Workers Unite, among other events. It now comes to DVD as well as to VOD platforms including iTunes, Indemand, Amazon, Google Play, and Dish.

I previously wrote about the film here.

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