Category Archives: Documentary

On VOD: THE STATE OF MARRIAGE

the_state_of_marriage_still_h_15Coming to VOD today, Tuesday, May 31: THE STATE OF MARRIAGE

Jeff Kaufman’s chronicle of the legal origins of marriage equality made its debut at Provincetown last year. Other screenings have included Brattleboro, Santa Fe, GlobeDocs, and the Austin LGBT fests.

While same-sex marriage legalization became part of the national debate over the past few election cycles, the battle for this civil right has been waged over long decades. Kaufman’s film recognizes the importance of the precedent set in Vermont as a pivotal part of the story, and focuses on the significant efforts made by a trio of female attorneys to bring marriage quality to that state. Galvanized by a child custody case in the early 1990s involving the surviving lesbian partner of a woman who was killed in a car accident, small-town Vermont lawyers Susan Murray and Beth Robinson sought out support for protections for other same-sex couples. After they found a partner in Mary Bonauto, a Boston-based civil rights advocate, they laid the groundwork to argue for the constitutionality of same-sex marriage, adopting a strategy that humanized the issue and found parallels in the once-banned practice of interracial marriage. Even after they found partial victories – legalized civil unions rather than full marriage – they continued their struggle, causing rifts between those who felt they were overreaching and others who were willing to accept the compromise. While the larger story is by now well-known, and Kaufman’s approach ultimately fairly conventional, the film succeeds in presenting a detailed look at the hard-fought grassroots campaign that enabled the freedoms that are enjoyed today.

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Los Angeles 2016: Documentary Overview

laffThe 22nd Los Angeles Film Festival, beginning a week earlier than last year, launches tomorrow, Wednesday, June 1. More than 70 features will screen at the event before it wraps up on Thursday, June 9, including 17 documentaries, a number of which are highlighted below: Continue reading

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On VOD: THE CASE OF THE THREE SIDED DREAM

Rahsaan1-710x450Coming to VOD today, Tuesday, May 31: THE CASE OF THE THREE SIDED DREAM

Adam Kahan’s portrait of an experimental jazz multi-instrumentalist made its bow at SXSW in 2014. Additional play included New Orleans, IDFA, Big Sky, Full Frame, Salem, ReelAbilities, Atlanta’s Pan African, LA’s Don’t Knock the Rock, Florida, Leeds, and jazz fests in New York and Burlington.

I previously wrote about the film here.

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Special Screening & In Theatres: THE WITNESS

witnessComing to NYC’s Stranger Than Fiction tomorrow, Tuesday, May 31 and to theatres this Friday, June 3: THE WITNESS

James Solomon’s revisitation of an infamous NYC murder made its debut at the New York Film Festival last Fall. Screenings followed at Palm Springs, Big Sky, Boulder, Hong Kong, Sarasota, and Atlanta, among other events.

The 1964 rape and murder of Kitty Genovese in Queens shocked New York City and the rest of the nation, not just for the horrific crimes perpetrated against the young woman, but because of reports that 38 eyewitnesses were aware of the attack taking place yet did nothing – either assuming someone else would call the authorities, or unwilling to become involved in a stranger’s plight. The case pointed out the dangers of urban apathy and spawned neighborhood watch groups to try to prevent future crimes. On a personal level, the inaction of the 38 witnesses inspired Genovese’s younger brother, Bill, to enlist in the military so he could make a difference in the world, resulting in the loss of both of his legs in combat in Vietnam. Four decades later, however, The New York Times, the same paper that reported the indifference of Genovese’s neighbors, discredited its original report. This rewriting of the legend provides the impetus for Bill to make sense of what happened to Kitty, what witnesses did or didn’t do, and the crime’s impact on his own life. Solomon crafts an engaging, sensitive exploration of myth and reality, in the process revealing a fuller sense of a woman until now known only as a victim.

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On VOD: ABOVE AND BELOW

ABOVEANDBELOW-KEYComing to VOD tomorrow, Tuesday, May 31: ABOVE AND BELOW

Nicolas Steiner’s portrait of the lives of outsiders debuted at Rotterdam last year. Its fest circuit also included DOC NYC, Hot Docs, BAFICI, Docs Against Gravity, Edinburgh, Karlovy Vary, Vancouver, CPH:DOX, DocPoint, Big Sky, and Cucalorus, among others.

I previously wrote about the doc here.

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On TV: THE LAST SEASON

Last_Season_01_webComing to PBS’s America ReFramed today, Monday, May 30: THE LAST SEASON

Sara Dosa’s portrait of a mushroom foraging clan debuted at San Francisco in 2014. Screenings followed at New Orleans, Hot Docs, Mountainfilm Telluride, Rooftop Films, Big Sky, Sebastopol Doc, United Nations Association, and the Seattle Asian American fest, among others. The film makes its television premiere in recognition of Asian Pacific American Heritage Month.

I previously wrote about the doc here.

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On TV: OF MEN AND WAR

ofmenandwarimagea_hi_res_creditmenandwarcomComing to PBS’s POV this coming Monday, May 30: OF MEN AND WAR

Laurent Bécue-Renard’s look at a PTSD treatment center for veterans made its premiere at Cannes in 2014. Its extensive fest circuit has included IDFA, Göteborg, DocPoint, Documentary Fortnight, ZagrebDox, True/False, Full Frame, Visions du Réel, Documenta Madrid, San Francisco, DOXA, Sydney, AFI Docs, Human Rights Watch, and DOK.Fest Munich, among others. POV’s screening is appropriately in conjunction with Memorial Day.

I previously wrote about the doc here.

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On DVD: NO NO: A DOCKUMENTARY

no noNew to DVD this week: NO NO: A DOCKUMENTARY

Jeffrey Radice’s look back at an infamous baseball player debuted at Sundance in 2014. The doc went on to screen at SXSW, Montclair, Dallas, Sidewalk, San Francisco, and Florida, among other fests.

My pre-Sundance profile of the film may be found here.

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In Theatres: HOLY HELL

holy hellComing to theatres tomorrow, Friday, May 27: HOLY HELL

Will Allen’s chronicle of his time in a cult made its bow at Sundance earlier this year. Screenings followed at Hot Docs, Nashville, Montclair, Minneapolis-St Paul, DocAviv, Martha’s Vineyard, and the upcoming Biografilm.

I profiled the doc before Sundance here.

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Special Screening & On VOD: LOS PUNKS: WE ARE ALL WE HAVE

los_punks_we_are_all_we_have-_h_2016Coming to NYC’s Rooftop Films tomorrow, Thursday, May 26 and to VOD this Friday, May 27: LOS PUNKS: WE ARE ALL WE HAVE

Angela Boatwright’s portrait of a music subculture made its debut at Slamdance earlier this year. Other events have included IFF Boston, San Francisco Doc, San Antonio Cine Festival, East End, and Topanga.

Displaying an anarchic edge that is both fitting for its subject matter and ultimately to its detriment, Boatwright offers a down and dirty behind the scenes look at a small but appreciated punk music scene that’s taken root among young Latino/a fans in South Central and East Los Angeles. Embracing a DIY code, these fans throw together loud backyard parties, spreading the word through social media, and enjoy themselves until the inevitable noise complaints shut things down. The filmmaker finds some intriguing characters, chief among them Nacho, a party organizer and member of the band Corrupted Youth. The problem is that she doesn’t stop with him, or even two or three other subjects who demonstrate some potential – instead Boatwright keeps introducing more and more one-offs who simply detract from the proceedings and fail to make much of an impression. While it’s understandable to some extent if the goal is to present the scope of the Latino punk scene as a whole, given the film’s very specific Los Angeles setting and distinct core audiences – punk music fans, Latinos – it would have been to the project’s benefit to offer fewer more fleshed out figures like Nacho to help the unconverted viewer have a better chance to connect with the subject matter.

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