Courtesy of Sundance Institute | photo by Isabel Castro
Coming to Disney+ tomorrow, Friday, September 16: MIJA
Director: Isabel Castro
World Premiere: Sundance 2022
Select Festivals: True/False, CPH:DOX, Hot Docs, Los Angeles Latino, Miami, Cleveland, RiverRun, Maryland, San Francisco
About: When Doris, a young, ambitious music manager whose undocumented family depends on her ability to launch pop stars, loses her biggest client, she hustles to discover new talent and finds Jacks, another daughter of immigrants for whom “making it” isn’t just a dream: it’s a necessity.
Coming to theatres and VOD tomorrow, Friday, September 16: RIOTSVILLE, USA
Director: Sierra Pettengill
World Premiere: Sundance 2022
Select Festivals: New Directors/New Films, True/False, CPH:DOX, Seattle, Freep, San Francisco, Traverse City
About: Footage shot by the media and government of a fictional town built by the US military explores the militarization of the police and the reaction of a nation to the uprisings of the late 1960s, creating a counter-narrative to a critical moment in American history.
Coming to theatres tomorrow, Friday, September 16: MOONAGE DAYDREAM
Director: Brett Morgen
World Premiere: Cannes 2022
Select Festivals: Toronto, Karlovy Vary, Deauville, Jerusalem
About: An artful and life-affirming journey through David Bowie’s creative life, grappling with spirituality, transience, isolation, creativity, and time to reveal the celebrated icon in his own voice.
I previously wrote about the film for DOC NYC’s program, saying: New Jersey’s WFMU has occupied a unique position as an independent, commercial-free, listener-supported radio station since its inception in the late 1950s. At its heart is the dedicated station manager Ken Freedman, committed to an unstructured, free-form broadcasting model which has won WFMU acclaim as the best – and perhaps weirdest – radio station in the tristate area, if not the country. Facing a budget crisis, can Ken rally both his volunteer staff and his listeners to keep the station afloat?
Select Festivals: IDFA, Hot Docs, RIDM, DokuFest, Camden, Open City Docs, Sydney Underground, Indielisboa, Docaviv
About: Archival material and home movies from the 1920s to the 1940s reveal the emancipatory power women found in newly available personal cameras, and the association this self-expression had with gender roles, the rise of a leisured, white middle class, and imperialism.