Category Archives: Documentary

2015 DOC NYC in Focus: Viewfinders

viewfinders-motleyslaw-1201Today’s DOC NYC 2015 preview begins with a look at the films of the Viewfinders competition, highlighting works with distinct directorial visions. Continue reading

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On DVD: ONE CUT, ONE LIFE

onecutonelifeblogphotoComing to DVD tomorrow, Tuesday, November 3: ONE CUT, ONE LIFE

Lucia Small and Ed Pincus’ meditation on friendship and death bowed at Full Frame last year. Other screenings included IFF Boston, Woods Hole, Torino, and the New York Film Festival.

I previously wrote about the doc here.

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On VOD: THE NOTORIOUS MR BOUT

notorious mr boutComing to VOD tomorrow, Tuesday, November 3: THE NOTORIOUS MR BOUT

Tony Gerber and Maxim Pozdorovkin’s profile of a Russian arms dealer bowed at Sundance last year. Other festival berths included Nantucket, Hot Docs, True/False, Little Rock, Miami, and BAMcinemaFest. Bond/360 now makes the doc available on iTunes, Google Play, Amazon Instant Video, and Vudu.

I profiled the film before Sundance here.

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On DVD: BEST OF ENEMIES

best of enemiesComing to DVD tomorrow, Tuesday, November 3: BEST OF ENEMIES

Morgan Neville and Robert Gordon’s chronicle of the legendary Buckley/Vidal debates premiered at Sundance this year. Since then, it has screened at Nantucket, BAMcinemaFest, AFI Docs, Outfest, San Francisco, SXSW, Hot Docs, Full Frame, Srasota, Miami, and IFF Boston, among others. The film will screen as part of DOC NYC’s Short List section later this month.

My pre-Sundance profile of the doc may be found here.

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2015 DOC NYC in Focus: Special Events

specialevents-keynote-1201My overview of DOC NYC 2015 continues with Special Events, which offers signature selections with special guests. Continue reading

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Special Screening: 1971

1971Coming to NYC’s Stranger Than Fiction series tomorrow, Tuesday, November 3: 1971

Johanna Hamilton’s look at a notorious FBI break-in made its world premiere at Tribeca last year. It went on to other fests, including IDFA, Sheffield, AFI Docs, Traverse City, and CPH:DOX.

I previously wrote about the film here.

Note: A Q&A with director Johanna Hamilton, subject Betty Medsger, and Oscar-winning filmmaker Laura Poitras will follow the screening.

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2015 DOC NYC in Focus: Galas

11x17-PosterIn a week and a half, the 6th edition of DOC NYC, America’s largest documentary festival, begins. As Director of Programming, I’ve spent the bulk of the past several months making film selections with Artistic Director Thom Powers and other members of our team. We’re looking forward to bringing this year’s expanded lineup to NYC audiences. In the lead-up to the festival, I’m planning to profile each section here, as I’ve done the past couple of years – beginning with DOC NYC’s Galas. Continue reading

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On Cable: THE DIPLOMAT

diplomatComing to HBO tonight, Monday, November 2: THE DIPLOMAT

David Holbrooke’s tribute to his ambassador father debuted att Tribeca this Spring. Screenings followed at San Francisco, Traverse City, Sarajevo, AFI Docs, Telluride Mountainfilm, and Jerusalem, among others.

I previously wrote about the doc here.

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In Theatres: MAKING ROUNDS

makingroundscourtesyfirstrunfeaturesComing to theatres today, Friday, October 30: MAKING ROUNDS

Muffie Meyer’s immersive look at a cardiac care unit makes its debut today at NYC’s Cinema Village. Meyer, of course, is best known as one of the directors/editors of the iconic GREY GARDENS.

Set within Mount Sinai, Meyer’s film focuses on cardiologists Herschel Sklaroff and Valentin Fuster as they lead a group of young doctors and medical students in a good, old-fashioned round of bedside visits, a practice viewers soon learn is growing increasingly rare as doctors instead rely on technological advancements in testing for diagnostic assessment. Drs Sklaroff and Fuster demonstrate, however, that a few minutes spent establishing an empathetic connection with people who are frihtened to death, and, critically, actually listening to their experience of symptoms, yields dramatic results. Patients who have experienced frustration time and time again during past visits are discovered to have been misdiagnosed and finally receive treatment that helps their quality of life. Meyer’s film is strongest when she accompanies the physicians to the bedsides, putting the viewer in the shoes of the eager medical students learning from these acclaimed mentors. It’s less effective in a couple of brief, more conventional, interview sequences which feel tacked on. Regardless, the film’s simple yet important premise – that doctors shouldn’t lose sight of the patient as they try to treat their symptoms – is on the whole conveyed quite well.

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In Theatres: THE PRICE WE PAY

pricewepayComing to theatres today, Friday, October 30: THE PRICE WE PAY

Harold Crooks’ investigation into the impact of corporate tax havens debuted at Toronto last year. It went on to screen at Vancouver, Planete+ Doc, Open City, and CPH:DOX, among other events.

Covering similar terrain as 2012’s WE’RE NOT BROKE, but taking a more international perspective, Crooks’ film looks at the origins and widespread employment of tax havens by multinational corporations in places like the Cayman Island, the Bahamas, and even Canada and Ireland. While the companies are well within their legal rights, and stand by the oft-used justification that they are legally obligated to maximize profits for their shareholders, critics rightfully call this behavior what it is: corporate tax avoidance. The film explores the economic impact of offshore finance, not only in making the rich richer, but in keeping tax revenue out of circulation, jeopardizing federal financing for social services and other public projects. While restricting himself to too many talking heads, Crooks occasionally livens up the proceedings with some fiery footage of congressional and parliamentary hearings that try to take the likes of Google and Amazon to task. The film also presents potential correctives, like the proposed Robin Hood tax on financial transactions, but the prospect for real change looks daunting in the face of infuriating corporate legal, political, and economic muscle.

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