Category Archives: Documentary

Special Screening & In Theatres: THE GREEN PRINCE

green princeComing to NYC’s JCC Manhattan for its CineMatters series tomorrow, Tuesday, September 9 and opening in theatres this Friday, September 12: THE GREEN PRINCE

Nadav Schirman’s stranger-than-fiction tale of unexpected Israeli/Hamas cooperation premiered at Sundance this year, where it won the World Cinema Documentary Audience Award. It went on to screen at Human Rights Watch, San Francisco Jewish, Dallas Jewish, Seattle, Sarasota, Moscow, DocAviv, and the upcoming Atlantic fest.

My pre-Sundance profile of the doc may be found here.

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In Theatres: THE RULE

ruleComing to theatres today, Friday, September 5: THE RULE

Marylou and Jerome Bongiorno’s profile of a Newark prep school debuted at the Montclair Film Festival this year. It now comes to NYC, with a Los Angeles run to follow next week.

Founded in 1868, St Benedict’s Prep is run by the monks of the Newark Abbey and operates according to the principles of the Rule of Saint Benedict, stressing community, trust, leadership, commitment, and several other virtues that have helped its predominantly African- and Latin-American students to succeed where so many other inner city schools instead see dismal drop out rates and underperformance. Monks go through each of these principles at length through the course of the Bongiornos’ film, offering practical lessons for how they apply them to their students and their particular circumstances – often involving broken homes, the lack of male role models, gangs, and the like. While students are heard from on occasion, more of their voices would have helped to cement the effectiveness of the pedadogy. Instead, intermittently, the filmmakers interject with crude animation and strange computer-voiced factoids which unfortunately cheapen the proceedings as a whole. Similarly, an extended consideration of the school’s history would be welcome – what’s related here – the internal schism that came after the 1967 Newark riots and eventually led to the closure of the school and the exodus of several of the monks – is more intriguing than the rule play-by-play offered instead.

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On DVD: TEENAGE

teenageComing to DVD next Tuesday, September 9: TEENAGE

Matt Wolf’s meditation on the emergence of the teenager premiered at Tribeca last year. It went on to Hot Docs, AFI Docs, Melbourne, Traverse City, BFI London, DMZ Docs, Hot Springs, CPH:DOX, Denver, and Big Sky, among others.

I included the doc in my Tribeca coverage here.

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On TV: THE GENIUS OF MARIAN

genius of marianComing to PBS’s POV this coming Monday, September 8: THE GENIUS OF MARIAN

Banker White and Anna Fitch’s reckoning with Alzheimer’s disease made its debut at Tribeca last year. It went on to screen at IFF Boston, Berkshire, AFI Docs, Sebastopol Doc, Heartland, Woods Hole, and Moscow.

I included the doc in my Tribeca coverage here.

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Special Screening: FIRST TO FALL

first to fallComing to NYC’s Bronx Documentary Center this Saturday, September 6: FIRST TO FALL

Rachel Beth Anderson and Tim Grucza’s portrait of Libyan expatriates turned rebels debuted at IDFA last year. It has gone on to screen at Human Rights Watch, Biografilm, Hot Springs Doc, Beirut, and Rio, among other events. This special screening, in collaboration with Reporters Instructed in Saving Colleagues (RISC), serves as a fundraiser in memory of slain journalist James Foley.

Clued in via social media to the popular uprising against Muammar Gaddafi and the dictator’s brutal retaliation, Hamid and Tarek, young Libyans living in Montreal, decide to head to Benghazi to join the action. Despite having no combat training, they joke while enjoying chocolate snacks upon their arrival that they’ll get by on their experience playing video games – a signal of their youth and naïveté which will soon be put to the test. Hamid is permitted to travel to Misrata, where he’ll train, while the more portly, younger Tarek is forced to stay behind, initially unable to realize his “dream” of battle. While there’s appeal in the scenes showcasing the young men’s friendship, full of both moments of tenderness and puerile mockery, their time apart underscores how they cope with, and come of age against, the danger they’ve thrust themselves into. Anderson and Grucza follow their separate tracks for several months, as Hamid’s attempts to use humor and bravado eventually give way to disillusionment, while Tarek, finally reunited with his friend, shows more vulnerability and apprehension, yet ultimately risks his safety to try to see his family in another city, with sobering results.

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In Theatres: NAKED OPERA

naked operaComing to NYC’s Anthology Film Archives tomorrow, Friday, September 5: NAKED OPERA

Angela Christlieb’s portrait of a self-indulgent opera and escort lover debuted at Berlin last year. It went on to screen at Hot Docs, DocAviv, Cork, Galway, Planete+ Doc, Transylvania, Rio, Message to Man, and Thessaloniki Doc.

I included the film in my Hot Docs coverage here.

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In Theatres: NO NO: A DOCKUMENTARY

no noComing to theatres tomorrow, Friday, September 5: NO NO: A DOCKUMENTARY

Jeffrey Radice’s look at the life of a legendary baseball pitcher debuted at Sundance this year. It went on to screen at SXSW, Montclair, Dallas, Sidewalk, San Francisco, Florida, and Boulder, among others.

My pre-Sundance doc profile may be found here.

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On Cable: I AM DIVINE

i am divineComing to Showtime tomorrow, Thursday, September 4: I AM DIVINE

Jeffrey Schwarz’s tribute to John Waters’ larger-than-life muse debuted at SXSW last year. It went on to screen at New Orleans’ Film-O-Rama, Cleveland, Nashville, Sheffield, Sydney, Provincetown, Inside Out, Frameline, and Outfest, among other events.

I previously wrote about the doc upon its theatrical release here.

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In Theatres: LEVITATED MASS

Levitated-Mass-Key-Image-580x300Coming to Los Angeles theatres this Friday, September 5: LEVITATED MASS

Doug Pray’s chronicle of the creation of Michael Heizer’s sculpture made its debut at the Los Angeles Film Festival last year. It went on to screen at DOC NYC, Florida, Cleveland, Napa Valley, Martha’s Vineyard, and Sebastopol Doc, among others.

I wrote about the film for DOC NYC’s program, saying:
Last year, renowned contemporary artist Michael Heizer saw the realization of a project first conceived in 1968 – the suspension of an enormous boulder above a walkway. This new film by Doug Pray (ART & COPY, SCRATCH, SURFWISE) captures the logistical hurdles and sheer spectacle of the 340-ton granite rock’s eleven-day road trip from a quarry across 105 miles, through 22 cities, to the Los Angeles County Museum of Art for its installation. Along the way, curious, bemused, and even angry onlookers reflect on the nature of art in society.

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In Theatres: GRINGO TRAILS

gringo_trails_1_dynamic_lead_slideComing to theatres this Thursday, September 4: GRINGO TRAILS

Pegi Vail’s exploration of the unintended impact of tourism made its debut at last year’s Margaret Mead Film Festival. It went on to Washington DC’s Environmental Film Festival, Sebastopol Doc, Yale Environmental, Göttingen Ethnographic, Documentary Edge, and Galway, among others.

An exploration of how we tell stories about the places we visit, and of the consequences of that storytelling, Vail’s thoughtful film reveals the footprint of tourism on formerly exotic, remote destinations in Bolivia, Thailand, Mali, and Bhutan. Framing the film is the story of Israeli Yossi Ghinsberg, whose book on surviving alone in the Bolivian Amazon opened up the region to generations of tourists seeking to recapture his experience, as a result transforming the community’s way of life to accommodate them. Vail explores similar unintended developments, as other travelers reveal how formerly pristine hidden gems, known to a select few outsiders, became quickly co-opted and overrun. The tale of Thailand’s Haad Rin beach, a paradise that initially drew a motley group of bohemians but eventually became the site of massive beach parties, serves as the central cautionary tale, while the Kingdom of Bhutan demonstrates an opposite extreme, limiting tourism to high-end travelers in an effort to prevent unwanted cultural encroachment. Along the way, travel writers and ordinary tourist share compelling stories of the delicate balance of sharing their experiences of must-see places while preserving what makes them so special.

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