Category Archives: Sundance

2011 Sundance Docs in Focus: HOW TO DIE IN OREGON

Another alumnus, Peter D Richardson, returns to Sundance with his sophomore film, screening in the US Documentary Competition, HOW TO DIE IN OREGON, a poignant and affecting look at individuals facing terminal illnesses and their desire to choose the terms of their own deaths.

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2011 Sundance Docs in Focus: THE LAST MOUNTAIN

Bill Haney’s look at the controversial issue of Appalachian mountaintop coal removal, THE LAST MOUNTAIN, is the next US Documentary Competition title in my film-by-film look at the upcoming Sundance doc slate.

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2011 Sundance Docs in Focus: WE WERE HERE

My look at Sundance 2011’s US Documentary Competition title continues with returning filmmakers, Director David Weissman and Co-Director Bill Weber, and their new project, WE WERE HERE, which looks at the early impact of AIDS on San Francisco through the stories of some of the men, and one woman, who lived through the epidemic.

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2011 Sundance Docs in Focus: CRIME AFTER CRIME

Continuing my film-by-film look at the documentaries of Sundance 2011 is US Documentary Competition title CRIME AFTER CRIME by Yoav Potash, an emotional five-year chronicle of justice long delayed for a battered woman pushed to murder.

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2011 Sundance Docs in Focus: RESURRECT DEAD: THE MYSTERY OF THE TOYNBEE TILES

Next up in my 2011 Sundance doc line-up overview is Jon Foy’s US Documentary Competition title RESURRECT DEAD: THE MYSTERY OF THE TOYNBEE TILES, an investigation into a literally street-level unsolved mystery going back more than twenty years.

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2011 Sundance Docs in Focus: BEING ELMO: A PUPPETEER’S JOURNEY

My look at the more than forty feature-length documentaries in the 2011 Sundance Film Festival begins with the US Documentary Competition and Constance Marks’ BEING ELMO: A PUPPETEER’S JOURNEY, a portrait of the man behind SESAME STREET’s wildly popular furry, red, and perpetually three-and-a-half-year-old Muppet.

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2011 Sundance Docs in Focus

With the 2011 Sundance Film Festival less than a month away, I’m going to begin offering brief looks at the feature-length documentaries in the line-up, a couple or more a day, until I’ve hopefully gone through them all before the festival begins, time permitting. These aren’t reviews – as a Documentary Programming Associate for the festival, of course I encourage you to see all of these films! The purpose of this series of posts is to present each of the docs in focus, provide some additional information and thoughts about why you should see them, and put them on your radar if you’re heading to Park City or to other festivals at which they will go on to screen. I’ll begin later today with BEING ELMO: A PUPPETEER’S JOURNEY.

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In Theatres: THE RED CHAPEL

Opening in NYC next Wednesday, December 29: THE RED CHAPEL

I was fortunate to see Mads Brügger’s alternately hilarious and poignant film at its debut at Hot Docs last year, where its ethically questionable methods of exposing North Korean totalitarianism rubbed some of the audience members the wrong way. It continued playing the festival circuit with screenings at IDFA, Sundance, and New Directors/New Films, among others. At Sundance, the jury awarded the provocative project the World Cinema Documentary Prize. Lorber Films will be releasing the film just before the end of the year.

While I’ve complained on more than one occasion about filmmakers inserting themselves into their projects, THE RED CHAPEL is one case where this tactic pays off. Brügger manages to arrange for two South Korean-Danish comedians and himself to travel to North Korea, ostensibly to present a show professing cooperation between Denmark and the oppressive state. Instead, the three men plan to use humor and their documentary to infiltrate the closed society and to expose the repression faced by its people. Playing a dangerous game where a wrong move could lead to serious repercussions, Brügger is not prepared for one of the comedians to develop conflicted feelings about their mission, putting them all in jeopardy. Equal parts absurdist farce, political exposé, spy film, and even melodrama, THE RED CHAPEL is one of the most thought-provoking documentaries released this year.

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Special Screening: THE TILLMAN STORY

Coming to NYC’s Stranger Than Fiction this coming Monday, December 20: THE TILLMAN STORY

I’ve written about Amir Bar-Lev’s film, which debuted this year at Sundance, before its theatrical release in a previous post.

If you’re in the NYC area, you have another chance to see the film in a theatre at next week’s STF.

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On DVD: BIG RIVER MAN

Available on DVD: BIG RIVER MAN

John Maringouin’s portrait of Martin Strel premiered at last year’s Sundance, where it won the World Cinema Documentary Cinematography Award, and played more than a dozen other festivals, including the Hamptons, where it picked up the Wouter Barendrecht Pioneering Vision Award. The film came to DVD last week after a limited theatrical release.

The Slovenian long-distance swimmer at the heart of Maringouin’s film might defy viewer expectations – this is no lean, young Michael Phelps type – Strel is in his 50s, has high blood pressure, drinks a lot, and is, frankly, pretty fat. Having set Guinness World Records for swimming the lengths of numerous famous rivers – the Danube, the Yangtze, the Mississippi – BIG RIVER MAN follows his efforts to swim the more than 3000 miles of the Amazon in 2007. Like the best documentaries, it’s not really this feat that makes the film so watchable, it’s the man himself. LIke one of Werner Herzog’s protagonists, Strel basically loses himself in his obsession, risking his health and life to meet his goal, and Maringouin’s there to capture it in its delirious glory.

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