Festival:
The 74th Venice Film Festival
Dates:
August 30-September 9
About:
The world’s oldest film festival showcases just over 30 documentary features among its more than 100 feature offerings. Continue reading
Festival:
The 74th Venice Film Festival
Dates:
August 30-September 9
About:
The world’s oldest film festival showcases just over 30 documentary features among its more than 100 feature offerings. Continue reading
Filed under Documentary, Film, Film Festivals, Overviews, Recommendations, Releases
Coming to PBS’s POV this coming Monday, August 28:
RAISING BERTIE
Director:
Margaret Byrne
Premiere:
Full Frame 2016
Select Festivals:
Sarasota, Bentonville, AFI Docs, Atlanta Docufest, Chicago, Citizen Jane, Cucalorus, Big Sky Doc
About:
An observational coming-of-age portrait of three African-American teenagers in rural North Carolina.
I previously wrote about the doc here.
Filed under Documentary, Film, Recommendations, Releases
Coming to theatres today, Friday, August 25:
SERVED LIKE A GIRL
Director:
Lysa Heslov
Premiere:
SXSW 2017
Select Festivals:
Bentonville
About:
Participants in the Ms Veteran America competition bring awareness to the plight of homeless female vets.
The Ms Veteran America competition grew out of a recognition that female US veterans were often given the short end of the stick upon release from active service, with few services adequately addressing the sadly common issues they faced, including PTSD, military sexual abuse, homelessness, and health concerns – as well as the impact of these forces on family life. Heslov profiles the event’s founder, Jas Boothe and other organizers, as well as several competitors, each contending with a range of difficulties in their transition to civilian life. At times, the film struggles to juggle its surfeit of subjects, and to balance their biographies with showcasing pageant activities, but it ultimately does demonstrate the positive impact of their participation, and the strength they draw from one another.
Filed under Documentary, Film, Releases
Coming to theatres tomorrow, Friday, August 25:
RANCHER, FARMER, FISHERMAN
Director:
Susan Froemke and John Hoffman
Co-director:
Beth Aala
Premiere:
Sundance 2017
Select Festivals:
Washington DC Environmental, San Francisco Green, Aspen Ideas, Traverse City
About:
A profile of unlikely leaders in conservation efforts.
I previously profiled the doc before Sundance here.
Filed under Documentary, Film, Film Festivals, Recommendations, Releases, Sundance
Coming to Showtime this Friday, August 25:
WHITNEY. “CAN I BE ME”
Directors:
Nick Broomfield and Rudi Dolezal
Premiere:
Tribeca 2017
Select Festivals:
Nantucket, AFI Docs, Sydney, Karlovy Vary, Documentary Edge, Los Angeles, Galway
About:
An intimate reassessment of Whitney Houston’s life and career.
I previously wrote about the doc here.
Filed under Documentary, Film, Recommendations, Releases
Coming to DVD today, Tuesday, August 22:
FROM THE ASHES
Director:
Michael Bonfiglio
Premiere:
Tribeca 2017
Select Festivals:
Washington DC Environmental
About:
An exploration of the coal industry’s past, present, and likely future.
Putting the lie to the rhetoric that the Obama administration somehow waged a “war on coal” to cripple the mining industry, this conventional but effective film instead convincingly demonstrates the realities behind the continuing decline of coal use and the shuttering of mines, locating both primarily in the explosion of cheap natural gas, rather than regulatory attempts. Bonfiglio traces the history of America’s usage of coal, the industry’s major role in contributing to serious environmental and health concerns, and the global social and economic changes that have resulted in its being phased out. Miners and their families, facing a lack of development of other industries thanks to the lobbying power of the mining industry, are caught between unrealistic promises of the current administration to revitalize a moribund industry, and losing what little they have, unless they are able to transition, as some are shown here, to a growing renewable energies industry.
Filed under Documentary, Film, Recommendations, Releases
Coming to PBS tomorrow, Wednesday, August 23:
THE FARTHEST
Director:
Emer Reynolds
Premiere:
Dublin 2017
Select Festivals:
Tribeca, Edinburgh, Seattle, AFI Docs, Sydney, New Zealand, Telluride Mountainfilm
About:
A comprehensive history of the Voyager mission, from inception to execution to the present day.
I previously wrote about the doc here.
Filed under Documentary, Film, Recommendations, Releases
Coming to PBS tomorrow, Tuesday, August 22:
DIANA: HER STORY
Director:
Kevin Sim
Premiere:
PBS (August 2017)
About:
Twenty years after her death, Princess Diana reveals her intimate thoughts on the Monarchy.
Sim’s project is one of several being released this month commemorating the beloved British figure on the anniversary of her tragic death in 1997. Drawing extensively from video footage filmed by the Princess of Wales’ speech coach, Peter Settelen, the doc offers Diana reflecting on her initially fairy tale romance with Prince Charles, one that captured the attention of the world, and how it came to a sad end. Recorded while separated from Charles as she sought to hone her public speaking abilities and to counter what she and others perceived as an effort by the Royal Family to phase her out, this footage shows a thoughtful princess confiding her feelings of loneliness and frustration as the initial whirlwind of Charles’ courtship gave way to a quickly dawning awareness of the open secret of his affair with Camilla Parker Bowles. Sim may assume, probably rightly, that his intended audience is already well-versed in the details of Diana and Charles lives, leaving viewers less familiar with Royal history occasionally a bit in the dark. Regardless, rather than aiming for a comprehensive recounting, the engaging portrait instead deliberately presents only Diana’s perspective, bolstered by the memories of close friends and associates.
Filed under Documentary, Film, Recommendations, Releases
Coming to PBS’s POV this coming Monday, August 21:
TRIBAL JUSTICE
Director:
Anne Makepeace
Premiere:
Santa Barbara 2017
Select Festivals:
Brooklyn, Berkshire, Big Sky Doc, Full Frame, Woods Hole
About:
A portrait of two Native American tribal court judges in California.
Makepeace’s film explores the tribal court system of the two largest tribes in California, the Yurok in the north and the Quechan in the South, through the caseloads of Abby (Yurok) and Claudette (Quechan). Because the tribes are sovereign nations, they are able to work with the California state courts in many cases to take over jurisdiction of certain matters related to their tribespeople. In contrast to conventional Western conceptions of the judicial system as a place for punishment, the tribal court system instead practices restorative justice, with the aim to reform offenders or issues within the community so that they can escape from cyclical patterns of recidivism and crime. While Abby largely deals with community matters – addiction, substance abuse, child welfare – Claudette’s story is more complicated in that also herself becomes part of the court system as the guardian of her wayward nephew, Isaac, a 17-year-old just steps away from becoming another statistic in state prison. Makepeace takes a no-frills but effective approach, and benefits from two appealing protagonists, in exploring the possibilities – and limits – of restorative vs punitive justice.
Filed under Documentary, Film, Recommendations, Releases
Coming to NYC’s Rooftop Films tomorrow, Friday, August 18:
THE WORK
Directors:
Jairus McLeary and Gethin Aldous
Premiere:
SXSW 2017
Select Festivals:
Seattle, Sheffield, BAMcinemaFest, Sarajevo, Melbourne
About:
Folsom State Prison hosts an intensive men’s group therapy workshop.
McLeary and Aldous focuses on one of the two times a year when Folson’s program – nicknamed “the work” by the participating inmates – allows non-convicts to enter the prison to participate in a four-day intensive workshop alongside the prisoners. Three of these civilians are followed as they take part, guided by inmates who are seasoned program participants. One man recognizes that a couple of bad decisions could have led him to Folsom like has happened to so many of his friends, another recognizes he has never fully pursued his aspirations, and the third, who comes off as an arrogant jerk, is primarily attracted to participate in order to experience a sense of danger. Over the course of the often friction-filled workshop, each civilian – and several inmates – are coaxed to open up about formative experiences, many connected to issues with their fathers, and the emotional baggage they carry, while protected here in a safe space, with no surveillance or guards present. While they find the intense experience cathartic, it feels forced or performative at times, and the film’s verité approach doesn’t provide an opportunity to flesh out its subjects sufficiently to give the viewer a sense of how impactful this group therapy writ large really ultimately may be.
Filed under Documentary, Film