Category Archives: Film

Special Screening: (T)ERROR

terror_still_FBI_photocredit_DavidFelixSutcliffeComing to Los Angeles’ ArcLight Documentary Series tomorrow, Tuesday, July 14: (T)ERROR

Lyric R Cabral and David Felix Sutcliffe’s surprising exploration of the work of an FBI informant made its world premiere earlier this year at Sundance, where it won a special jury award. It has gone on to screen at Nantucket, True/False, Hot Docs, Tribeca, Full Frame, IFF Boston, Nashville, and Human Rights Watch, among others.

My pre-Sundance profile of the film may be found here.

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On TV: BLACKOUT

blackout_gallery_09Coming to PBS’s American Experience tomorrow, Tuesday, July 14: BLACKOUT

Callie T Wiser’s look back at the tumultuous New York City blackout of 1977 makes its debut on the long-running public television series.

Thirty-eight years ago to the date, on July 13, 1977, a severe lightning strike in Westchester county set off a chain reaction that resulted in a total blackout for virtually all of New York City. In comparison to a similar power failure just twelve years prior, which saw masses of ordinary New Yorkers helping to maintain order and safety, this one became characterized as something more sinister, noted for widespread looting and arson that left long-lasting wounds for many neighborhoods and their residents. Wiser gathers an impressive assemblage of period footage, and draws from the recollections of a range of people who lived through that dark night, from Con Edison employees who were tasked with restoring power and shop owners who saw their businesses ransacked, to police officers and firefighters who faced the thankless job of trying to maintain order in the chaos and neighborhood residents who tried to make sense of it all. Without forgiving the perpetrators, some of the interviewees point out that, rather being primarily a racial issue, as was suggested at the time, the criminality that emerged in some areas were more a reflection of class, a response to the devastating unemployment and reduction in social services that characterized an essentially bankrupt New York City. Through its cogent contextualization of these and other factors, the film underscores this, contrasting recollections of staff at the World Trade Center’s Windows on the World restaurant, which appeased diners during the blackout by offering free champagne, with the spontaneous looting of under-served neighborhoods, carried out not only by career criminals but by first-time offenders, many taking illegal advantage of the absence of social order to steal diapers and food for their families. That there were victims of this behavior is not ignored, of course, as represented by a shop owner who lost hundreds of thousands that evening, and who could not accept that the actions taken, whatever the circumstances, were justified.

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In Theatres & On VOD: DO I SOUND GAY?

do i sound gayComing to theatres and VOD today, Friday, July 10: DO I SOUND GAY?

David Thorpe’s exploration of stereotypes and self-acceptance made its debut at Toronto last year. It went on to screen at DOC NYC, Santa Barbara, RiverRun, Montclair, Dallas, Sydney Mardi Gras, IFF Boston, Nashville, Seattle, New Orleans’ Filmorama, Provincetown, Frameline, and BFI Flare, among others.

Reeling from a recent breakup, Thorpe begins a self-examination of a particular quality he dislikes about himself and the larger gay community of which he’s a part: the gay voice. In addition to beginning speech therapy sessions to determine if he can consciously remove some of the identifying vocal mannerisms that so irk him, the director/subject takes to the street for some off the cuff vox pops and visits with friends and celebrities who weigh in on the “problem” with having an effeminate voice. While on the surface, this quest might initially seem like self-involved therapy, Thorpe wisely moves beyond the strictly personal to begin to unpack the larger societal constructs at play, from a subconscious misogyny that punishes men for daring to sound like women, to a related homophobia, both internalized by gay men against themselves, and propagated by straight people eager to maintain some strict division of appropriateness by gender and sexuality. Maintaining a lighter tone throughout, the film opens up a dialogue that proves insightful and accessible to LGBT and straight audiences alike.

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In Theatres: SLINGSHOT

slingshotComing to theatres today, Friday, July 10: SLINGSHOT

Paul Lazarus’ profile of an inventor’s efforts to make clean water available around the world debuted at Cinequest last year. Other fest berths have included Cleveland, Florida, Heartland, Woodstock, Nashville, and Denver, among others.

Lazarus’ film focuses on Dean Kamen, best-known as the creator of the Segway, and, contrary to urban legend, not the fatal victim of an accident involving the slow-moving personal transport device. The humanitarian inventor has a far more impressive track record, however, bringing devices to the marketplace that have saved countless lives, including the insulin pump and a portable dialysis machine. He’s now obsessed with his newest mission, finding a way to bring his titular water purification device to developing nations, where it can literally mean the difference between life and death. Despite the earnest Kamen’s self-deprecating comments, the film too often feels like a promotional tool or hagiography and lacks a compelling narrative arc to help it transcend its workmanlike approach.

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On VOD: THE WOLFPACK

wolfpackNow available on VOD: THE WOLFPACK

Crystal Moselle’s look at a sheltered family raised on films made its bow at Sundance this year, where it claimed the US Documentary Grand Jury Prize. It went on to screen at Nantucket, Cleveland, Full Frame, Sarasota, Tribeca, San Francisco, and Seattle, among others. Magnolia now makes the film available on VOD, exclusively on iTunes.

My pre-Sundance profile of the doc may be found here.

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On TV: WEB JUNKIE

web junkieComing to PBS’s POV this coming Monday, July 13: WEB JUNKIE

Shosh Shlam and Hilla Medalia’s unprecedented look at Chinese Internet addiction had its world premiere at Sundance last year. Screenings followed at Miami, Dallas, Melbourne, Traverse City, One World, Hong Kong, ZagrebDox, Göteborg, and DOXA, among others.

I profiled the doc before Sundance here.

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Special Screening: ROMEO IS BLEEDING

RomeoIsBleeding_Filmpage_476x286Coming to NYC’s Rooftop Films this Saturday, July 11: ROMEO IS BLEEDING

Jason Zeldes’ look at a poet’s response to gang violence made its bow at San Francisco, where it took home the documentary audience award. It also took won awards at Seattle and Berkshire, and has screened at Newport Beach.

Donté Clark’s hometown of Richmond CA has been plagued by a deadly gang turf war for decades. Rather than accept the mindless violence as an immutable status quo, the young poet sets out to make a difference for the youth of his community, and founds the RAW Talent Creative Arts program to channel art into awareness and action. Zeldes follows Clark and his collaborators as they prepare a modern update of ROMEO AND JULIET, substituting Richmond for Verona, and spoken word for Shakespearean iambic pentameter, hoping to create a dialogue among the community. Clark makes for an engaging, inspiring protagonist in an ultimately hopeful portrait of a troubled place.

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Outfest 2015: Documentary Overview

la_outfest_heroTomorrow, Thursday, July 9 sees the kick off for the 33rd edition of Los Angeles’ Outfest, one of the leading LGBT fests in the world, which will present just over 60 new features until its wrap on Sunday, July 19. Among these are 24 new documentaries, including opening night selection, TIG, Kristina Goolsby and Ashley York’s portrait of a tumultuous year in the titular comedian’s life; and centerpieces BEST OF ENEMIES, Morgan Neville and Robert Gordon’s Vidal vs Buckley chronicle; and OUT TO WIN, Malcolm Ingram’s look at LGBT athletes.

tchindasDocumentaries appearing in the main program of the festival include a mix of brand new work and other highlights from the past year of LGBT programming from larger festivals like Sundance, SXSW, Toronto, and Berlin. Among the offerings are: Cammie Pavesic and Michael Gough’s ADD THE WORDS, on the fight for workplace protections for LGBT people; Marc Serena and Pablo García Pérez de Lara’s TCHINDAS (pictured), a portrait of a transgender Cape Verdean woman preparing for Carnival; Alex Berry’s DRAG BECOMES HIM, about a RUPAUL’S DRAG RACE contestant; Parvez Sharma’s A SINNER IN MECCA, a personal journey to Mecca by the gay Muslim filmmaker; and Ron Nyswaner’s SHE’S THE BEST THING IN IT, a portrait of celebrated character actress Mary Louise Wilson.

aboutNonfiction also appears in the fest’s Special Events section, such as Lauren Fash and Ryan Suffern’s OUT & AROUND (pictured), which follows a lesbian couple as they meet with LGBT rights advocates around the world; and in the avant-garde Platinum section, which includes Brad Besser’s BEAVER TRILOGY PART IV, the story behind a cult classic which was made three times.

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Jerusalem 2015: Documentary Overview

10361415_10153016728080847_5800418663207552516_nThe 32nd edition of the Jerusalem Film Festival begins this Thursday, July 9, and presents just over 100 new features through Sunday, July 19. Compared to last year’s nearly 50 nonfiction features, this year’s event offers just over 30, including a fair number of new Israeli work, noted below:

F0_0540_0329_penniesJFF15Seven titles vie for recognition in the Documentary Competition, including: Herz Frank and Maria Kravchenko’s BEYOND THE FEAR, which profiles Yigal Amir, who assassinated Prime Minister Yitzhak Rabin in 1995, and his tabloid-fodder wife; Silvina Landsmann’s HOTLINE, focused on a Tel Avis nonprofit that serves refugees and migrants; Badran Badran’s PENNIES (pictured), about child beggars who support their Palestinian family; and Nirit Aharoni’s STRUNG OUT, a look at the lives of drug-addicted prostitutes. Separately, four docs compete for the Spirit of Freedom Award, including Anat Goren’s MUSSA, about a mute twelve-year-old African refugee in Tel Aviv.

F0_0540_0329_LivingInIllusionJFF15Outside of competition, the JFF Docs section includes Francois Miron’s portrait of experimental film pioneer PAUL SHARITS; while the Israeli Cinema sidebar offers Helen Yanovsky’s profile of teenage boxing hopefuls, JERUSALEM BOXING CLUB; and Tzvika Binder’s strange story of a once popular father/son magic act and their scandalous fall from grace, LIVING IN ILLUSIONS (pictured).

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On VOD: 112 WEDDINGS

112 weddingsComing to VOD tomorrow, Tuesday, July 7: 112 WEDDINGS

Doug Block’s meditation on wedded bliss debuted at Full Frame last year. Other fest screenings have included Nantucket, Hot Docs, Sheffield, Melbourne, Traverse City, and Jewish fests in San Francisco, Boston, and Westchester, among others. It now comes to VOD exclusively via iTunes.

I previously wrote about the doc here.

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