Category Archives: Film

In the Works: KIVALINA PEOPLE

With the transformative threat of industry and climate change on their horizon, an Arctic island people try to maintain their traditional way of life.

kivalinaSituated more than a hundred miles above the Arctic Circle, Alaska’s Kivalina is home to 386 people, Inupiat natives who have lived on the barrier island for generations. Bearing the brunt of climate change, the island is vanishing, losing ground to sea wave erosion, and forcing its people to plan a costly relocation. Simultaneously, and contributory to these radical changes, as claimed in the island’s lawsuit against ExxonMobil and other industrial interests, is the exploitation of their surrounding natural resources and the pollution that has resulted. Against this backdrop, and over the course of five years, director Gina Abatemarco has documented the people caught in the middle. Taking an intimate, observational approach, the film seeks to reveal the everyday lives of the Kivalina people as they contend with these extraordinary developments that threaten their very future – a harbinger of a similar fate facing other populations around the world. Continue reading

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In Theatres: THE REVOLUTIONARY

revolutionaryComing to NYC’s Quad Cinema this Friday, April 12: THE REVOLUTIONARY

Irv Drasnin, Lucy Ostrander, and Don Sellars’ profile of the life of a formerly imprisoned American member of the Chinese Communist Party made its world premiere at Seattle last year. Its fest circuit has included Hot Springs, Heartland, Cucalorus, and Sedona, among others.

Sidney Rittenberg, now in his 90s, offers a first-hand perspective on Mao’s Cultural Revolution. Once a member of the US Communist Party, he later joined the US Army during WWII and learned Chinese. Falling in love with the language, he opted to stay in the country after the war to serve with the UN while China was experiencing the civil war which would soon see Mao Zedong’s Communist Party come into power. Seeing an opportunity to serve as a bridge between the two nations, Rittenberg joined Mao’s party, working closely with the leader as a translator as well as with Radio Beijing. Despite his dedication, as a foreigner he was viewed with suspicion, resulting in imprisonment twice on espionage charges – once for six years before the Cultural Revolution, and then again for nearly a decade after. The filmmakers have incredible access to a wholly fascinating subject, which makes up for the workmanlike, overnarrated History Channel style approach taken here. Luckily, Rittenberg’s unique recollections and insight about China, and his own complex beliefs and motivations, more than carry the film, and should prove engaging to viewers.

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On VOD: PORTRAIT OF WALLY

Now on VOD: PORTRAIT OF WALLY

Andrew Shea’s engaging look at the international controversy over a stolen Egon Schiele painting had its world premiere at Tribeca last year. It went on to screen at Silverdocs, DocAviv, Philadelphia, Melbourne, Vancouver, and the United Nations Association Film Festival, among others, and to have a limited theatrical release. It came to iTunes and cable VOD earlier this week, and will expand to additional digital platforms over the next couple of months.

I previously wrote about the doc out of Tribeca here.

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On TV: WONDER WOMEN!

history wonder womanComing to PBS’s Independent Lens this coming Monday, April 15: WONDER WOMEN! THE UNTOLD STORY OF AMERICAN SUPERHEROINES

Kristy Guevara-Flanagan’s look at the archetypal Amazon and other powerful heroines made its debut at SXSW last year. Since then, it has screened extensively, with stops at ActionFest, Seattle, Revelation, Geek Girl, New Orleans, Mill Valley, Hot Springs, RIDM, DOC NYC, Big Sky, and Portland Women’s Film Festival, among others.

I included the doc in my SXSW coverage here.

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In Theatres: THIS AIN’T CALIFORNIA

this ain't californiaComing to NYC’s Maysles Cinema for a one-week run beginning this Friday, April 12: THIS AIN’T CALIFORNIA

Marten Persiel’s look back at skateboarding in 1980s East Germany made its world premiere at last year’s Berlinale, where it picked up a jury award. It went on to screen at Karlovy Vary, Warsaw, CPH:DOX, Tempo, and Rooftop Films, among others.

Seamlessly blending non-fiction and fiction, Persiel’s film revels in the subversive freedom a group of GDR teens found in skateboarding, and the close-knit, family-like community they helped found around the underground sport in the repressive Eastern Bloc nation. Structured as a memorial to the wild boy “Panik” (by some accounts a composite character based on real skaters who were part of the group), the film gathers a number of former skaters more than twenty years after the fall of the Berlin Wall, as they reflect on their turbulent youth. Utilizing Super-8mm footage (some re-created, other contemporary), Persiel wonderfully translates the gleeful joy in the stories his subjects share of resisting authority and attempting to adopt the trappings of Western popular culture within their tightly constrained, Soviet-controlled bubble – a form of political defiance despite their surface apoliticism. Though the film has come under fire for not explicitly announcing its hybridized form – and perhaps it does take too many liberties with the audience in this regard – it remains an eloquent, ridiculously enjoyable depiction of a singular time and place, and to the power of subcultures to unite individuals and leave an indelible impression on their life experiences.

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Tribeca 2013: Documentary Overview

Tribeca_Film_Festival_AboutThe twelfth annual Tribeca Film Festival begins in one week, running Wednesday, April 17 through Sunday, April 28. This is the second year of programming overseen by Tribeca’s Chief Creative Officer Geoff Gilmore, VP of Programming Genna Terranova, and Artistic Director Frederic Boyer, and they’ve pulled together a promising slate. Out of more than 6000 submissions, 89 features will screen, including 45 documentaries which appear in the festival’s various sections. As has been typical for Tribeca for several years, the nonfiction programming is strong. Going section-by-section below, I’ll highlight several selections that I can recommend from advance viewing and others that I’m looking forward to seeing during the course of the event: Continue reading

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In Theatres: WHICH WAY IS THE FRONT LINE FROM HERE?

which way is the front line from hereComing to NYC’s Quad Cinema and to Los Angeles’ Noho 7 this Friday, April 12: WHICH WAY IS THE FRONT LINE FROM HERE? THE LIFE AND TIME OF TIM HETHERINGTON

Sebastian Junger’s affecting tribute to his fallen comrade had its world premiere at Sundance this past January. Since then, it has screened at True/False, Miami, Cleveland, and Full Frame, among others. The film’s limited theatrical release comes just before its HBO premiere next week.

My pre-Sundance profile of the doc may be found here.

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On DVD: LOVE FREE OR DIE

Coming to DVD today, Tuesday, April 9: LOVE FREE OR DIE

Macky Alston picked up a special jury prize upon the debut of his portrait of gay bishop Gene Robinson at Sundance last year. The doc has had an extensive fest circuit, with stops at Cleveland, Full Frame, Seattle, New Orleans, IFF Boston, Frameline, Outfest, and NewFest, among others, while also screening at a number of churches and community centers.

I wrote about the film before Sundance here.

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On VOD: ONLY THE YOUNG

Coming to VOD today, April 9: ONLY THE YOUNG

Elizabeth Mims and Jason Tippet’s refreshing portrait of adolescence made its premiere at True/False last year. It went on to screen at San Francisco, Hot Docs, and Silverdocs, where it picked up an award. It enjoyed a limited theatrical release this past Winter, and now comes to iTunes, Amazon, XBOX, Vudu, Google Play, cable on demand, and direct digital download from Oscilloscope.

I included the film in my Hot Docs coverage here.

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Documentary Edge 2013 Overview

documentaryedgeinternationalfilmfestival442Starting tomorrow, Wednesday, April 10, in Auckland, New Zealand, and running through Sunday, April 21 (before moving on to Wellington between May 8-19), the Documentary Edge holds its ninth edition. The event, originally known as DOCNZ before a rebranding to emphasize its aim to showcase cutting edge fare, annually presents scores of acclaimed international docs as well as homegrown work in a series of thematic programs. More than sixty features and shorts screen this year, bookended by opening and closing night films, THE ISLAND PRESIDENT and MUSCLE SHOALS, respectively. Continue reading

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