Category Archives: Film

Special Screening & On Cable: WHICH WAY IS THE FRONT LINE FROM HERE?

which way is the front line from hereComing to NYC’s Stranger Than Fiction next Tuesday, April 23 and to HBO this Thursday, April 18: WHICH WAY IS THE FRONT LINE FROM HERE? THE LIFE AND TIME OF TIM HETHERINGTON

Sebastian Junger’s film about his late RESTREPO collaborator debuted at Sundance earlier this year. It’s gone on to screen at True/False, Miami, Cleveland, and Full Frame, among others, and had a limited theatrical run beginning last week.

I wrote about the doc before Sundance here.

Note: The STF screening will include a Q&A with Junger and Alan Huffman, the author of HERE I AM: THE STORY OF TIM HETHERINGTON, WAR PHOTOGRAPHER.

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Indiewire @ Hulu Docs: Run Like A Girl

My latest curated selections for Hulu’s Documentaries page tie into Tribeca, kicking off tomorrow, and ESPN’s upcoming NINE FOR IX women in sports focused doc series. Four of the films from the new initiative are premiering as part of the Tribeca/ESPN Sports Film Festival sidebar. My selections celebrate earlier women in sports docs – watch them now for free!

For more information about the selections, see my Indiewire article.

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On VOD: DRESSED

dressed2Coming to VOD tomorrow, Tuesday, April 16: DRESSED

David Swajeski’s profile of an aspiring fashion designer made its world premiere at the 2009 Big Apple Film Festival. It went on to screen at additional fests, including Cleveland, Columbus, and Sonoma, and to a limited theatrical release. FilmBuff now makes the doc available on iTunes, Amazon, Movies on Demand, PlayStation, XBOX, Vudu, and CinemaNow.

The doc focuses on a young Laotian-American designer, Nary Manivong, as he attempts to put together a collection for New York Fashion Week. After years of sacrifice, including crashing at a friend’s apartment and converting it into his daytime studio/office while she’s at work, he’s managed to save a fraction of what most designers need to show their work, but he’s proceeding with his plan, hoping it will let him launch his brand and finally make it. As Swajeski follows Manivong through accumulating trials and tribulations as the clock counts down to Fashion Week – from his booked space cancelling on him to costs unexpectedly skyrocketing – an impressive assemblage of fashion insiders opine about just how difficult their industry is. Pulling no punches, the likes of Fern Mallis, Lynn Yaeger, Simon Doonan, and Nanette Lepore provide just the right level of reality check to Manivong’s hopeful, if at times defeated, character. Swajeski chose well with Manivong, an appealing dreamer with a very difficult (though often overemphasized) past involving parental abandonment and homelessness, who engenders sympathy and cheerleading from the viewer. Where the film goes wrong is in its hyperkinetic editing and unnecessary camera tricks, switching haphazardly from B&W to color and back for no discernible reason. Still, as an antidote to the unrealistic dreams encouraged by guilty pleasure TV shows like PROJECT RUNWAY or FASHION STAR, the film as a whole is worthwhile viewing.

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In Theatres: DECEPTIVE PRACTICE

deceptive RickyJay1Coming to NYC’s Film Forum this Wednesday, April 17: DECEPTIVE PRACTICE: THE MYSTERIES AND MENTORS OF RICKY JAY

Molly Bernstein and Alan Edelstein’s ode to the magicians made its premiere at the New York Film Festival last Fall. It will screen at the upcoming San Francisco International Film Festival and expand its theatrical run to other cities next month and into June.

I wrote about the doc out of the NYFF here.

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On TV: THE CENTRAL PARK FIVE

central park 5Coming to PBS tomorrow Tuesday, April 16: THE CENTRAL PARK FIVE

Sarah Burns, David McMahon, and Ken Burns’ examination of the Central Park jogger case made its debut at Cannes last year. It went on to screen at Telluride, Toronto, and DOC NYC, and had a theatrical and VOD release.

I included the doc in my Toronto roundup here.

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In the Works: KIVALINA PEOPLE

With the transformative threat of industry and climate change on their horizon, an Arctic island people try to maintain their traditional way of life.

kivalinaSituated more than a hundred miles above the Arctic Circle, Alaska’s Kivalina is home to 386 people, Inupiat natives who have lived on the barrier island for generations. Bearing the brunt of climate change, the island is vanishing, losing ground to sea wave erosion, and forcing its people to plan a costly relocation. Simultaneously, and contributory to these radical changes, as claimed in the island’s lawsuit against ExxonMobil and other industrial interests, is the exploitation of their surrounding natural resources and the pollution that has resulted. Against this backdrop, and over the course of five years, director Gina Abatemarco has documented the people caught in the middle. Taking an intimate, observational approach, the film seeks to reveal the everyday lives of the Kivalina people as they contend with these extraordinary developments that threaten their very future – a harbinger of a similar fate facing other populations around the world. Continue reading →

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In Theatres: THE REVOLUTIONARY

revolutionaryComing to NYC’s Quad Cinema this Friday, April 12: THE REVOLUTIONARY

Irv Drasnin, Lucy Ostrander, and Don Sellars’ profile of the life of a formerly imprisoned American member of the Chinese Communist Party made its world premiere at Seattle last year. Its fest circuit has included Hot Springs, Heartland, Cucalorus, and Sedona, among others.

Sidney Rittenberg, now in his 90s, offers a first-hand perspective on Mao’s Cultural Revolution. Once a member of the US Communist Party, he later joined the US Army during WWII and learned Chinese. Falling in love with the language, he opted to stay in the country after the war to serve with the UN while China was experiencing the civil war which would soon see Mao Zedong’s Communist Party come into power. Seeing an opportunity to serve as a bridge between the two nations, Rittenberg joined Mao’s party, working closely with the leader as a translator as well as with Radio Beijing. Despite his dedication, as a foreigner he was viewed with suspicion, resulting in imprisonment twice on espionage charges – once for six years before the Cultural Revolution, and then again for nearly a decade after. The filmmakers have incredible access to a wholly fascinating subject, which makes up for the workmanlike, overnarrated History Channel style approach taken here. Luckily, Rittenberg’s unique recollections and insight about China, and his own complex beliefs and motivations, more than carry the film, and should prove engaging to viewers.

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On VOD: PORTRAIT OF WALLY

Now on VOD: PORTRAIT OF WALLY

Andrew Shea’s engaging look at the international controversy over a stolen Egon Schiele painting had its world premiere at Tribeca last year. It went on to screen at Silverdocs, DocAviv, Philadelphia, Melbourne, Vancouver, and the United Nations Association Film Festival, among others, and to have a limited theatrical release. It came to iTunes and cable VOD earlier this week, and will expand to additional digital platforms over the next couple of months.

I previously wrote about the doc out of Tribeca here.

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On TV: WONDER WOMEN!

history wonder womanComing to PBS’s Independent Lens this coming Monday, April 15: WONDER WOMEN! THE UNTOLD STORY OF AMERICAN SUPERHEROINES

Kristy Guevara-Flanagan’s look at the archetypal Amazon and other powerful heroines made its debut at SXSW last year. Since then, it has screened extensively, with stops at ActionFest, Seattle, Revelation, Geek Girl, New Orleans, Mill Valley, Hot Springs, RIDM, DOC NYC, Big Sky, and Portland Women’s Film Festival, among others.

I included the doc in my SXSW coverage here.

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In Theatres: THIS AIN’T CALIFORNIA

this ain't californiaComing to NYC’s Maysles Cinema for a one-week run beginning this Friday, April 12: THIS AIN’T CALIFORNIA

Marten Persiel’s look back at skateboarding in 1980s East Germany made its world premiere at last year’s Berlinale, where it picked up a jury award. It went on to screen at Karlovy Vary, Warsaw, CPH:DOX, Tempo, and Rooftop Films, among others.

Seamlessly blending non-fiction and fiction, Persiel’s film revels in the subversive freedom a group of GDR teens found in skateboarding, and the close-knit, family-like community they helped found around the underground sport in the repressive Eastern Bloc nation. Structured as a memorial to the wild boy “Panik” (by some accounts a composite character based on real skaters who were part of the group), the film gathers a number of former skaters more than twenty years after the fall of the Berlin Wall, as they reflect on their turbulent youth. Utilizing Super-8mm footage (some re-created, other contemporary), Persiel wonderfully translates the gleeful joy in the stories his subjects share of resisting authority and attempting to adopt the trappings of Western popular culture within their tightly constrained, Soviet-controlled bubble – a form of political defiance despite their surface apoliticism. Though the film has come under fire for not explicitly announcing its hybridized form – and perhaps it does take too many liberties with the audience in this regard – it remains an eloquent, ridiculously enjoyable depiction of a singular time and place, and to the power of subcultures to unite individuals and leave an indelible impression on their life experiences.

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