Category Archives: Film

Dear Documentary Filmmakers: Hagiography

Dear Documentary Filmmakers: While you don’t have to be impartial, whitewashing your subject’s faults diminishes your doc.

You’ve decided to make a film on a public figure of some sort – perhaps an internationally-known historical personage or a locally-known small-town politician – and you’re approaching the project as a kind of biography. Even though your subject was implicated in some kind of scandal, or perhaps didn’t have the smoothest personal life, you choose to ignore these darker aspects of her life or instead to present a revisionist version which makes her out to be unblemished. In so doing, you’re perpetuating myth-making, and, especially in the case of political subjects, essentially generating partisan versions of history – at worst, a form of propaganda, and at best, hagiography. Continue reading →

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In Theatres: EAMES: THE ARCHITECT AND THE PAINTER

Coming to theatres this Friday, November 18: EAMES: THE ARCHITECT AND THE PAINTER

Producers Jason Cohn and Bill Jersey premiered their portrait of couple Charles and Ray Eames at the Denver Film Society at the end of September before bringing the film to a handful of other festivals and museums prior to its theatrical release. It opens at NYC’s IFC Center and LA’s Lemmle’s Music Hall this week, with more engagements through the end of the year.

The influence and impact of Charles Eames on design might be more than enough to explore in a documentary project, but that’s not the only thing focused upon by producers Cohn and Jersey (strangely, no director appears to be credited). While it doesn’t provide a comprehensive biography, the film does offer a focus on and appreciation of not only the well-known Charles but also of the quieter Ray. By deliberately underscoring the relationship between the married business partners, the film is elevated beyond being a simple hagiography or consideration of an artist/celebrity. Often relegated into the background due to societal mores, Ray emerges here as a pioneering business woman and creative force in the studio the couple conceived and ran in Venice Beach. The studio itself, represented by some of its former designers and especially by a wealth of archival material – one of the strengths of the doc as a whole – is another area of concentration that offers a fascinating window into the Eames’ creative process. Between the more personal aspects of their story, and the history of their design work, the doc manages to work at once as both a portrait of individuals and of their aesthetic philosophy.

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In Theatres: IN HEAVEN, UNDERGROUND

Coming to theatres this Friday, November 18: IN HEAVEN, UNDERGROUND: THE WEISSENSEE JEWISH CEMETERY

Britta Wauer’s portrait of a Jewish cemetery in Berlin premiered at the Berlinale this year, where it picked up the Panorama Audience Award. It has also screened at the Jerusalem and Hamptons film festivals, as well as Hot Docs and Jewish film fests around the world. It now opens for a week-long theatrical in NYC’s Cinema Village.

I previously wrote about the film out of the Hamptons here.

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On VOD: THE PIPE

Coming to VOD tomorrow, Tuesday, November 15: THE PIPE

Risteard Ó Domhnaill’s doc on the response of a small Irish village to a natural gas pipeline premiered at Toronto last year. It now comes to iTunes, Amazon VOD, Sony Playstation, Vudu, XBox & Zune Marketplace.

I wrote about the film out of Toronto here.

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IDFA 2011 Overview, Part Two

Yesterday, the first part of my IDFA overview highlighted a number of films screening in the Amsterdam-based festival’s various competitions. In this second post, I look at the remainder of the regular programming and offer a few more of my must-sees. This still only barely scratches the surface of the event’s extensive line-up, not to mention other components like the Forum, DocLab, retrospective screenings, panels, and shorts. Continue reading →

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In the Works: CESAR’S LAST FAST

Cesar Chavez’s life and legacy take the forefront to highlight the inequities in farm workers rights that persist today.

In 1962, Mexican-American civil rights activist and former farm worker Cesar Chavez and Dolores Huerta co-founded the labor union which would became the powerhouse United Farm Workers within a few years. The group’s organization of a grape pickers’ strike and grape boycott generated national attention and led to reforms for the conditions and wages of farm workers, and made Chavez an enduring symbol for labor. Still, despite the victories won, today’s farm workers still barely subsist. Director Richard Ray Perez hopes to use Chavez’s story to inspire re-engagement with the issue of farm workers’ rights. At the core of the film is never-before-seen footage of Chavez’s 1988 “Fast for Life” which he undertook to protest the use of harmful pesticides. Building off of this act of sacrifice – one of many Chavez underwent before his death in 1993 – the film promises to delve into the fullness of the noted organizer’s life and work to provide not only a portrait of the man, but a blueprint to help enact change today. Continue reading →

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Indiewire @ Hulu Docs: Veterans Day

This week’s indieWIRE-curated Hulu documentaries ties into Veterans Day, offering portraits of soldiers and the impact of war. View all of these docs for free now!

For more information about the selections, see my iW article.

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Special Screening: GIVE UP TOMORROW

Coming to NYC’s Stranger Than Fiction next Tuesday, November 15: GIVE UP TOMORROW

Michael Collins and Marty Syjuco’s indictment of the Filipino justice system premiered at Tribeca this Spring, where it picked up the Audience Award and a Special Jury Prize. It’s gone on to win Audience Awards at both Sheffield and Traverse City, and screen at Hot Docs, Silverdocs, True/False, and Melbourne.

I included the film in my Tribeca roundup here.

Note: Collins and Syjuco are scheduled to participate in a post-screening Q&A.

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IDFA 2011 Overview, Part One

IDFA, the largest documentary event in the world, begins next Wednesday in Amsterdam and continues through November 27. More than 300 films will screen, culled from 3600 submissions – staggering figures, and a testament to the diligence of Director Ally Derks and her staff.

I’ve been attending the festival for the past few years, and am honored to be serving on the its First Appearance competition jury for this edition. I look forward to seeing each of the sixteen debut films in this category, hailing from nearly as many countries, so, out of impartiality, I won’t single any of them out below. The full list may be found here. Continue reading →

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On TV: GONE

Coming to Discovery ID this Saturday, November 12: GONE

Gretchen and John Morning’s film made its world premiere at Tribeca this Spring. It’s gone on to screen at Frameline, NewFest, and a number of other fests, picking up a Best Documentary award at NewFest.

I wrote about the film out of Tribeca here.

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