Category Archives: Film

Special Screening: FAMILY INSTINCT

Coming to NYC’s Rooftop Films this Sunday, June 26: FAMILY INSTINCT

I wrote about Latvian director Andris Gauja’s mostly-but-not-entirely-unstaged documentary after its international debut at IDFA this fall for indieWIRE, saying:

The fact that Zanda has had two children with her brother Valdis is presented immediately and in the most matter of fact manner in Gauja’s film. This hardly seems to be the main problem faced by the poor, rural Latvians in FAMILY INSTINCT. Valdis is in jail, from which he sends his sister increasingly disturbing and threatening letters. Zanda shares her small home not only with her kids but with other family members and neighbors prone to drinking, disruptive arguments, and violence. A quiet, but also alcoholic, neighbor might be her salvation, but he fears retribution from Valdis, and Zanda fears losing her kids. Stark and at times painful to watch, but always gripping.

Note: Gauja will be present for a post-screening Q&A before the event’s afterparty.

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Special Screening: PARIS IS BURNING

Coming to NYC’s Queer/Art/Film at the IFC Center this Monday, June 27: PARIS IS BURNING

Director Dee Rees, whose narrative film PARIAH (an expansion of the celebrated short of the same name) debuted at Sundance this year, is the guest curator for Ira Sachs and Adam Baran’s Q/A/F this month. Her selection is Jennie Livingston’s seminal 1990 documentary, PARIS IS BURNING. Livingston debuted her film at Toronto in 1990 before bringing it to Sundance and Berlin in 1991, taking home the Sundance Documentary Grand Jury Prize and Berlin’s Teddy Award. Miramax acquired the film, which had an incredibly successful theatrical life, and has in the two decades since its release become a mainstay of university courses on film and cultural studies.

Livingston gained surprising access to the drag ball culture of NYC’s African-American and Latino gay and transgender communities in the 1980s – marginalized subcultures in already marginalized communities who had never before seen any kind of exposure in the mainstream. The film profiles a number of Houses – essentially drag surrogate families who took care of one another and performed together – allowing its members to reveal their backgrounds and aspirations. While there’s plentiful scenes of the drag balls – competitions with a dizzying array of categories celebrating fashion, dancing, attitude, and male or female “realness” – the film doesn’t become a competition doc (a subgenre that of course didn’t truly develop in a significant way until much later). Instead the film offers a remarkable in-depth look at individuals who the white, straight, affluent, male mainstream never considered at all. Decades later, PARIS IS BURNING retains its power and poignancy, able to balance a complex consideration of sexuality, gender, race, class, and community while also being visually extravagant and entertaining. Any documentary fans who have not yet seen this film are doing themselves a disservice.

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On Cable: HOT COFFEE

Coming to HBO for its cable premiere this Monday, June 27: HOT COFFEE

Attorney Susan Saladoff made her filmmaking debut at Sundance this year, where she secured a coveted deal with HBO for HOT COFFEE, a shocking exploration of the ways ordinary citizens have been duped into supporting tort reform, thereby gravely limiting our ability to use the civil justice system to our advantage against corporate wrongdoing. Since January, her documentary has traveled the festival circuit extensively, most recently winning the Grand Jury Documentary Award at Seattle.

I profiled the film before Sundance here.

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Special Screenings: MOTHERS OF BEDFORD

Coming to NYC’s Walter Reade Theatre for Independents Night tomorrow, June 23 and to the Maysles Cinema next Thursday, June 30: MOTHERS OF BEDFORD

In her sophomore effort (following the 1996 Sundance premiering A LEAP OF FAITH), Jenifer McShane looks at the lives of prisoners who are also mothers. The film had its world premiere at Hot Docs last month, at which point I wrote about it here.

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indieWIRE @ Hulu Docs: LGBT Pride Edition

My latest curated Hulu documentaries for indieWIRE spotlights a number of LGBT docs – just in time for pride celebrations in NYC this weekend. View all of these docs for free now!

For more information about the selections, see my iW article.

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Special Screening: THE REDEMPTION OF GENERAL BUTT NAKED

Coming to NYC’s Rooftop Films this Saturday, June 25: THE REDEMPTION OF GENERAL BUTT NAKED

Directors Eric Strauss and Daniele Anastasion took home the Documentary Cinematography Award at their film’s premiere at Sundance this January. Since then, the doc has screened at more than a dozen additional festivals, including True/False, Cleveland, Hot Docs, San Francisco, BAMcinemaFEST, and Silverdocs.

I offered my thoughts on this complex portrait of a Liberian mass murderer turned born again evangelist prior to Sundance here.

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On DVD: SPINE TINGLER!

Coming to DVD this Tuesday, June 21: SPINE TINGLER! THE WILLIAM CASTLE STORY

Jeffrey Schwarz’ tribute to one of American horror film’s great showmen premiered at the AFI Fest in 2007, where it claimed the Documentary Audience Award. During its run of more than fifty festivals, it received nine additional awards or special mentions. The film is now available for the first time on DVD with hours of bonus features.

William Castle cultivated press attention for his horror productions of the 1950s and ’60s by uniquely incorporating over the top gimmicks to try to stand out from the pack. Audiences found themselves wooed by devices like “Emergo” or “Percepto” – trick skeletons that flew out from the movie theatre’s ceiling, or buzzers hidden underneath patrons’ seats, activated at key moments. Like a vaudeville announcer, Castle built up his films, and his own career, with these tactics, but still felt underappreciated compared to more respected contemporaries like Alfred Hitchcock. Schwarz’s thoroughly entertaining and loving biography grants Castle the respect he deserves, putting his career, achievements, and even shortcomings in the context of the more innocent times in which he made films. If you haven’t seen films like THE HOUSE ON HAUNTED HILL or THE TINGLER before you see this doc, you’ll want to afterward.

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In Theatres: IF A TREE FALLS

Coming to NYC’s IFC Center this Wednesday, June 22 (and expanding to other cities through the rest of the summer): IF A TREE FALLS: A STORY OF THE EARTH LIBERATION FRONT

Director Marshall Curry and Co-Director Sam Cullman premiered this potent exploration of radical environmentalism at Sundance this year, where it picked up the fest’s Documentary Editing Award. It picked up additional awards at Dallas, Nashville, and Santa Cruz.

My pre-Sundance profile of the film is here.

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On DVD: ORGASM INC

Coming to DVD this Tuesday, June 21: ORGASM INC

For my take on Liz Canner’s doc on female sexuality and the pharmaceutical industry, click here.

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On Cable: THE KIDS GROW UP

Coming to HBO for its cable premiere this Father’s Day (appropriately enough), Sunday, June 19: THE KIDS GROW UP

Doug Block premiered this exceptional look at father/daughter dynamics and the impending empty nest at IDFA in 2009. Since then, it screened at more than a dozen festivals, including Full Frame, Hot Docs, Dokufest, and Silverdocs, before embarking on a successful limited theatrical release.

Block continues to mine the rich terrain of family relationships that was central to his previous film, 51 BIRCH STREET. While that film focused on his own parents and just how much (or how little) he understood their relationship, THE KIDS GROW UP extends that analysis to Block’s own relationship with his daughter Lucy, whose life he has filmed extensively over the past 18 years. Documenting the last year Lucy spends at home before embarking for college on the other side of the country, Block and his wife struggle with the idea that their home won’t have children in it for the first time since they got married, and, frankly, that Lucy is becoming an adult. Revisiting decades worth of footage featuring Lucy from a toddler through to the present, Block constructs a truly remarkable and unique portrait of not only his daughter, but of fatherhood, aging, and the complex inner workings of family. Like the best of personal documentaries, THE KIDS GROW UP is able to move beyond the individual, specific story of the Blocks and tap into something universal that will resonate with all viewers on a fundamental level.

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