Category Archives: Recommendations

In Theatres: HOW TO LET GO OF THE WORLD…

how to let goComing to theatres tomorrow, Wednesday, April 20: HOW TO LET GO OF THE WORLD (AND LOVE ALL THE THINGS CLIMATE CAN’T CHANGE)

Josh Fox’s personal meditation on climate change had its debut at Sundance earlier this year. The doc has gone on to screen at Cleveland, Thin Line, environmental fests in San Francisco, Washington DC, Princeton, and Yale, and at the upcoming Hot Docs, among other events. The theatrical release is part of the grassroots renewable energy awareness Let Go and Love Tour that will travel to 100 US cities through the Spring.

My pre-Sundance profile of the doc may be found here.

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On DVD & Digital Download: DRUNK STONED BRILLIANT DEAD

drunk stonedComing to DVD and digital download today, Tuesday, April 19: DRUNK STONED BRILLIANT DEAD: THE STORY OF THE NATIONAL LAMPOON

Douglas Tirola’s chronicle of the influential humor magazine debuted at Sundance last year. The film also appeared at Nantucket, Tribeca, Hot Docs, Full Frame, AFI Docs, Traverse City, Edinburgh, Melbourne, Sarasota, Montclair, and Sydney, among several others.

I profiled the doc before Sundance here.

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On DVD/VOD/Digital Download: THEORY OF OBSCURITY: A FILM ABOUT THE RESIDENTS

THEORYOFOBSCURITY-KEYComing to DVD, VOD, and digital download today, Tuesday, April 19: THEORY OF OBSCURITY: A FILM ABOUT THE RESIDENTS

Don Hardy’s look at the history of the avant-garde music and art group made its bow at SXSW last year. Since then, it has screened at DOC NYC, BAFICI, Indielisboa, San Francisco, IFF Boston, DOXA, Melbourne, Revelation, Portland, Sydney Underground, and Cucalorus, among several others.

I previously wrote about the film for DOC NYC’s program, saying:
In their 40-year career, the members of the pioneering sound and video collective known as The Residents have insisted on absolute anonymity, performing in distinctive giant eyeball masks and natty suits, and never revealing their true identities. In Don Hardy’s entertaining, accessible film, longtime collaborators, ardent supporters like THE SIMPSONS’ Matt Groening, magician Penn Jillette and MoMA’s Barbara London – and maybe even band members themselves – reveal the history, cult popularity, and wild creativity of the eccentric group, set against the spectacle of their international anniversary tour.

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On DVD: SEMBENE!

sembeneComing to DVD today, Tuesday, April 19: SEMBENE!

Samba Gadjigo and Jason Silverman’s tribute to the African cinema pioneer had its world premiere at Sundance last year. Screenings followed at Cannes, Telluride, Sydney, BFI London, Durban, Mill Valley, Zanzibar, Rio, and AFI Fest, among other events.

I profiled the doc before Sundance here.

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On TV: CITY OF TREES

city of treesComing to PBS’s America ReFramed tomorrow, Tuesday, April 19: CITY OF TREES

Brandon Kramer’s look at the unintended consequences of grassroots organizing had its world premiere at the American Conservation Film Festival last year. Other fest screenings include St Louis, Annapolis, Full Frame, and at enviro fests in Washington DC, Yale, and Princeton.

When Washington DC nonprofit Washington Parks & People receives a $2.7 million stimulus grant to bolster the local economy in the wake of the Great Recession, it seems like a win-win situation: the grassroots group can continue its mission to nurture communities while increasing the greening of derelict public spaces, while the 150 jobs it creates will benefit area residents hardest hit by unemployment, a largely African-American population. As Kramer’s insightful film quickly shows, however, it’s never quite so simple. While the three stimulus-backed employees profiled look to thrive in their new positions, the grant is running out, and there’s no guarantee that their jobs will continue. Even as Washington Parks & People head Steve Coleman braces himself for how to deal with this harsh reality, he finds his organization charged with ignoring the wishes of the local community as he moves forward with a tree planting project. As the best of intentions come up against white privilege, he must face the vital factor of black stewardship in his plans for urban improvement.

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Special Screening: ADVISE & DISSENT

advisedissent570Coming to NYC’s Stranger Than Fiction series tomorrow, Tuesday, April 29: ADVISE & DISSENT

David Van Taylor’s exploration of the federal judicial confirmation process debuted at Washington DC’s Politics on Film Festival in 2010. The Sundance Documentary Film Program grant recipient previously came to VOD via Sundance’s Artist Services in 2012.

Topical, given the current debate over the Republicans’ blocking of Merrick Garland’s nomination to the Supreme Court, Taylor’s engaging film follows two highly contested vacancies during George W Bush’s presidency resulting from Sandra Day O’Connor’s retirement and William Rehnquist’s death, and their replacement nominations, John Roberts Jr, the ill-fated Harriet Miers, and Samuel Alito. While the latter are revealed through media appearances, interviews, and for Roberts and Alito, senate confirmation hearings, Taylor instead trains his camera on two members of the Senate Judiciary Committee – its chairman, Senator Arlen Spector (then R-PA), and his collegial opponent Senator Patrick Leahy (D-VT) – as well as two diametrically opposed lobbyists – Ralph Neas of the progressive People For the American Way, and Manuel Miranda of the conservative Third Branch Conference – in their distinct roles in the increasingly troubling politicization of the nomination and confirmation process. Even though viewers already know the outcome, these participants’ involvement provides insightful, behind-the-scenes perspectives that reveal the growing partisan influence that threatens the separation of powers of the federal government and the impartiality of the judicial branch.

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On DVD: VESSEL

Vessel-still1-620-349-620x348Coming to DVD tomorrow, Tuesday, April 19: VESSEL

Diana Whitten’s profile of reproductive rights activists debuted at SXSW in 2014, where it won two awards. Screenings followed at Nantucket, DOC NYC, Hot Docs, Sheffield, Jerusalem, Sarasota, and IFF Boston, among other fests.

I previously wrote about the doc here.

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On TV: DEMOCRATS

democratsComing to PBS’s Independent Lens tonight, Monday, April 18: DEMOCRATS

Camilla Nielsson’s exceptional portrait of strange bedfellows in Zimbabwean politics had its world premiere at CPH:DOX in 2014. Screenings followed at Göteborg, Belgrade Docs, Tempo Doc, Tribeca, San Francisco, Doc Aviv, Docs Against Gravity, Sheffield, Melbourne, New Zealand, Zurich, and Hamptons, among other events.

I previously wrote about the doc upon its theatrical release here.

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In Theatres: OUR LAST TANGO

our_last_tango_-_h_2015Coming to theatres today, Friday, April 15: OUR LAST TANGO

German Kral’s chronicle of the fiery relationship between Argentine dance pioneers made its bow at Toronto last Fall. The film has gone on to screen at Miami, Cleveland, Stockholm, San Diego Latino, Sarasota, the Film Society’s Dance on Film, and Minneapolis/St Paul, among other events.

Credited with popularizing the tango beyond its origins in Argentina’s nightlife and taking it to the international stage, María Nieves Rego and Juan Carlos Copes reflect on long lives which match the tempestuous nature of their dance. Meeting as teenagers, as recreated here by young dancers who are coached by the now octogenarians they are portraying, Nieves Rego and Copes became partners in life and in dance for half a century. Even after they divorced in 1976, following an extramarital affair by Copes, the pair remained tango partners for two more decades before an acrimonious final split that has left them unwilling to communicate for twenty years. Kral expertly plays off this tension, revealing their complicated relationship through separate contemporary interviews, fantastic archival footage, and stylized re-enactments that accentuate the theatricality of the tango.

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On VOD: THE CULT OF JT LEROY

cult of jt leroyAvailable on VOD: THE CULT OF JT LEROY

Marjorie Sturm’s look at an infamous literary sensation had its world premiere at DOC NYC in 2014. It went on to screen at Hot Docs, SF Indiefest, Florida, Outfest, Boston LGBT, Portland’s QDoc, Durban, Melbourne, Antenna, RIDM, Rio, and Queerlisboa, among others. The doc is available on VOD via iTunes as well as on Fandor, SundanceNow Doc Club, and the film’s website.

I previously wrote about the film for DOC NYC’s program, saying:
JT LeRoy burst onto the literary scene in the late 1990s, attracting a devoted following through stark tales of poverty, abuse and underage prostitution in books like SARAH and THE HEART IS DECEITFUL ABOVE ALL THINGS. His was a rags-to-riches story, with his own tortured life inspiring his writing – or so he claimed. Drawn into LeRoy’s inner circle before the truth came to light, director Marjorie Sturm was misled like many others. Through intimate interviews with many close to the tarnished figure, she attempts to untangle what really happened, and in the process explores how this deception called into question not only the value of LeRoy’s writing absent authenticity, but our culture’s complicity within the author’s seductive cult of personality.

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