Category Archives: Recommendations

Art of the Real 2016 Overview

whatmeanssomething-1600x900-c-defaultThe Film Society of Lincoln Center’s nonfiction and hybrid showcase, Art of the Real returns for the third year starting tomorrow, Friday, April 8 and runs through Thursday, April 21. In addition to presenting twenty new features, this year’s series offers two programs of short films as well as a five-program retrospective of the work of experimental filmmaker Bruce Baillie. Two films open Art of the Real – the world premiere of Ben Rivers’ WHAT MEANS SOMETHING (pictured), a quiet portrait of artist Rose Wylie; and Roberto Minervini’s THE OTHER SIDE, a look at outsiders’ lives in the Louisiana bayou – while Jumana Manna’s ethnomusicological portrait of Palestine, A MAGICAL SUBSTANCE FLOWS INTO ME, brings the series to a close.

thethoughtsthatoncewehad-1600x900-c-defaultAdditional programming includes the US premiere of José Luis Guerín’s ACADEMY OF THE MUSES, a romantic comedy crossed with a philosophical meditation on love and art, partly based on reality; Federico Lodoli and Carlo Gabriele Tribbioli’s FRAGMENT 53, an exploration of extremism through the confessions of perpetrators in Liberia’s civil war; Andrea Bussmann and Nicolás Pereda’s TALES OF TWO WHO DREAMT, in which a real Roma family seeking asylum in Canada inspires self-mythologizing stories; and Thom Andersen’s THE THOUGHTS THAT ONCE WE HAD (pictured), a Deleuzian jaunt through film history.

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In Theatres: The Maysles & Co

gallery_showbiz-albert-and-david-maysleslargestTomorrow, Friday, April 8, sees the launch of The Maysles & Co, a near-comprehensive series at NYC’s Film Forum celebrating the work of the acclaimed Albert and David Maysles and their team of collaborators. Spanning twenty-five features and more than a dozen shorts, the series, which runs through Thursday, April 21, offers audiences the chance to see not only acclaimed classics like GREY GARDENS (1976) and SALESMAN (1969), but more recent work, including IRIS (2014), and especially rarely screened Out-takes, Commercials, Rarities and Portraits & Early Work (1955-1966), among several other highlights.

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It’s All True 2016 Overview

it's all trueSão Paulo and Rio de Janeiro will host the 21st edition of Brazil’s It’s All True International Documentary Film Festival, which opens tomorrow, Thursday, April 7 in the former with Berlin winner FIRE AT SEA, Gianfranco Rosi’s meditation on the refugee crisis; and in the latter on Saturday, April 9 with THE AMAZING ARTRICKS OF THE GYPSY CLOUD, Paola Vieira and Claudio Lobato’s profile of a 1970s Rio art collective. Before the festival wraps on Sunday, April 17, the event will present over forty new and recent feature docs, as well as shorts and retrospective programming. Continue reading →

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Special Screening: EVA HESSE

eva hesseComing to NYC’s JCC Manhattan CineMatters series tonight, Wednesday, April 6: EVA HESSE

Marcie Begleiter’s portrait of the pioneering postwar artist made its debut, fittingly enough, at the Whitney Museum of American Art last May. Other screenings have included Denver’s Women + Film series, the Washington Jewish Film Festival, and the Wexner Center for the Arts.

Though her career was cut short by a brain tumor that claimed her life at the age of 34 after little more than a decade, Eva Hesse is now recognized as one of the most significant artists to emerge in the postwar period, and amongst the earliest post-minimalists. Transitioning from the rigid structure demanded of minimalism, Hesse’s inventive, difficult to classify work broke the frame, combining painting with sculpture, while also evoking traditionally gendered processes like weaving and threading to create something altogether unique which flipped dismissive conceptions of “women’s work” on their head. Begleiter draws extensively from the artist’s personal journals and correspondence with, among others, mentor and confidante Sol LeWitt, to imbue the film with Hesse’s voice, while her contemporaries, including Robert Mangold, Sylvia Plimack Mangold, Dan Graham, and Richard Serra, reflect on her life and work through interviews, revealing, at the same time, a palpable sense of the male-dominated 1960s New York art scene and its uncharacteristic embrace of female artists like Hesse.

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Full Frame 2016 Overview

full_frame_logo-520x390The 19th annual Full Frame Documentary Film Festival takes place this Thursday, April 7 through Sunday, April 10, offering NC’s Research Triangle audiences the chance to sample nearly 60 new and recent feature docs, in addition to retrospective programming, shorts, and panels. As usual, the fest’s programming team has handpicked an impressive assortment of films that have previously debuted at IDFA, Sundance, and elsewhere on the circuit, in addition to selecting several brand new films to have their debuts at the event. The following turns the spotlight on the latter: Continue reading →

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On DVD: OF MEN AND WAR

ofmenandwarimagea_hi_res_creditmenandwarcomComing to DVD today, Tuesday, April 5: OF MEN AND WAR

Laurent Bécue-Renard’s raw exploration of the impact of PTSD on veterans debuted at Cannes in 2014. Screenings followed at IDFA, Göteborg, DocPoint, Documentary Fortnight, ZagrebDox, True/False, Full Frame, Visions du Réel, Documenta Madrid, San Francisco, DOXA, Sydney, AFI Docs, Human Rights Watch, and DOK.Fest Munich, among others.

I previously wrote about the doc upon its theatrical release here.

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On DVD: HOW TO CHANGE THE WORLD

how to change the worldComing to DVD today, Tuesday, April 5: HOW TO CHANGE THE WORLD

Jerry Rothwell’s look at the early days of Greenpeace made its bow at Sundance last year, where it picked up the World Cinema Documentary Editing Award. Its fest circuit has also included Nantucket, Hot Docs, True/False, DOXA, San Francisco Green, Sebastopol Doc, Sydney, and Telluride Mountainfilm, among others.

My pre-Sundance profile of the doc may be found here.

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On TV: CHILDREN OF THE ARCTIC

arcticComing to PBS’s America ReFramed tomorrow, Tuesday, April 5: CHILDREN OF THE ARCTIC

Nick Brandestini’s coming-of-age portrait of Alaskan teens debuted at Zurich in 2014. Its festival circuit has also included Santa Barbara, Big Sky, Cinequest, Salem, Guam, Anchorage, Available Light, and Oxford, among other events.

In Barrow AK, the northernmost community in the US, four Inupiat and one transplanted Eskimo feel the pull of both traditional Native ways and of modernity as they transition from teenagers to young adults. High school seniors Flora and Josiah make plans to marry and temporarily relocate to Fairbanks to attend university but find themselves drawn back to smalltown Barrow and family ties. Samuel, Josiah’s younger brother, learns traditional hunting and whaling skills from their grandfather, but worries about the latter’s increasing senility. Ace excels in school, but finds himself torn between community expectations and his own desires for self-improvement. Finally, transplant Maaya tries to connect with her Native roots and to remove the stigma of discussing the prevalence of suicide in the community. Brandestini has crafted a work of strong, if reserved, portraiture that reveals how these young people navigate the delicate balance between the different worlds they inhabit, while also facing the impact of climate change on Barrow’s traditional ways.

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On VOD: WHO TOOK JOHNNY?

who took johnny mainComing to VOD tomorrow, Tuesday, April 5: WHO TOOK JOHNNY?

David Beilinson, Suki Hawley, and Michael Galinsky’s investigation of a mother’s decades-long search for her missing son debuted at Slamdance in 2014. The doc also screened at Big Sky, Brooklyn, Maryland, Chicago Underground, and Newport Beach, among other events. FilmBuff now releases the film on VOD platforms.

Noreen Gosch has been searching for her son Johnny since the then twelve-year-old vanished from his Des Moines neighborhood during his paper route in 1982. Despite being the first missing child whose photo was featured on the side of a milk carton, Johnny was never found. Hampered by regulations that necessitated a 72-hour wait period, authorities turned up no clues and instead suspected he ran away, angering Noreen and setting her on a life-long quest to discover what happened. While sensitively exploring the toll of her mission on the still-grieving mother, the filmmakers also carefully detail the prevailing theory on Johnny’s fate – a disturbing conspiracy that suggests he, and other missing children, were the victims of a human trafficking ring catering to well-connected pedophiles. At the same time, a late revelation from Noreen introduces an intriguing ambiguity that colors the entire film, calling to mind other 1980s-era scares around child abduction and abuse – day-care hysteria, Satanic ritual panic – that have nevertheless left a lasting impact on parents of irrational fear and distrust.

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Special Screening: MONSIEUR LE PRESIDENT

monsieurComing to NYC’s Stranger Than Fiction series tomorrow, Tuesday, April 5: MONSIEUR LE PRESIDENT

Victoria Campbell’s profile of Haiti post-earthquake made its world premiere at DOC NYC in 2014. It went on to screen at the Martha’s Vineyard and Hot Springs Doc fests.

I previously wrote about the film for DOC NYC’s program, saying:
Volunteering in Haiti in the immediate aftermath of the devastating 2010 earthquake, Victoria Campbell encounters Gaston, a charming voodoo priest who shows leadership during the emergency, and later manages to open a small, much-needed medical clinic with the support of a foreign funder. He becomes a local hero, a symbol of ingenuity in defiance of the failure of conventional relief efforts. Over three years, he also becomes the filmmaker’s close friend – until an unexpected development causes Victoria to re-examine her entire experience in Haiti.

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