Category Archives: Recommendations

On DVD: CAROLE KING: NATURAL WOMAN

carole kingComing to DVD today, Tuesday, February 23: CAROLE KING: NATURAL WOMAN

George Scott’s profile of the multi-award-winning singer-songwriter debuted on American Masters earlier this month.

I previously wrote about the film here.

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On VOD: SHE’S THE BEST THING IN IT

SHESTHEBESTTHINGINIT-KEYComing to VOD today, Tuesday, February 23: SHE’S THE BEST THING IN IT

Ron Nyswaner’s portrait of a lifelong character actress had its world premiere at SXSW last year. Other fest berths included DOC NYC, New Orleans, Dallas, Outfest, Denver, and St Louis. The doc now comes to iTunes and other VOD platforms.

I previously wrote about the film for DOC NYC’s program, saying:
Despite her Tony-winning performance in Broadway’s GREY GARDENS, 79-year-old veteran character actor Mary Louise Wilson finds few new opportunities on the stage, so she decides to try teaching acting back in her native New Orleans. As Wilson finds her footing in this new role, she reflects on her long career, the sacrifices she’s made, and the challenges faced by older actresses in the industry, as bolstered by interviews with such notables as Frances McDormand and Melissa Leo.

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Special Screening: MOST LIKELY TO SUCCEED

most likelyComing to NYC’s JCC Manhattan as part of their CineMatters series tonight, Tuesday, February 23: MOST LIKELY TO SUCCEED

Greg Whiteley’s appraisal of alternative education models debuted at Sundance last year. It went on to screen at Tribeca, AFI Fest, Montclair, Cleveland, Seattle, Sarasota, Dallas, and Sun Valley, among other events.

I profiled the doc before Sundance here.

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Special Screening: HERE COME THE VIDEOFREEX

here_come_the_videofreex_stillComing to NYC’s Stranger Than Fiction series tomorrow, Tuesday, February 23: HERE COME THE VIDEOFREEX

Jenny Raskin and Jon Nealon’s chronicle of a pioneering video collective had its debut at Full Frame last year. Screenings followed at BAMcinemaFest, Woods Hole, FilmColumbia, DOK Leipzig, St Louis, Rotterdam, and the upcoming Big Sky and Cinequest fests.

In 1969, the emergence of handheld video cameras promised a revolution in journalism, and the Videofreex heeded the call. As revealed in Raskin and Nealon’s affectionate history, the ragtag assemblage of young would-be reporters began shooting anything and everything, eventually coming to the attention of a young CBS News executive who saw their potential to capture the burgeoning counterculture movement. Outfitting them with an RV and financing, the Videofreex set out across the country to shoot interviews for a pilot, which included Abbie Hoffman in the midst of the Chicago 8 trial, Black Panther Fred Hampton just weeks before his murder, and Woodstock attendees. When the network got cold feet, the collective was forced to go it alone, setting up shop in Soho until financial considerations led to a relocation to upstate New York, where they created a pirate television station that covered decidedly less radical topics. With extensive footage thats equal parts entertaining and thought-provoking, this fascinating film gives these mavericks their long overdue moment in the sun.

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On TV: BECOMING MIKE NICHOLS

becoming mikeComing to HBO tonight, Monday, February 22: BECOMING MIKE NICHOLS

Douglas McGrath’s appreciation of the acclaimed director’s early years had its world premiere at Sundance last month.

My pre-Sundance profile of the doc may be found here.

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On TV: ADAMA

film-adama-inside2Coming to PBS’s America ReFramed series tomorrow, Tuesday, February 23: ADAMA

David Felix Sutcliffe’s look at the impact of a terrorism investigation on a teenager’s family made its debut on PBS’s WORLD Channel in 2011. It went on to screen at the LES Film Festival and the Apollo Theater’s WOW Festival.

Sutcliffe made his directorial debut with this project before teaming with acclaimed photojournalist Lyric R Cabral to make the Sundance award-winning (T)ERROR, which makes its broadcast debut tonight on PBS. In this mid-length, Sutcliffe profiles the titular Adama Bah, an African American Muslim teenage girl from Harlem who finds her life thrown in disarray after she is suspected of being an imminent security threat by the FBI at the age of sixteen. Held for six weeks, she is released with no charges filed against her, but during the investigation, the authorities uncover her father’s undocumented status as a Guinean immigrant and arrest him as well. Sutcliffe follows Adama after her release, while she is still monitored by the FBI with an ankle bracelet, and details the reasons for her arrest, stemming from an embrace of Islam and the adoption of the hijab in her teenage years. Demonstrating the devastating fallout of the dual arrests on the young woman and her family, the film remains a cautionary tale in a time of increasing xenophobia, religious intolerance, and fears of domestic terrorism.

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On TV: (T)ERROR

terror_still_FBI_photocredit_DavidFelixSutcliffeComing to PBS’s Independent Lens tonight, Monday, February 22: (T)ERROR

Lyric R Cabral and David Felix Sutcliffe’s surprising inside look at a counterterrorism informant made its bow at Sundance last year, where it won a special jury award. Screenings followed at Nantucket, True/False, Hot Docs, Tribeca, Full Frame, Nashville, and Human Rights Watch, among others.

I profiled the doc before Sundance here.

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ZagrebDox 2016 Overview

zagrebdox_logoCroatia’s ZagrebDox launches its 12th edition this Sunday, February 21 and runs through next Sunday, February 28. More than 160 new and retrospective features and shorts will screen as part of the event, the nation’s largest documentary showcase. While much of this includes local debuts of films that are already well-traveled on the international festival circuit, the festival also affords the opportunity to view new regional work, a sampling of which is provided below. Continue reading →

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Documentary Fortnight 2016 Overview

moma-logoTomorrow night, Friday, February 19, sees the start of the 15th anniversary edition of MoMA’s annual nonfiction showcase, Documentary Fortnight, with the NYC premiere of Billy Woodberry’s AND WHEN I DIE, I WON’T STAY DEAD, about unheralded African American Beat poet Bob Kaufman. Eighteen features and several shorts will screen before the series wraps on Monday, February 29 with the world premiere of Adam Khalil and Zack Khalil’s INNATE/SE/ [IT SHINES A CERTAIN WAY. TO A CERTAIN PLACE./IT FLIES. FALLS./], which reclaims the Ojibway story for the Native American people themselves.

Call Her Applebroog cropAlso making its world premiere is Beth B’s CALL HER APPLEBROOG (pictured), a portrait of the filmmaker’s mother, artist Ida Applebroog. North American premieres include: John Gianvito’s WAKE (SUBIC), an exploration of the damage done to the Philippines by continued US military presence; Jacques Perconte’s ETTRICK, an experimental film manipulating Scottish landscapes into abstract art images; K8 Hardy’s OUTFITUMENTARY, a portrait of the artist through a dozen year’s of personal fashion choices; and Ane Hjort Guttu’s TIME PASSES, which follows a student’s solidarity with a homeless Roma woman as part of a performance art project.

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On TV: CAROLE KING: NATURAL WOMAN

carole kingComing to PBS’s American Masters this Friday, February 19: CAROLE KING: NATURAL WOMAN

George Scott’s portrait of the accomplished singer-songwriter makes its world premiere on the popular public television series devoted to US artists and cultural icons.

Timed to coincide with the 45th anniversary of King’s influential solo album, Tapestry, still beloved for producing such classics as “I Feel the Earth Move,” and “It’s Too Late,” Scott’s film gives the acclaimed musician her due. Interviews with the eminently likeable King herself, both present-day and archival, provide the thread through which her life and career are revealed, offering early biographical details as the young would-be teacher instead pursued a musical path. King, who partnered with lyricist Gerry Goffin, and fellow songwriters Barry Mann and Cynthia Weil reveal fascinating details about their roles in the factory songwriting process which allowed them to churn out hit songs for a revolving door of pop performers like The Shirelles and Aretha Franklin, often in the space of days if not hours. The doc importantly also details King’s evolution from behind-the-scenes creator to public performer, part of the wave of singer-songwriters that emerged in the 1970s, with numerous clips demonstrating the talent that led to four Grammy Awards, the Rock and Roll Hall of Fame, the Kennedy Center Honors, and the Library of Congress Gershwin Prize, among other accolades, as well as the popular Broadway musical, BEAUTIFUL: THE CAROLE KING MUSICAL.

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