Category Archives: Recommendations

On TV: IN FOOTBALL WE TRUST

in football we trustComing to PBS’s Independent Lens next Monday, January 25: IN FOOTBALL WE TRUST

Tony Vainuku and Erika Cohn’s look at Polynesian teenagers’ dreams of success through sports made its bow at Sundance last year. The doc has gone on to screen at Los Angeles, DocUtah, CAAMFest, Hawaii, Twin Cities, and the San Diego Asian film fests, among others.

I profiled the doc before Sundance here.

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2016 Sundance Docs in Focus: THE EAGLE HUNTRESS

eagle huntressAnd finally, I’ve reached the final doc of this year’s fest lineup, from Sundance Kids: THE EAGLE HUNTRESS, Otto Bell’s look at a Mongolian teenager determined to cross a millennia-old gender barrier.

Festival Section:
Sundance Kids
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2016 Sundance Docs in Focus: THE BLACKOUT EXPERIMENTS

blackoutToday brings us to the last of this year’s Sundance nonfiction, beginning with the sole doc in the Midnight section: THE BLACKOUT EXPERIMENTS, Rich Fox’s exploration of the secret world of an individualized immersive fright experience and its adherents.

Festival Section:
Midnight
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2016 Sundance Docs in Focus: OJ: MADE IN AMERICA

ojAnd wrapping up Special Events features (remaining nonfiction projects are short form): Ezra Edelman’s OJ: MADE IN AMERICA, an ESPN 30 FOR 30 miniseries about the football star-turned-murder suspect.

Festival Section:
Special Events
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On DVD: I AM THOR

thorComing to DVD today, Tuesday, January 19: I AM THOR

Ryan Wise’s profile of an aspiring rock god had its premiere at Slamdance last year. It went on to screen at Florida, Brooklyn, San Francisco Doc, Fantasia, New Zealand, and Calgary Underground.

I previously wrote about the doc here.

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2016 Sundance Docs in Focus: CHELSEA DOES

chelsea doesNext up in Special Events: Eddie Schmidt’s CHELSEA DOES, a preview of the new Chelsea Handler-led Netflix docuseries.

Festival Section:
Special Events
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On DVD: ALL THINGS MUST PASS

allthingsmustpassComing to DVD today, Tuesday, January 19: ALL THINGS MUST PASS

Colin Hanks’ tribute to Tower Records made its bow at SXSW last year. It went on to screen at Seattle, AFI Docs, Sacramento, and Greenwich, among other fests.

I previously wrote about the doc here.

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2016 Sundance Docs in Focus: AMERICAN EPIC

american epicMy Sundance doc profiles move on to this year’s Special Events, one-off presentations of upcoming episodic and other unique programming: Bernard MacMahon’s AMERICAN EPIC, a preview of a multi-part PBS docuseries and feature doc exploring the roots of American music.

Festival Section:
Special Events
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2016 Sundance Docs in Focus: NOTES ON BLINDNESS

notes on blindnessMy New Frontier roundup ends with the third of three nonfiction/hybrid titles: Peter Middleton and James Spinney’s NOTES ON BLINDNESS, which re-embodies a man’s experiences of losing his sight.

Festival Section:
New Frontier
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On TV: BONNIE & CLYDE

bonnie and clydeComing to PBS’s American Experience tomorrow, Tuesday, January 19: BONNIE & CLYDE

John Maggio’s tale of the notorious outlaw couple makes its debut on the long-running public television strand.

During a crime spree that ran between 1931-1934, Bonnie Parker, Clyde Barrow, and their Barrow Gang captured the attention of the country with wild true crime stories of armed robberies making headline after headline. As recounted in Maggio’s biographical film, the pair emerged in the midst of the Great Depression, a time of desperation that saw the public embrace them as romantic anti-heroes and revel in their ability to defy the law, despite being behind the murders of several police officers and robbery victims. The gangsters’ inadvertent role in propagating this outsider image, however, ultimately proved their undoing, as the film reveals. They might have successfully continued to carry on their illicit activities were it not for the emergence of a series of photos the gang took in 1933 – playfully staged shots of themselves showing off their guns and acting out imagery familiar from true crime pulp magazines – that were discovered in their abandoned hideout. Once released to the press, these proto-selfies became a pre-digital viral sensation, made them instantly recognizable, and started the countdown to their inevitable, bloody showdown with the authorities made famous for more modern audiences through Arthur Penn’s Faye Dunaway/Warren Beatty classic. Maggio, sticking close to the American Experience formula, blends talking heads representing distant family members and historians with some intriguing archival footage to tell a conventional, but still compelling, story of the enduring appeal and fascination with the criminal couple.

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