Category Archives: Recommendations

2016 Sundance Docs in Focus: CHELSEA DOES

chelsea doesNext up in Special Events: Eddie Schmidt’s CHELSEA DOES, a preview of the new Chelsea Handler-led Netflix docuseries.

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Special Events
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On DVD: ALL THINGS MUST PASS

allthingsmustpassComing to DVD today, Tuesday, January 19: ALL THINGS MUST PASS

Colin Hanks’ tribute to Tower Records made its bow at SXSW last year. It went on to screen at Seattle, AFI Docs, Sacramento, and Greenwich, among other fests.

I previously wrote about the doc here.

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2016 Sundance Docs in Focus: AMERICAN EPIC

american epicMy Sundance doc profiles move on to this year’s Special Events, one-off presentations of upcoming episodic and other unique programming: Bernard MacMahon’s AMERICAN EPIC, a preview of a multi-part PBS docuseries and feature doc exploring the roots of American music.

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Special Events
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2016 Sundance Docs in Focus: NOTES ON BLINDNESS

notes on blindnessMy New Frontier roundup ends with the third of three nonfiction/hybrid titles: Peter Middleton and James Spinney’s NOTES ON BLINDNESS, which re-embodies a man’s experiences of losing his sight.

Festival Section:
New Frontier
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On TV: BONNIE & CLYDE

bonnie and clydeComing to PBS’s American Experience tomorrow, Tuesday, January 19: BONNIE & CLYDE

John Maggio’s tale of the notorious outlaw couple makes its debut on the long-running public television strand.

During a crime spree that ran between 1931-1934, Bonnie Parker, Clyde Barrow, and their Barrow Gang captured the attention of the country with wild true crime stories of armed robberies making headline after headline. As recounted in Maggio’s biographical film, the pair emerged in the midst of the Great Depression, a time of desperation that saw the public embrace them as romantic anti-heroes and revel in their ability to defy the law, despite being behind the murders of several police officers and robbery victims. The gangsters’ inadvertent role in propagating this outsider image, however, ultimately proved their undoing, as the film reveals. They might have successfully continued to carry on their illicit activities were it not for the emergence of a series of photos the gang took in 1933 – playfully staged shots of themselves showing off their guns and acting out imagery familiar from true crime pulp magazines – that were discovered in their abandoned hideout. Once released to the press, these proto-selfies became a pre-digital viral sensation, made them instantly recognizable, and started the countdown to their inevitable, bloody showdown with the authorities made famous for more modern audiences through Arthur Penn’s Faye Dunaway/Warren Beatty classic. Maggio, sticking close to the American Experience formula, blends talking heads representing distant family members and historians with some intriguing archival footage to tell a conventional, but still compelling, story of the enduring appeal and fascination with the criminal couple.

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2016 Sundance Docs in Focus: THE ILLINOIS PARABLES

illinois parablesToday’s second New Frontier title: Deborah Stratman’s THE ILLINOIS PARABLES, an experimental meditation on belief, doubt, science, and religion.

Festival Section:
New Frontier
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On TV: A PLACE AT THE TABLE

finding north place at the tableComing to Pivot TV for its Stand Up For Justice Month programming today, Monday, January 18: A PLACE AT THE TABLE

Kristi Jacobson and Lori Silverbush’s look at hunger in America made its bow at Sundance in 2012. Further festival play included Seattle, Cleveland, Philadelphia, and Palm Springs, among others.

My pre-Sundance profile of the film may be found here.

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2016 Sundance Docs in Focus: CAMERAPERSON

camerapersonToday’s Sundance doc profiles explore the nonfiction and hybrid feature films of the New Frontier section. First up: Kirsten Johnson’s CAMERAPERSON, the acclaimed cinematographer’s reflections on documentary image making.

Festival Section:
New Frontier
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On TV: THE INTERNET’S OWN BOY

internet's own boyComing to Pivot TV for its Stand Up For Justice Month programming today, Monday, January 18: THE INTERNET’S OWN BOY: THE STORY OF AARON SWARTZ

Brian Knappenberger’s look at the life and death of the Internet activist had its world premiere at Sundance in 2014. Screenings followed at SXSW, Nantucket, Hot Docs, Atlanta, IFF Boston, and Seattle, among other fests, before it was shortlisted for the Best Documentary Academy Award.

I profiled the doc before Sundance here.

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On VOD: ALL THINGS MUST PASS

allthingsmustpassComing to VOD today, Friday, January 15: ALL THINGS MUST PASS

Colin Hanks’ love letter to a lost record store empire made its debut at SXSW last year. Other fest screenings included Seattle, AFI Docs, Sacramento, and Greenwich. It now comes to VOD on iTunes, Amazon Instant Video, and other platforms.

I previously wrote about the doc upon its theatrical release here.

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