Category Archives: Recommendations

On VOD: DON’T THINK I’VE FORGOTTEN: CAMBODIA’S LOST ROCK AND ROLL

don't thinkNew to VOD this week: DON’T THINK I’VE FORGOTTEN: CAMBODIA’S LOST ROCK AND ROLL

John Pirozzi’s exhumation of Cambodia’s forgotten pop music debuted in Phnom Penh last year. It went on to screen at DOC NYC, Big Sky, Rotterdam, Reel Asian, CAMFest, DOXA, and Seattle, among others. The doc was released on iTunes, Google Play, Amazon Instant, VUDU, Vimeo, and CinemaNow earlier this week.

I previously wrote about the film here.

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Special Screening: DIVINE LOCATION

divine locationComing to NYC’s Rooftop Films tomorrow, Saturday, August 8: DIVINE LOCATION

Ulrike Franke and Michael Loeken’s subtle study of urban planning made its debut at DOK.fest Munich last year. Other screenings included Berlin, DocPoint Helsinki, Kassel Doc, and Duisburg Film Week.

Dortmund, the largest city in the Ruhr Area, has long been the seat of German industry, known for its coal mines and steel mills. In 2001, after Phoenix-East, one of the largest steelworks, shut down, plans began for the redevelopment of its site into luxury housing, centered around the construction of the new, man-made Phoenix Lake. Franke and Loeken chronicle this transformation over several years, while also witnessing the impact of this ambitious development on the working class neighborhood upon which it borders – an area which struggles to survive without the presence of its industrial base. While the real estate developers sit through marketing brainstorming sessions to best sell their future units to the right kind of clientele, current residents recognize the gentrification that’s coming their way. Through all this, the filmmakers maintain a tone of wry bemusement, managing to find moments of sheer absurdity, such as a heated battle over a massive remnant of the steelworks; an elaborate kick-off event presided over by Larry Hagman; and a meeting addressing the problem of geese attracted to the newly formed lake.

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In Theatres: HOMME LESS

1201x782-KEY-IMAGE-HOMMELESS_keypic_wide-Thomas-Wirthensohn-400x200Coming to theatres tomorrow, Friday, August 7: HOMME LESS

Thomas Wirthensohn’s portrait of unexpected homelessness debuted at last year’s Film Festival Kitzbuehel, where it won the best doc award. It has gone on to screen at DOC NYC (where it won the Metropolis competition), DocAviv, Sarasota, and Hof.

I previously wrote about the film for DOC NYC’s program, saying:
From all outside appearances, Mark seems to have the glamorous New York City life that many would envy. Handsome and always impeccably dressed, the charismatic former male model works as a fashion photographer, appears in movies, and attends the best parties. When he leaves those events, however, he heads to the East Village – not to an overpriced loft, but to a hidden corner of a rooftop to sleep each night. Thomas Wirthensohn exposes the dark underbelly of the American Dream in an often-merciless city.

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In Theatres: CALL ME LUCKY

call me luckyComing to theatres tomorrow, Friday, August 7: CALL ME LUCKY

Bobcat Goldthwait’s portrait of a comic turned unlikely activist debuted at Sundance earlier this year. It has gone on to screen at IFF Boston, Boulder, Montclair, and Cleveland, among others.

My pre-Sundance profile of the doc may be found here.

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Locarno 2015: Documentary Overview

locarnoThe 68th edition of the Locarno Film Festival launches tonight, Wednesday, August 5, and will screen approximately 100 new feature films before it wraps on Saturday, August 15. Once again, the event has shown a welcome acceptance of nonfiction nearly on par with its fiction offerings, and includes more than forty new documentaries or hybrids in its line-up. As has been the custom for several years, these are integrated throughout nearly all of the various sections of the festival, with some highlights noted below: Continue reading

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On DVD: THE NIGHTMARE

nightmareComing to DVD today, Tuesday, August 4: THE NIGHTMARE

Rodney Ascher’s unsettling look at the phenomenon of sleep paralysis had its world premiere at Sundance at the beginning of the year. Screenings followed at Hot Docs, SXSW, Seattle, and the Stanley Film Festival.

My pre-Sundance profile of the doc may be found here.

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On Cable: BACK ON BOARD: GREG LOUGANIS

back on board louganisComing to HBO tomorrow, Tuesday, August 4: BACK ON BOARD: GREG LOUGANIS

Cheryl Furjanic’s portrait of the Olympic diving champion made its bow at AFI Docs last year. Its fest circuit also included DOC NYC, New Orleans, Hamptons, Palm Springs, Big Sky, Cleveland, Hot Springs Doc, Ashland, Frameline, Outfest, and other fests on the LGBT circuit, including Portland, Seattle, Miami, Denver, Honolulu, and Boston.

I previously wrote about the film for DOC NYC’s program, saying:
This strikingly candid profile explores the triumphs and tragedies of Greg Louganis, considered by many the greatest diver of all time. A four-time Olympian, Louganis became a household name and an inspiration to countless athletes, but after he publicly revealed his sexuality and HIV status, the backlash cost him dearly. BACK ON BOARD follows Louganis as he simultaneously faces the loss of his home and the possibility of redemption, returning to the diving board to mentor the 2012 US Olympic diving team.

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On TV: BEATS OF THE ANTONOV

antonovComing to PBS’s POV tonight, Monday, August 3: BEATS OF THE ANTONOV

Hajooj Kuka’s look at the role of community in the face of a refugee crisis had its world premiere at Toronto last year, where it claimed an audience award. Other fest appearances have included Dubai, Goteborg, Carthage, FESPACO, Luxor, Human Rights Watch, Tempo Doc, San Francisco, Seattle, Encounters, and Sydney, among others.

Set along the border of Sudan and South Sudan, an area emblematic of the half-century civil war that has plagued the only-recently separated countries, Kuka’s film focuses on refugees from the Blue Nile and Nuba Mountain regions, only a fraction of the 1.5 million Sudanese displaced by the conflict. Despite being subject to frequent bombing raids by the Sudanese government against the Sudan People’s Liberation Army, carried out by the Russian-made Antonov planes that lend the film its title, this community of farmers, herders, and rebels show a surprising resilience, laughing upon the completion of a bombardment as a show that they have once again survived. As Kuka’s untraditional portrait unfolds, it demonstrates the role music plays in bonding the people, surveyed here in vignettes as they express their views on the conflict and its impact on their lives, showcased through their employment of music and dance.

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On TV: TOE TAG PAROLE: TO LIVE AND DIE ON YARD A

toe tagComing to HBO tonight, Monday, August 3: TOE TAG PAROLE: TO LIVE AND DIE ON YARD A

Alan Raymond and Susan Raymond’s exploration of life in prison without the hope of parole makes its world premiere on the acclaimed cable network.

Set in the maximum-security California State Prison in the Mojave Desert, the film focuses on its Progressive Programming Facility, also referred to as Yard A or the Honor Yard, a program specifically geared to inmates sentenced to life without the possibility of parole. For this population of 600, Yard A provides a refuge from the culture of violence that plagues most prisons: Beyond offering opportunities to focus on spirituality, art, and music, a pre-requisite of participating in the program is the eschewal of longstanding prison mores like drugs, gang activity, and self-imposed racial segregation. The filmmakers profile several of the inmates, identifying their crimes, and showcasing the programs they’re engaged in, from painting murals to anger management. While some interviewees cling to their claims of innocence, others own up to their crimes, reconciled to the reality that, barring a legislative change, they will die in prison, since, as one inmate notes, life without parole is essentially just another kind of death sentence. Coming at a time when prison reform has entered the national dialogue, the Raymonds’ candid film also draw attention to the nation’s often excessive sentencing laws, which finds nonviolent and violent offenders alike caught in the prison-industrial complex, including juvenile offenders deprived of any hope of release no matter whether they are rehabilitated or not.

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In Theatres: BEST OF ENEMIES

best of enemiesComing to theatres today, Friday, July 31: BEST OF ENEMIES

Morgan Neville and Robert Gordon’s revisitation of a notorious battle of the minds debuted at Sundance this year. It has traveled extensively since, screening at Nantucket, BAMcinemaFest, AFI Docs, Outfest, San Francisco, SXSW, Hot Docs, Full Frame, Srasota, Miami, and IFF Boston, among others.

I profiled the doc before Sundance here.

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