Category Archives: Recommendations

DOC NYC 2014: Lineup Announced

doc nycAs DOC NYC‘s Director of Programming, I’m excited to share this year’s just-announced lineup. Already America’s largest documentary festival as of last year, the event has been expanded for our 5th anniversary edition, adding a new venue, two additional days of Doc-A-Thon panel programming, a larger Short List section, and new thematic sidebars. In total, 153 films and events make up this year’s festival, including 92 features, of which 19 are world premieres, 7 are North American or US premieres, and 40 are NYC premieres. DOC NYC will take place at the IFC Center, SVA Theatre, and Bow Tie Chelsea Cinemas between Thursday, November 13 and Thursday, November 20, with filmmakers in attendance for Q&As at nearly every program.

I’m planning to profile each section here in the weeks prior to our opening, but for the time being, check out our brand new website via the links below for more information and to purchase passes or individual tickets, which go on sale today. Continue reading →

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On VOD: GOING BLIND

Coming to Netflix today, Wednesday, October 15: GOING BLIND

Joe Lovett’s exploration of vision loss had a limited theatrical release in 2010, and has screened extensively at medical conferences, schools, community screenings, and public TV since then. Already available on VOD from iTunes and Amazon Instant Video, it now is offered on Netflix.

I wrote about the doc upon its theatrical release here.

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On DVD: WHITEY

whiteyComing to DVD today, Tuesday, October 14: WHITEY: UNITED STATES OF AMERICA V JAMES J BULGER

Joe Berlinger’s look at the trial of the infamous gangster bowed at Sundance this year. Its fest circuit has also included Hot Docs, Sarasota, Nashville, Montclair, and Dallas, among others.

My pre-Sundance profile of the doc may be found here.

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On DVD: LOS ANGELES PLAYS ITSELF

los-angeles-plays-itself_592x299Coming to DVD today, Tuesday, October 14: LOS ANGELES PLAYS ITSELF

Thom Andersen’s exploration of a city through its defining industry premiered at Toronto in 2003. Festival screenings followed at Sundance, Rotterdam, Marseille, Karlovy Vary, and CPH:DOX, among others. It now comes to DVD/Blu-Ray for the first time via Cinema Guild.

I previously wrote about the film here.

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On VOD: MUDBLOODS

mudbloodsComing to VOD tomorrow, Tuesday, October 14: MUDBLOODS

Farzad Nikbakht Sangari’s look at sport born from popular literary origins premiered at AFI Docs this Summer. It has also screened at Tacoma, IdeaFestival, Hot Springs, Potter Fest, and the upcoming Philadelphia, Hawaii, Gold Crest, and Napa Valley festivals. It now comes to VOD on iTunes, Amazon Instant Video, Google Play, and Vudu.

Sangari’s film explores the underdog sport of Quidditch – technically, I suppose, Muggles Quidditch, the real-world adaptation of the fantastical sport created by JK Rowling for her HARRY POTTER series. While earthbound, owing to the lack of functional flying Nimbus 2000s or Firebolts outside of Hogwarts, the sport has gained a passionate if still relatively small following on college campuses across the US and beyond. Embracing co-ed teams and unfazed by criticism of geekery, teams like UCLA take the game very seriously, as shown in this engaging and likable chronicle of their attempt to defeat reigning champion Middlebury College in the Quidditch World Cup. Sangari balances conventions of sports docs and fandom docs while profiling affable subjects like UCLA captain Tom, whose earnestness and determination successfully connect with audiences, whether they are Potter superfans or not.

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On DVD: AS THE PALACES BURN

as palacesComing to DVD tomorrow, Tuesday, October 14: AS THE PALACES BURN

Don Argott’s unexpectedly dramatic profile of a band had its premiere at Philadelphia’s Trocadero Theatre this Winter before its theatrical release in a series of one-night-only special events.

I previously wrote about the film here.

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On TV: BULLY

Coming to PBS’s Independent Lens tonight, Monday, October 13: BULLY

Lee Hirsch’s exploration of the impact of bullying debuted at Tribeca in 2011. It screened extensively, including Hot Docs, the Hamptons, Silverdocs, and the Los Angeles Film Festival, among others, and made the Oscar shortlist following its theatrical release.

I previously included the doc in my Tribeca coverage here.

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New Orleans 2014: Documentary Overview

noffCelebrating its 25th anniversary, the New Orleans Film Festival begins this Thursday, October 16 and runs through next Thursday, October 23. The event continues to grow, establishing itself as a key regional Fall festival, and attracting significant visiting filmmaker and industry presence. Sadly, while I’m not among those visitors this year, I offer the following highlights of the fest’s robust documentary programming, which makes up about half of the nearly 100 feature lineup: Continue reading →

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Special Screening: SHOWRUNNERS: THE ART OF RUNNING A TV SHOW

showrunners_592x299Coming to the IFC Center as part of New York Super Week this Saturday, October 11: SHOWRUNNERS: THE ART OF RUNNING A TV SHOW

Des Doyle’s look behind the scenes of television production had its world premiere last month in Ireland as part of Dublin’s Stranger Than Fiction documentary festival. The doc is also slated to screen at Zurich and Austin before opening in LA and coming to VOD later this month.

With television hosting some of the most acclaimed new drama of the past several years, audiences have taken notice of the creators behind shows like MAD MEN or BREAKING BAD. At the top of the creative chain is the showrunner, the person responsible for overseeing the entire season, and if not writing every episode, setting the creative vision for the writing staff to follow – all while making sure the production runs on time and on budget. As the men and women interviewed in Doyle’s survey note, it’s both the best and worst – or at least hardest – job in television. Assembling various notables, including JJ Abrams, Joss Whedon, Damon Lindelof, and Ronald D Moore, among several others, the film offers a candid exploration of their exhaustive – and exhausting – job, from the writing process and dealing with executives’ notes, to ratings and dealing with success or failure. Serving as an edifying throughline is the process Matthew Carnahan goes through to bring his new show, HOUSE OF LIES, to Showtime. This provides a sense of progression that reveals how much time goes into developing and producing a show, offering a bit more heft than the chorus of interviewees that make up the bulk of the film – though the latter still remain engaging, making for an insightful insider look at the creative process.

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In Theatres: WAITING FOR AUGUST

waiting for augustComing to theatres tomorrow, Friday, October 10: WAITING FOR AUGUST

Teodora Ana Mihai’s appealing observational portrait of a Romanian teen left alone to care for her siblings debuted at Visions du Réel this Spring. Its festival circuit has included Hot Docs, Karlovy Vary, Dokufest Kosovo, Moscow, Camden, Bergen, Vancouver, DMZ Docs, and the upcoming IDFA and BFI London fests, among several others.

Out of economic necessity, unemployed Romanian parents like Liliana see little choice but to seek job opportunities in wealthier European countries like Italy, often leaving their children behind for months on end. While grandparents or other relatives often act as guardians, in the Halmac family’s case, that responsibility falls on fifteen-year-old Georgina, the eldest daughter of seven children. While still little more than a child herself, the intrepid teen takes on the role of surrogate mother and head of household, all while tending to her own schoolwork and interpersonal drama, and fending off threats from neighbors to report the family to the authorities. As Georgina waits for her mother’s return, sneaking parenting advice from Liliana through the occasional phone call or Skype session, Mihai’s fluid camera captures their begrudgingly accepted reality, forced to be separated, at the poignant cost of Liliana’s time with her kids, and Georgina’s experience of her own childhood.

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