Category Archives: Recommendations

Indiewire @ Hulu Docs: A MANSOME Man

My latest Indiewire curation for Hulu documentaries primes the pump for next week’s theatrical release of Morgan Spurlock’s newest doc MANSOME with a selection of his previous films, TV shows, and interviews. Plus, fitting the grooming theme of the new film, a doc on a beard and moustache competition! Watch these now for free!

For more information about the selections, see my Indiewire article.

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On DVD: WINDFALL

Coming to DVD next Tuesday, May 15: WINDFALL

Laura Israel’s look at the controversy over wind power made its world premiere at Toronto in 2010. Since then, it has screened at numerous festivals, and picked up an award at DOC NYC. The film began its theatrical run in late January of this year.

I wrote about the film out of Toronto here.

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In Theatres: UNDER AFRICAN SKIES

Coming to NYC’s IFC Center today Friday, May 11: UNDER AFRICAN SKIES

Joe Berlinger’s look at the controversy around Paul Simon’s GRACELAND had its world premiere earlier this year at Sundance. It’s been on the festival circuit since, winning an award at Nashville.

I wrote about the film before Sundance here.

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Hot Docs 2012 in Brief, Part Two: International Spectrum, Special Presentations & Nightvision

My thoughts on documentaries at this year’s Hot Docs continues with a look at selections from the International Spectrum, Special Presentations, and Nightvision sections. I was very intrigued by the latter, a new section this year devoted to films that stretch the idea of documentary filmmaking, and was only sorry to have missed what sounded like a really fun title, FINDING TRUELOVE. Continue reading →

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On DVD: MY PERESTROIKA

Coming to DVD next Tuesday, May 15: MY PERESTROIKA

Robin Hessman’s look at last generation of Soviet Russians made its premiere at Sundance in 2010. It has screened extensively at festivals all around the world since, including New Directors/New Films, Full Frame, Hot Docs, Doha tribeca, Pusan, Camden, RIDM, Sheffield, and Rotterdam. The film screened on POV and also enjoyed a limited theatrical release last year.

I wrote about the film before its release here.

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Hot Docs 2012 in Brief, Part One: Canadian Spectrum & Next

Though I had a shorter visit in Toronto for Hot Docs than I usually do, and had to balance covering the Forum with fulfilling my duties as a juror for the Canadian Spectrum, I managed to find enough time to watch quite a lot of films – enough to warrant at least three separate posts. Today’s will cover a selection of films from my competition section as well as a few from the music- and art-focused Next section. Continue reading →

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On DVD: WE WERE HERE

Coming to DVD next Tuesday, May 15: WE WERE HERE

David Weissman’s moving look at the early days of AIDS in San Francisco made its world premiere at Sundance last year. Well received on the festival circuit, it enjoyed a theatrical release and made Oscar’s documentary shortlist.

I profiled the doc before Sundance here.

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In Theatres: PORTRAIT OF WALLY

Coming to NYC’s Quad Cinema this Friday, May 11: PORTRAIT OF WALLY

Andrew Shea’s multi-layered analysis of the international controversy around an Egon Schiele painting made its debut last month at Tribeca.

I included the doc in my Tribeca roundup here.

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In Theatres: PATIENCE (AFTER SEBALD)

Coming to NYC’s Film Forum for a one-week run beginning tomorrow, Wednesday, May 9: PATIENCE (AFTER SEBALD)

Grant Gee’s unique exploration of WG Sebald and his adherents had its world premiere at a special Sebald fest organized by Aldeburgh Music in Suffolk, UK. It came stateside this past Fall at the New York Film Festival, with additional screenings at the Vancouver International Film Festival, Rotterdam, and San Francisco.

While not a household name, German author WG Sebald was acknowledged by many literary critics as one of the world’s premier writers and a potential Nobel laureate prior to his death in 2001. His 1995 work, THE RINGS OF SATURN, centered on a narrator named WG Sebald taking a walking tour of Suffolk, is the basis of Gee’s documentary. The film revisits locations discussed in the book, and turns to critics, authors, and admirers of Sebald to offer their at times obsessive insight into this seminal work. The result is decidedly unusual, but oddly engaging. Slightly reminiscent to Rodney Ascher’s ROOM 237 in its focus on responses to a work of art – though Gee’s subjects don’t engage in nearly as over the top musings as do Ascher’s – the doc may not suit everyone’s tastes but serves as a creative approach to adaptation, eschewing a literal translation to the screen in favor of something more intelligent and challenging.

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Talk: SundanceNOW’s DOC CLUB

For those of you inclined to tweet, I’ll be participating in a Twitter event this Thursday, May 10 from 9-10:30pm EST discussing SundanceNOW’s new DOC CLUB online subscription program, curated by the ubiquitous Thom Powers (Toronto, Miami, Montclair, DOC NYC, and Stranger Than Fiction programmer). Join Thom, representatives from True/False and The Playlist, and me as we discuss documentary filmmaking, programming, and audiences, and Thom’s initial selections for the DOC CLUB. Some lucky participants will be awarded free DOC CLUB subscriptions at random times during the conversation. If you can’t make it, feel free to submit questions via Twitter – just use the #SundanceNOW hashtag and my Twitter handle: @1basil1.

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