Category Archives: Recommendations

On DVD: THE ARBOR

Coming to DVD next Tuesday, September 6: THE ARBOR

Clio Barnard’s unusual and affecting hybrid doc, on the tragic story of a British playwright and her daughter, enjoyed an award-winning festival run and a limited theatrical release this past Spring.

I previously wrote about the film here.

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indieWIRE @ Hulu Docs: Last Days of Summer

Summer’s coming to a close soon, so this week’s indieWIRE-curated Hulu documentaries take the opportunity to bask in the sunshine while we still can with a selection of films capturing the season. View all of these docs for free now!

For more information about the selections, see my iW article.

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In Theatres: RESURRECT DEAD

Coming to theatres next Friday, September 2: RESURRECT DEAD: THE MYSTERY OF THE TOYNBEE TILES

Jon Foy emerged as a director to watch after debuting his investigation into a decades long mystery earlier this year at Sundance – where he also picked up the jury award for best directing in a doc. The film has screened at numerous notable festivals in the months since and now comes to NYC’s IFC Center to begin its theatrical run.

My pre-Sundance profile of the film may be found here.

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On Cable: LIFE 2.0

Coming to cable as part of the Oprah Winfrey Network’s Documentary Club this Thursday, August 25: LIFE 2.0

I previously wrote about Jason Springarn-Koff’s documentary on Second Life, which world premiered at Sundace last year, here.

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Special Screening: THE BATTLE OF PUSSY WILLOW CREEK

Coming to NYC’s Anthology Film Archives‘ NewFilmmakers series tomorrow, Wednesday, August 17: THE BATTLE OF PUSSY WILLOW CREEK

Wendy Jo Cohen’s fictional documentary had its world premiere at last year’s Atlanta Film Festival. In my coverage of Atlanta for indieWIRE, I wrote:

While initially frankly concerned that PUSSY WILLOW would be another in a long line of unsuccessful mockumentaries, I was pleasantly proven wrong by NY-based filmmaker Wendy Jo Cohen’s smart film. The very term “mockumentary” is rather inappropriate for the film, which treats its themes and its subjects affectionately. Lampooning the style and format of Ken Burns’ PBS series THE CIVIL WAR, PUSSY WILLOW reveals the “true” story of a critical Civil War battle fought by an opium-addicted gay colonel, his aged Chinese advisor, a nerdy freed slave/engineer, and a one-armed cross-dressing teenage prostitute against a secret battalion of British forces, with the fate of Washington DC at stake. An obvious labor of love, the film successfully comments on gays in the military, racism, xenophobia, and sexism in a sly, entertaining manner throughout. Programmers should take note – a variety of audiences will respond extremely well to this film, and it bears serious consideration.

Note: I debated whether or not to post about this film, because, up until now, I have strictly focused on non-fiction work. I’m bending my own rules a bit because, in many ways, director Wendy Jo Cohen’s (aka “Grace A Burns”) loving send up offers a good illustration of documentary conventions actual non-fiction projects may want to avoid. Here, they’re funny; used in “real” docs, they’ll probably engender a “Dear Documentary Filmmakers” post or two.

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In Theatres: BEING ELMO

Coming to theatres (as part of the International Documentary Association’s Oscar-qualifying DocuWeeks) this Friday, August 19 (NYC’s IFC Center) and on Friday, September 2 (LA’s Laemmle Sunset 5): BEING ELMO: A PUPPETEER’S JOURNEY

Constance Marks’ portrait of the man who brings everyone’s favorite Muppet to life debuted at Sundance this year, where it claimed a Special Jury Prize. It has transformed audiences back into five-year-olds at notable festivals since, including SXSW, Full Frame, Silverdocs, Dallas, Hot Docs, Nantucket, and Traverse City, picking up additional awards at the latter two.

I wrote about the doc before its world premiere here.

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In Theatres: HELL AND BACK AGAIN

Coming to theatres (as part of the International Documentary Association’s Oscar-qualifying DocuWeeks) this Friday, August 19 (NYC’s IFC Center) and on Friday, September 2 (LA’s Laemmle Sunset 5): HELL AND BACK AGAIN

Danfung Dennis’ harrowing documentary feature debut about a soldier’s return home from Afghanistan premiered at Sundance earlier this year, where it claimed both the World Cinema Documentary Grand Jury Award and the World Cinema Documentary Cinematography Award. Since January, it has screened at notable festivals including Full Frame, Hot Docs, Sheffield, Edinburgh, and Silverdocs.

My pre-Sundance profile of the film may be found here.

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In Theatres: SUMMER PASTURE

Coming to NYC’s Maysles Cinema for a week run starting today, August 15: SUMMER PASTURE

Lynn True and Nelson Walker’s intimate observational portrait of a Tibetan family made its world premiere at Full Frame last year, where it garnered a special mention from the jury. It’s gone on to play at festivals around the world, and was nominated for both a Gotham and Independent Spirit award.

Locho and Yama are a young nomad couple in the Kham region of Tibet in China’s Sichuan province. Together with their baby daughter and with other members of their family nearby, they’ve come to the grasslands to tend to their yaks and make cheese and butter during the summer to last them through the upcoming winter. Even as they follow the traditional ways, the couple confess their desires that their daughter become literate, which may lead them to abandon their nomadic ways to facilitate her education. Locho speculates on the encroachment of modernization, which he believes will radically transform their summer pastures with buildings and roads, perhaps hastening a change to their way of life. Locho and Yama are fantastic documentary subjects – surprisingly open and expressive, they reveal intimate details about their relationship and seem perfectly at ease in front of the camera as they tend to their chores. The film is expertly lensed, capturing the beauty of their pasture lands, and providing the audience with a real sense of what the family may have to sacrifice in order to survive in the modern world.

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Special Screening: THE FOG OF WAR

Coming to NYC’s Museum of the Moving Image as part of its Errol Morris’ America series this weekend, August 13-14: THE FOG OF WAR

Morris’ spellbinding interview with former US Secretary of Defense Robert McNamara had its debut at Cannes in 2003, followed by slots in prime fall festivals including Telluride, Toronto, and New York. Sony Pictures Classics released the film theatrically at the end of the year. It won the Academy Award for Best Documentary the following year, as well as numerous film critics awards and an Independent Spirit award.

McNamara, at the age of 85, discusses with surprising candor his involvement in pivotal events of the 20th century, from World War II to the Cuban Missile Crisis to the Vietnam War. Along the way, the film borrows from McNamara’s writings on what went wrong in the latter conflict to offer eleven lessons of war that should be applied to international relations – from empathy with one’s enemy to proportionality in retaliation. Beyond the cogent analysis of his extensive interview, Morris supplements the film with extensive archival footage from the various international conflicts and incidents discussed, as well as audio recordings of meetings between McNamara and the Presidents under whom he served, offering stark insight into the differences between the men. The film engages in a complex analysis of not only one of the most controversial architects of past US international military policy, but on our penchant for war and ability (or lack thereof) to learn from it. It’s at once riveting and revelatory, and should be seen by anyone interested in the workings of American and international politics.

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indieWIRE @ Hulu Docs: (Loosely) Inspired By GLEE

The GLEE 3D concert film opens this weekend. While it’s not a documentary, it got me thinking about docs featuring young people performing, so the popular TV show loosely inspired this week’s indieWIRE-curated Hulu documentaries page. View all of these docs for free now!

For more information about the selections, see my iW article.

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