Category Archives: Releases

On TV: 9TO5: THE STORY OF A MOVEMENT

Coming to PBS’s Independent Lens tonight, Monday, February 1:
9TO5: THE STORY OF A MOVEMENT

Director:
Julia Reichert, Steven Bognar

World Premiere:
SXSW 2020 (unscreened)

Select Festivals:
DOC NYC, Nantucket, AFI Docs, IDFA, Full Frame, Hot Springs Doc, Philadelphia, RiverRun

About:
A look back at the 1970s movement by secretaries and female office workers to demand better working conditions.

The film screened as part of DOC NYC, for which our program notes read:
The latest film from Oscar-winners Julia Reichert and Steve Bognar explores a pivotal but little remembered intersection of women’s rights and labor rights. In the early 1970s, secretaries and other female office workers were underpaid, undervalued, unable to advance, and often subject to sexual harassment. In the wake of the Women’s Liberation Movement, a group of women in Boston finally had enough, joining together to begin 9to5, a movement that would sweep the nation with irreverent, attention-getting actions to demand meaningful change—and later inspire the eponymous hit film and song.

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On VOD: LANCE

New to ESPN+ this week:
LANCE

Director:
Marina Zenovich

World Premiere:
Sundance 2020

About:
The rise and fall of Lance Armstrong.

I profiled the doc before Sundance here.

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On VOD: SOFTIE

Coming to OVID.tv today, Friday, January 29:
SOFTIE

Director:
Sam Soko

Premiere:
Sundance 2020

Select Festivals:
Hot Docs, CPH:DOX, BlackStar, Durban, Encounters, Salem, Galway, DOXA, Thin Line

About:
A chronicle of the personal and professional challenges facing an idealistic Kenyan political activist as he decides to run for office.

My pre-Sundance profile of the doc may be found here.

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In Virtual Release: THE REUNITED STATES

Coming to virtual cinemas today, Friday, January 29:
THE REUNITED STATES

Director:
Ben Rekhi

World Premiere:
Woods Hole 2020

Select Festivals:
Nashville, Cinequest, United Nations Association, Milwaukee

About:
A profile of individuals attempting to bridge divides in an increasingly polarized America.

Inspired by Mark Gerzon’s similarly titled THE REUNITED STATES OF AMERICA, filmmaker Ben Rekhi follows five Americans in their missions to find common ground between seemingly intractable sides. David, a former Republican strategist, and his wife Erin sells their Texas home to travel with their kids to all 50 states to listen to the stories of strangers, primarily confronting the idea of white privilege in the process. Similarly, Susan, who became an activist after the murder of her daughter, Heather Heyer, in Charlottesville in 2017, seeks to prevent other violence while also acknowledging the role Heather’s race played in garnering media attention in contrast to countless deaths of people of color each year. More explicitly taking on the limitations of a two-party system are Greg Orman, an independent gubernatorial candidate in Kansas; and Steven Olikara, the founder of the Millennial Action Project, a coalition to strengthen bipartisan communication and cooperation among younger politicians. The film is a well-intentioned project, and one meant to inspire hope that our nation can work past division, but with so many subjects and concerns to juggle, it struggles to find a clear and sustained focus and ends up feeling too episodic as a result.

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On VOD: NOTTURNO

Coming to Hulu and VOD tomorrow, Friday, January 29:
NOTTURNO

Director:
Gianfranco Rosi

World Premiere:
Venice 2020

Select Festivals:
Toronto, IDFA, New York, London, Reykjavik, AFI Fest, Chicago, El Gouna, Busan

About:
An atmospheric immersion into life in the shadow of ISIS.

I previously wrote about the doc here.

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On DVD: THE CHANGIN’ TIMES OF IKE WHITE

New to DVD this week:
THE CHANGIN’ TIMES OF IKE WHITE

Director:
Daniel Vernon

World Premiere:
Camden 2019

Select Festivals:
DOC NYC, Glasgow, Valladolid

About:
The unexpected story of a long-vanished jailhouse musician.

I previously wrote about the doc here.

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On DVD/VOD: NASRIN

Coming to DVD/VOD today, Tuesday, January 26:
NASRIN

Director:
Jeff Kaufman

World Premiere:
GlobeDocs 2020

Select Festivals:
DOC NYC, Denver, Global Health, Human Rights Film Festival Berlin

About:
A portrait of human rights attorney Nasrin Sotoudeh.

I previously wrote about the doc here.

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On TV: THE MOLE AGENT

Coming to PBS’s POV tonight, Monday, January 25:
THE MOLE AGENT

Director:
Maite Alberdi

World Premiere:
Sundance 2020

Select Festivals:
DOC NYC, Nantucket, Hot Docs, Full Frame, True/False, San Sebastian, New Directors/NewFilms, Miami, Karlovy Vary, Cleveland

About:
An 83-year-old man becomes an undercover spy in a Chilean retirement home.

I profiled the doc before Sundance here.

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On VOD: DEREK DELGAUDIO’S IN & OF ITSELF

Coming to Hulu today, Friday, January 22:
DEREK DELGAUDIO’S IN & OF ITSELF

Director:
Frank Oz

World Premiere:
SXSW 2020 (unscreened)

Select Festivals:
DOC NYC, Montclair, Philadelphia

About:
The illusionist’s acclaimed one-man show.

The film screened as part of DOC NYC, for which our program notes read:
For more than 500 performances, Derek DelGaudio left New York City audiences moved and astonished by his one-man show combining the art of illusion and storytelling. Filmmaker Frank Oz turns DelGaudio’s intimate live performances into an unforgettable film about redemption and identity that builds with both emotion and wonder to a jaw-dropping final act. Now that live performance has been drastically curtailed by the pandemic, the chance to be immersed in this one-of-a-kind experience feels all the more precious.  

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In Virtual Release: NOTTURNO

Coming to virtual cinemas today, Friday, January 22:
NOTTURNO

Director:
Gianfranco Rosi

World Premiere:
Venice 2020

Select Festivals:
Toronto, IDFA, New York, London, Reykjavik, AFI Fest, Chicago, El Gouna, Busan

About:
An atmospheric immersion into life in the shadow of ISIS.

Filming for several years in the fringes of Iraq, Kurdistan, Syria, and Lebanon, acclaimed Italian filmmaker Gianfranco Rosi crafts a meditation on everyday existence despite the trauma and legacy of unrest and devastation wrought by ISIS and other forces. As in his other recent films, Rosi is not particularly concerned with identifying or developing individual subjects; instead, he provides viewers with more panoramic glimpses of various Everymen, traversing borders without identifying exact locations. Scenes follow in quick succession of military troops on the march, bereaved mothers, boys fishing and hunting, a couple enjoying a relatively quiet moment on a rooftop, children in therapy sessions, psychiatric patients rehearsing a play. Some figures recur, others are seen only once. Conflict is always present, whether immediate or hovering in the periphery. While the film is unquestionably artfully composed, presenting striking, and occasionally indelible, images, its meditative, associative collage approach ultimately tempers its impact.

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