Category Archives: Releases

On TV: THREE IDENTICAL STRANGERS

Coming to CNN this Sunday, January 27:
THREE IDENTICAL STRANGERS

Director:
Tim Wardle

Premiere:
Sundance 2018

Select Festivals:
Nantucket, DOC NYC, Hot Docs, Miami, San Francisco, Sydney, Dallas, Montclair, Cleveland, Newport Beach

Notable Recognition:
The doc was shortlisted for the Academy Awards.

About:
The surprising, stranger than fiction tale of triplets separated at birth.

I profiled the doc before Sundance here.

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On TV: MAMA AFRICA: MIRIAM MAKEBA!

Coming to PBS’s AfroPop tonight, Monday, January 21:
MAMA AFRICA

Director:
Mika Kaurismäki

Premiere:
Berlin 2011

Select Festivals:
Tribeca, Hot Docs, Sheffield, Biografilm, Edinburgh, Jerusalem, Seattle, Midnight Sun, Vancouver, Athens, Milan

About:
A portrait of the celebrated South African musician and human rights activist.

Miriam Makeba emerged in the late 1950s as a singer with international crossover appeal, mentored by Harry Belafonte. She used her success as a platform to speak out against apartheid, forcing her into exile from South Africa for three decades. When she became involved with the American civil rights movement, marrying one of its high-profile leaders, Stokely Carmichael, US support waned for a time, but her career continued internationally and found a resurgence after the end of apartheid. Kaurismäki’s doc, which debuted a few years after Makeba’s death in 2008, is a conventional profile that feels too truncated to fully pay the icon her due, but is a respectable primer to encourage viewers to seek out more on their own.

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On DVD: ROBIN WILLIAMS: COME INSIDE MY MIND

photo by Mark Sennet

Coming to DVD tomorrow, Tuesday, January 22:
ROBIN WILLIAMS: COME INSIDE MY MIND

Director:
Marina Zenovich

Premiere:
Sundance 2018

Select Festivals:
Nantucket, Karlovy Vary, San Francisco, Provincetown, Martha’s Vineyard

About:
A revealing look at the life and career of the late comedian/actor.

I profiled the doc before Sundance here.

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On TV: RUMBLE: THE INDIANS WHO ROCKED THE WORLD

Coming to PBS’s Independent Lens tonight, Monday, January 21:
RUMBLE: THE INDIANS WHO ROCKED THE WORLD

Directors:
Catherine Bainbridge and Alfonso Maiorana

Premiere:
Sundance 2017

Select Festivals:
Hot Docs, Edinburgh, Thessaloniki Doc, Cleveland, Florida, DOXA, DOK Fest Munich, Docs Against Gravity, Seattle, Big Sky Doc, Biografilm, Sydney, AFI Docs, In-Edit, Traverse City

About:
A celebration of the unheralded Native roots of popular music.

I profiled the doc before Sundance here.

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In Theatres & On VOD: FYRE: THE GREATEST PARTY THAT NEVER HAPPENED

Now in theatres and on Netflix:
FYRE: THE GREATEST PARTY THAT NEVER HAPPENED

Director:
Chris Smith

Premiere:
Netflix (January 18, 2019)

About:
An inside look at the infamous 2017 music festival debacle.

Smith’s film, which opened at NYC’s IFC Center and was released on Netflix last Friday, is one of two parallel docs on the same event. Hulu’s FYRE FRAUD launched a pre-emptive, press-grabbing stunt by unexpectedly being released last Monday, not-so-coincidentally the day the press embargo for Netflix’s film was lifted. While both films cover the same story – and even include some of the same interview subjects – they take slightly different approaches that make them both worthwhile. FRAUD has direct access to the key fraudster, organizer Billy McFarland in new interviews, and does a more comprehensive job of articulating his history of scams and fraudulent behavior, while also offering a broader consideration of the phenomenon of social media influencers, resulting in a more nuanced and layered project. Smith’s FYRE benefits from the participation of a range of Fyre’s employees and associates, including local Bahamians negatively impacted by the experience, as well as jaw-dropping insider footage of the company’s and McFarland’s activities, including the convicted felon coaching shady associates through new scams – personal footage that he himself arranged to be recorded for no conceivably sensible reason. Both docs thankfully rise above a simple repeat of the schadenfreude that greeted Fyre Festival’s implosion to instead offer a thoughtful autopsy of the event, an exploration of the unethical practices of its organizers, and a consideration of the culpability of its enablers.

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On DVD/VOD: UNTOUCHABLE (2016)

New to DVD and VOD this week:
UNTOUCHABLE (2016)

Director:
David Feige

Premiere:
Tribeca 2016

Select Festivals:
New Orleans, Cleveland, Tallinn Black Nights, Miami, Cork, Berkshire, Antenna Doc, Big Sky Doc, Maryland, Stockholm, Milwaukee,

About:
An exploration of the impact of sex offender legislation.

In the wake of high-profile cases of kidnapping, rape, and murder of children, such as the Jacob Wetterling case, tough laws were passed against sex offenders, including the development of a sex offender registry for use by law enforcement. Over time, that registry was opened up to the public, and punishments increased, such that now, many individuals convicted as sex offenders are basically punished for life, restricted in their movements and places of residence, and ostracized by communities and employers due to their placement on the registry. The problem, as pointed out in Feige’s even-handed, disturbing film, is that the laws are often so broadly defined that the same registry is used for serial predators as for teenagers sexting. Further, despite popular and legal opinion that tough punishments are necessary because of high rates of recidivism, these are not based on scientific fact; studies instead demonstrate that recidivism rates are remarkably low, and that existing restrictive laws do not make any noticeable difference. Feige profiles several individuals caught up in the system, including habitual pedophiles and individuals who made a mistake or were convicted on technicalities, as well as victims and families of victims who have been part of lobbying efforts to punish those who would hurt those who prey on children. While in no way condoning the abuse of children, the film asks tough questions about a one-size-fits-all system of punishment and society’s blinders when it comes to fact-checking common-sense conclusions not borne out by science.

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In Theatres: WHO WILL WRITE OUR HISTORY

Coming to theatres tomorrow, Friday, January 18:
WHO WILL WRITE OUR HISTORY

Director:
Roberta Grossman

Premiere:
San Francisco Jewish 2018

Select Festivals:
Rome, Heartland, Jewish fests in New York, Jerusalem, Miami, San Diego, Atlanta, Rutgers, and Wilmington

About:
The hidden history of a secret archive created by Jews within the Warsaw Ghetto.

Recognizing the dangerous times in which they lived, a clandestine group of scholars, journalists, and community leaders set out to document Jewish lives in the Warsaw Ghetto and to collect their history so that it was not written for them by the Nazi propaganda machine. Adhering to strict protocols of secrecy, only three members of the group, known as Oyneg Shabes, knew the underground location of the archive. Remarkably, one of these survived the war, allowing two of the three caches to be uncovered. Grossman’s film reveals the story behind what has become known as the Ringelblum Archive, named after Emanuel Ringelblum, the historian who spearheaded the dangerous mission. In addition to using rare archival footage, the film incorporates re-enactments and narration culled from historical documents. While the narrations are largely successful, the dramatized scenes are unnecessary and lend an old-fashioned air to what is otherwise a compelling work of nonfiction history.

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In Theatres: THE HEAT: A KITCHEN (R)EVOLUTION

Coming to theatres tomorrow, Friday, January 18:
THE HEAT: A KITCHEN (R)EVOLUTION

Director:
Maya Gallus

Premiere:
Hot Docs 2018

Select Festivals:
DOC NYC, Traverse City, San Sebastian, Hot Springs Doc, Edmonton

About:
A portrait of female chefs who have faced the boy’s club of the restaurant industry.

The film screened as part of DOC NYC, for which our program notes read:
A woman’s place is in the kitchen… or is it? Men still far outnumber women in the kitchens of restaurants worldwide. Director Maya Gallus profiles seven female chefs who have talent and passion, but have been subjected to shocking sexism as they fought for their careers. A no-holds-barred look into the kitchens of some top North American restaurants, her film exposes the often-toxic boys’ club pervasive in the restaurant industry as it answers the question: Can women chefs really take the heat?

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On DVD: UNFINISHED PLAN: THE PATH OF ALAIN JOHANNES

New to DVD this week:
UNFINISHED PLAN: THE PATH OF ALAIN JOHANNES

Director:
Rodolfo Gárate

Premiere:
In-Edit Chile 2016

Select Festivals:
Guadalajara

About:
A portrait of a respected but largely under-appreciated musician and how he has coped with great loss.

Alain Johannes has collaborated with heavier hitters in the music world since the early 1990s, most notably Soundgarden, but his own ventures have seen more modest successes, never cracking through into the mainstream. His longest lasting endeavor, Eleven, was in collaboration with his soulmate Natasha Shneider. Gárate’s workmanlike film traces Alain’s musical career, with particular emphasis on his work with Natasha until her sudden and unexpected death from cancer in 2005, and on Alain’s hard time dealing with her loss, finally exorcised in some small way through new music he creates in her memory. Alain also connects with his long-absent father, a musician in Chile, returns to Chile after four decades, and plays for his fanbase there – but then must contend with the deaths of his mother and his newly rediscovered father within weeks of one another. While this project will resonate with die-hard music fans, it’s doesn’t particularly work those who do not already know Johannes. Gárate spends far too much time spotlighting Johannes’ music, treating him like he’s a household name, rather than highlighting the emotional elements of his story that would engender more universal connection.

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On DVD/VOD: OLANCHO

New to DVD/VOD this week:
OLANCHO

Directors:
Chris Valdes and Ted Griswold

Premiere:
Big Sky Doc 2017

Select Festivals:
New Orleans, Rotterdam, DocsMX, SF Docfest, Viennale, In-Edit, Brooklyn, Latino fests in Chicago, Philadelphia, Boston, and Toulouse

About:
A portrait of a Honduran farmer turned narco-corridos musician.

In Olancho, known as the most dangerous state in Honduras, the band Los Plebes de Olancho sing narco-corridos, folk songs valorizing their drug lord sponsors. When one of their songs ends up offending a dangerous cartel, band member Manuel, a farmer, fearing violence, is forced to flee to the US as an undocumented refugee, separated from his family, homeland, and band. Valdes and Griswold compose an intimate, if humble, profile – one that explores a not-atypical story of so-called illegal immigration motivated by cartel violence and lack of security.

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