Category Archives: Releases

On TV: GYPSY’S REVENGE

Coming to Investigation Discovery tomorrow, Tuesday, November 6:
GYPSY’S REVENGE

Director:
Jesse Vile

Premiere:
Investigation Discovery (November 2018)

About:
Another look at the disturbing case of Dee Dee and Gypsy Rose Blanchard.

For viewers who have not already seen HBO’s 2017 documentary MOMMY DEAD AND DEAREST, this is the latest revisitation of the shocking story covered there. To sum up the case without revealing its central twist, Dee Dee was the mother of Gypsy Rose, known to family and friends as a close-knit pair, with the former serving as a full-time caregiver to her mentally and physically disabled daughter. After a Facebook post announces Dee Dee’s death, everything is upended, and disturbing revelations follow in quick succession about both of the Blanchards. With access not only to Gypsy, but to her father, other family members, and friends, Vile constructs a compelling retelling, while also introducing some intriguing new information that to some extent helps justify another film on the topic.

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On VOD: MOMENTUM GENERATION

Coming to VOD today, Monday, November 5:
MOMENTUM GENERATION

Directors:
Jeff Zimbalist and Michael Zimbalist

Premiere:
Tribeca 2018

Select Festivals:
Hawaii, Martha’s Vineyard, Hot Springs Doc, Sidewalk, Aspen

About:
The behind-the-scenes story of a close-knit group of surfing legends.

In the late 1980s and early 1990s, a group of teenage surfers lived together in the North Shore of Oahu, near the legendary Pipeline. Before too long, their number – including Kelly Slater, Rob Machado, Kalani Robb, Taylor Steele, and others – would become synonymous with the sport. Providing access to a lifetime’s worth of personal archives, these iconic athletes share their story of friendship-fueled competitiveness that put them all on the world map. While at times tending to get lost in anecdotes and insider stories, the film successfully captures the group’s youthful optimism and closeness.

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On TV: DAWNLAND

Coming to PBS’s Independent Lens tonight, Monday, November 5:
DAWNLAND

Directors:
Adam Mazo and Ben Pender-Cudlip

Premiere:
Cleveland 2018

Select Festivals:
IFF Boston, Seattle, New Haven Docs, Provincetown, Woods Hole, Camden, Vancouver, Bend

About:
Maine sets up a truth and reconciliation commission to address systemic crimes against its Native American population.

In 2012, inspired by the idea of restorative justice demonstrated in South Africa after apartheid, the state of Maine formed a truth and reconciliation commission, an opportunity for victims of injustice to share their stories with the perpetrators. In this specific case, the commission was designed to reckon with the historical treatment of Native Americans, including the forced removal of Native children from their families and placement in foster homes, efforts to assimilate them within white American society. Though some are hesitant to use the terms, the result was cultural genocide, with families fractured, children losing language and tradition, and, in some case, their innocence, as some suffered from physical and sexual abuse during the process. Mazo and Pender-Cudlip detail the harrowing process of the commission as indigenous people find the courage to tell their stories, while also exploring the conflicts that arise among its different stakeholders. While the former is far more affecting than the latter, which at times overburdens the film, both elements are stark reminders of the damage done, not only by overt racism, but by even seemingly well-intentioned actions informed by white privilege.

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In Theatres & On VOD: DAUGHTERS OF THE SEXUAL REVOLUTION: THE UNTOLD STORY OF THE DALLAS COWBOYS CHEERLEADERS

Coming to theatres and to VOD today, Friday, November 2:
DAUGHTERS OF THE SEXUAL REVOLUTION: THE UNTOLD STORY OF THE DALLAS COWBOYS CHEERLEADERS

Director:
Dana Adam Shapiro

Premiere:
SXSW 2018

Select Festivals:
Nantucket, USA, Tallgrass, Sarasota, Lighthouse

About:
An insider’s look at the legendary cheerleading squad.

I previously wrote about the doc for Nantucket’s program, saying:
This 2018 SXSW Special Jury Award-winning film is an entertaining and intriguing look at the iconic Dallas Cowboys Cheerleaders. Dana Adam Shapiro explores the squad’s history and cultural impact in relation to America’s shifting views of women’s roles and sexual freedom in the 1970s. Former squad members—and, most notably, their outspoken, fiercely protective den mother, Suzanne Mitchell—offer unique perspective and explain how the cheerleaders balanced wholesomeness with empowered sexuality to become a pop-culture phenomenon, all while contending with sexism behind the scenes.

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In Theatres: IN SEARCH OF GREATNESS

Coming to theatres today, Friday, November 2:
IN SEARCH OF GREATNESS

Director:
Gabe Polsky

Premiere:
Chicago 2018

About:
An exploration of the qualities that lead to athletic excellence.

Polsky’s film hinges on an intriguing idea – what insight do some of the world’s most iconic athletes have about what made them so good that they have become synonymous with their sport? To that end, he has gathered hockey’s Wayne Gretzky, football’s Jerry Rice, and soccer’s Pelé for in-depth interviews, together with some fairly tangential archival on folks like Venus and Serena Williams (perhaps to offset the very male focus of the film) and commentary from experts. These icons do offer some serious food for thought – chiefly the rejection of the notion that they are necessarily physically exceptional or that an outrageous amount of regimented practice led to their stardom, instead touting the importance of creativity, flexibility, and passion. The film itself is incredibly conventional, however, consisting primarily of talking heads, and an eye-catching titles sequence aside, fails to take full advantage of the dynamism made possible by its subjects’ long and well-documented careers.

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In Theatres: THE PRICE OF FREE

Coming to theatres today, Friday, November 2:
THE PRICE OF FREE

Director:
Derek Doneen

Premiere:
Sundance 2018 (under original title KAILASH)

Select Festivals:
CPH:DOX, Napa Valley, Sundance Hong Kong, El Gouna, Aspen

About:
A profile of one man’s tireless mission to end child slavery.

I profiled the doc before Sundance here.

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In Theatres: SEARCHING FOR INGMAR BERGMAN

Coming to theatres tomorrow, Friday, November 2:
SEARCHING FOR INGMAR BERGMAN

Director:
Margarethe von Trotta

Premiere:
Cannes 2018

Select Festivals:
Toronto, New York, Karlovy Vary, Hong Kong, Reykjavik

About:
An appreciation of the legendary Swedish filmmaker.

Margarethe von Trotta opens her film – one of two docs on Bergman that premiered at Cannes this past May – with a very personal motivation for taking on the master: Seeing THE SEVENTH SEAL inspired her to become a filmmaker herself. She later happily reveals that Bergman publicly named one of her classic films as one of his all-time favorites. While this might predispose her to construct a strict hagiography, she doesn’t shy away from the darker elements of the director’s personal and professional history. In addition to sharing her own thoughts on some of Bergman’s key films, von Trotta seeks out the views of other filmmakers, including Olivier Assayas and Ruben Östlund, perhaps to help contemporary audiences understand his influence. More interesting – and revealing – are the perspectives of those who worked directly with Bergman, including Liv Ullman, or his offspring, represented here by son Daniel. While hardly comprehensive, and frankly somewhat unfocused, von Trotta’s tribute offers an acceptable sampler to encourage audiences to seek out more of the director’s work.

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In Theatres & On VOD: THEY’LL LOVE ME WHEN I’M DEAD

Coming to theatres and to Netflix tomorrow, Friday, November 2:
THEY’LL LOVE ME WHEN I’M DEAD

Director:
Morgan Neville

Premiere:
Venice 2018

Select Festivals:
Telluride, Camden, New York, Hamptons, London, Chicago

About:
The story behind Orson Welles’ unfinished (until recently) would-be magnum opus, THE OTHER SIDE OF THE WIND.

Neville’s film is not concerned with the posthumous completion of Welles’ film enabled by Netflix, though it of course functions as a fascinating companion. In many ways, this playful documentary is more expansive in its scope than simply considering WIND, taking on Welles’ later years as a whole, and offering insight into the by-then faded auteur’s idiosyncratic creative process. While Neville’s choice to frame the proceedings with a strange Alan Cumming sequence is a misstep, the core of the project is fascinating, utilizing footage from WIND as well as other Welles’ films and filmed appearances, supplemented by a chorus of voiceover commentary, to explore the director’s frustrated, stop-and-start attempts at pulling together his comeback film, a meta-commentary on filmmaking starring John Huston as a barely-disguised Wellesian doppelgänger, despite Welles’ statements to the contrary. Neville’s interview subjects don’t always agree, but they present the viewer with much food for thought about the troubled production, Welles’ challenges with financing, and an undercurrent of betrayal both in the meta aspects within his unfinished film and within its own creation – by Welles and by others.

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In Theatres: DISTANT CONSTELLATION

Coming to theatres tomorrow, Friday, November 2:
DISTANT CONSTELLATION

Director:
Shevaun Mizrahi

Premiere:
Locarno 2017

Select Festivals:
IDFA, True/False, Docpoint, DOK.fest Munich, RIDM, Jeonju, DOXA, EDOC, Beldocs, Docaviv, Goteborg, One World, London, Reykjavik, Vienna, Sarasota, BAMcinemaFest, Melbourne, Dokufest, Message to Man, Flahertiana, DocsMX

About:
A meditative film set in a Turkish retirement home.

In this beautifully photographed, almost dream-like film, Mizrahi turns her camera on several residents of a Turkish retirement home. These vignettes offer a range of stories – sad to sweet, humorous to solemn – but, delivered by these aged figures, they speak to a search for meaning when faced with the end of life. As a counterpoint, scenes from the construction sites around the home play out occasionally, offering a look at would-be progress and future plans, enacted by young laborers. Full of indelible images and often equally unforgettable subjects, Mizrahi has crafted a thoughtful, haunting, and singular project.

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On VOD: ZERO WEEKS

Coming to VOD this Friday, November 2:
ZERO WEEKS

Director:
Ky Dickens

Premiere:
Camden 2017

Select Festivals:
DOC NYC, Portland, Chicago Feminist, Green Mountain, Cleveland, Nashville

About:
An exploration of the essential need for paid family leave.

I previously wrote about the film for DOC NYC’s program, saying:
In most countries, workers are given several weeks of paid leave and job security should they need time off to care for a newborn or a sick relative or to tend to a personal health emergency. Only two nations offer exactly zero weeks: Papua New Guinea and the United States, where individuals are often forced to choose between keeping their job or taking care of their family or health. Through powerful human stories, director Ky Dickens demonstrates the urgent need to address this vital issue.

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