Category Archives: Releases

On DVD: ARCHITECTS OF DENIAL

Coming to DVD tomorrow, Tuesday, December 12:
ARCHITECTS OF DENIAL

Director:
David Lee George

Premiere:
October 2017 (limited theatrical/VOD)

About:
A revisitation of the 1915 Armenian genocide and the legacy of its official denial over the past century.

An earnest if poorly executed project, George’s film aims to be a forceful call to action insisting on the official acknowledgement that the Ottoman Empire committed a genocidal act on more than a million Armenians in 1915. Turkey and its allies, including the US, have consistently refused to acknowledge the genocide, despite the existence of evidence both contemporaneously and that uncovered in more recent years, as well as the use of the term by the Pope and a growing number of other high profile individuals. This project assembles a parade of talking heads – most strangely and uncritically including Julian Assange – to review the historical record and to spin a conspiratorial view of Turkish influence on the US, an alarmist tale of impending violence in the region as a result, ill-thought-out guerrilla ambushes of politicians about their denialism, and attempts to draw direct lines between the Armenian genocide to the Nazi’s Final Solution and other examples of genocide over the past 100 years, all set to an incessant, irritating score and with the over-use of intertitles that make this feel like an amateur film. While there’s obviously merit to the idea that the genocide should be finally officially acknowledged, this clunky polemic is ill-suited to have much impact.

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On TV: HAPPENING: A CLEAN ENERGY REVOLUTION

Coming to HBO tonight, Monday, December 11:
HAPPENING: A CLEAN ENERGY REVOLUTION

Director:
James Redford

Premiere:
Mill Valley 2017

Select Festivals:
DOC NYC, Woodstock

About:
A hands-on exploration of current efforts to use renewable energy sources.

Is it possible for America to meet its energy needs via renewable sources, or is our country fated to remain addicted to fossil fuels? Director James Redford sets out on a far-ranging quest to get a sense of what our progress is today for a sustainable tomorrow. Checking in with a diverse range of stakeholders, representing federal, corporate, entrepreneurial, and community efforts, the affable filmmaker offers an informative and hopeful look at the clean energy revolution already taking place.

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In Theatres: I AM EVIDENCE

Coming to theatres today, Friday, December 8:
I AM EVIDENCE

Directors:
Trish Adlesic and Geeta Gandbhir

Premiere:
Tribeca 2017

Select Festivals:
Nantucket, Traverse City, AFI Docs, Provincetown, Hawaii, St Louis, UN Association, Globe Docs, Hamptons, Milwaukee,

About:
An alarming look at institutional failures in prosecuting sexual assault cases.

I previously wrote about the doc for Nantucket’s program, saying:
Produced by Mariska Hargitay (LAW AND ORDER: SVU), this eye-opening documentary investigates the alarming backlog of untested evidence kits that have denied justice to sexual assault survivors. Giving voice to four courageous women whose kits went untested for years, Trish Adlesic and Geeta Gandbhir’s film reveals deep-seated problems with the US criminal justice system that have resulted in perpetrators failing to be held accountable for their heinous crimes, and survivors being left in limbo.

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In Theatres: ARTHUR MILLER: WRITER

Coming to theatres tomorrow, Friday, December 8:
ARTHUR MILLER: WRITER

Director:
Rebecca Miller

Premiere:
Telluride 2017

Select Festivals:
New York Film Festival, Woodstock

About:
An intimate portrait of the filmmaker’s famed playwright father.

Assembled from interviews shot by the filmmaker over the past 25 years of Arthur Miller’s life, as well as copious archival footage, Rebecca Miller’s film provides an insightful exploration of the playwright’s life and work. Though undeniably a personal project, the doc avoids blatant hagiography to consider not only Miller’s many achievements, such as DEATH OF A SALESMAN and THE CRUCIBLE, but also his later, critically-dismissed work. Filming her father casually, around his woodworking shop, Miller provides the expected biographical background, including his various relationships, with special attention paid to his romance with Marilyn Monroe, as well as his reactions to the Red Scare. At the same time, the filmmaker makes skillful use of her intimate connection with her subject to reflect on larger questions of success and failure, celebrity, and the impact of art on society.

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In Theatres: QUEST

Coming to theatres tomorrow, Friday, December 8:
QUEST

Director:
Jonathan Olshefski

Premiere:
Sundance 2017

Select Festivals:
Nantucket, True/False, New Directors/New Films, Cleveland, RiverRun, Nashville, Ashland, Hot Docs, Dallas, DOXA,

About:
A longitudinal portrait of an African-American family in North Philly.

I profiled the doc before Sundance here.

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In Theatres: MANSFIELD 66/67

Coming to Brooklyn’s Spectacle Theater this weekend, Friday, December 8 through Sunday, December 10:
MANSFIELD 66/67

Directors:
P David Ebersole and Todd Hughes

Premiere:
Rotterdam 2017

Select Festivals:
BAFICI, Docs Against Gravity, Provincetown, Sitges, Gent, Am Docs, Frameline, Inside Out

About:
A campy exploration of the life, death, and legend of Hollywood bombshell Jayne Mansfield.

I previously wrote about the doc here.

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On TV: 32 PILLS: MY SISTER’S SUICIDE

Coming to HBO this Thursday, December 7:
32 PILLS: MY SISTER’S SUICIDE

Director:
Hope Litoff

Premiere:
Hot Docs 2017

Select Festivals:
AFI Docs, Provincetown, Biografilm, San Francisco Jewish, Woodstock, Denver, Cork, Rocky Mountain Women’s, Boston Jewish

About:
A filmmaker confronts her grief over the loss of her sister.

I previously wrote about the doc here.

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In Theatres: BILL FRISELL, A PORTRAIT

Coming to theatres tomorrow, Wednesday, December 6:
BILL FRISELL, A PORTRAIT

Director:
Emma Franz

Premiere:
SXSW 2017

Select Festivals:
DOC NYC, Seattle, Nashville, Biografilm, New Zealand, Mill Valley

About:
A portrait of the acclaimed musician.

The film screened as part of DOC NYC, for which our program notes read:
Bill Frisell is a widely inventive guitarist who crosses musical boundaries. This intimate character portrait “shows a self-deprecating master whose hands seem to float while shaping sonic lines and fields that always surprise with their weird clarity” (Georgia Straight). The eclectic list of musicians in the film includes Bonnie Raitt, Hal Willner, Paul Simon, Nels Cline, John Zorn, and Jack DeJohnette, who treat the audience to generous helpings of music that will be richly satisfying to Frisell’s admirers.

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On DVD: LIVING ON SOUL

Coming to DVD today, Tuesday, December 5:
LIVING ON SOUL

Directors:
Jeff Broadway and Cory Bailey

Premiere:
Los Angeles Film Festival 2017

Select Festivals:
IDFA, Philadelphia

About:
Musicians affiliated with Daptone Records headline the Apollo Theater for a three-night concert series.

Broadway and Bailey’s concert film showcases performance that were part of the December 2014 event, which included the late Sharon Jones and Charles Bradley, as well as several other talented musicians – though unless the audience is well-versed in music, they likely will not recognize most of the other performers involved, which include Antibalas, Naomi Shelton, and the Como Mamas. The filmmakers successfully capture the energy of the performances, which make up the bulk of the film, but falter when it comes to providing enough background or behind the scenes footage to invest the viewer in the lesser known lights on camera vs the two headliners who have already had full-length films made about them – Jones in MISS SHARON JONES! and Bradley in CHARLES BRADLEY: SOUL OF AMERICA.

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On DVD: KARL MARX CITY

Coming to DVD today, Tuesday, December 5:
KARL MARX CITY

Directors:
Petra Epperlein and Michael Tucker

Premiere:
Toronto 2016

Select Festivals:
New York, Chicago, Stockholm, Palm Springs, Guadalajara, CPH:DOX, Movies That Matter, Indielisboa, Docaviv, Durban

About:
A personal exploration of the legacy of the East German surveillance state.

The setting of this well-observed essay film is the city of Chemnitz, renamed Karl-Marx-Stadt during the decades of the GDR, and director Epperlein’s hometown. After the fall of the Berlin Wall in 1989, the filmmaker moved to the states. Ten years later, her father committed suicide, perhaps as a response to threatening anonymous letters he received. Faced with the possibility that her father might have somehow been involved in the deep-rooted web of surveillance and informants controlled by the Stasi, the East German state security system, Epperlein begins an investigation, and, perhaps, a hoped-for exoneration. In addition to interviewing family members about her father, the filmmaker visits the Stasi archive, and, most strikingly, makes extensive use of surveillance footage the Stasi or their informants shot – banal in its content, but panoptic evidence of their oppressive control of society. Adopting the austere look of these quotidian recordings and the paranoid feel of of an espionage thriller, the film proves compellingly disturbing and surprisingly topical, despite its Cold War setting.

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