Category Archives: Releases

On VOD: THE SPECIAL NEED

special needNow on VOD via Microsoft:
THE SPECIAL NEED

Director:
Carlo Zoratti

Premiere:
Locarno 2013

Select Festivals:
SXSW, Hamptons, Dallas, DOK Leipzig, ZagrebDox, CPH:DOX, IDFA, Ambulante, Thessaloniki Doc, Planete+ Doc, DOXA

About:
Two friends set out on a road trip to help their developmentally challenged friend lose his virginity.

Enea is a 29-year-old Italian man on the autism spectrum. Despite a healthy curiosity about sex and a boldness that sees him freely approaching women on the street, he’s not yet been able to locate the fashion model woman of his fantasies. Enter friends Alex and Carlo – the latter the film’s director. After failing to find a willing participant, they decide to hit the road on a quest through Europe to find a legal and safe way to allow Enea to meet this rite of passage. Employing some unacknowledged, yet clearly staged scenes, the crowdpleasing film is a low-level hybrid of sorts, but largely maintains a casual, observational style, enabled by the warm rapport between the three principals.

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On TV: PRIVATE VIOLENCE

private violenceComing to the WORLD Channel’s Reel South this Sunday, February 19:
PRIVATE VIOLENCE

Director:
Cynthia Hill

Premiere:
Sundance 2014

Select Festivals:
True/False, New Orleans, Full Frame, Dallas, Hot Docs, Heartland, Seattle, Human Rights Watch, DOXA

About:
A courageous look at the consequences of domestic violence.

I profiled the doc before Sundance here.

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On VOD: ART BASTARD

art bastardComing to VOD via Amazon Instant Video today, Friday, February 17:
ART BASTARD

Director:
Victor Kanefsky

Premiere:
Orlando 2015

Select Festivals:
Newport Beach, Manchester, Santa Fe, Julien Dubuque

About:
A portrait of a frustrated, underappreciated artist who considers himself the Anti-Warhol.

I previously wrote about the doc here.

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On VOD: THE MAN WHOSE MIND EXPLODED

the_man_whose_mind__421204aNow on VOD via iTunes:
THE MAN WHOSE MIND EXPLODED

Director:
Toby Amies

Premiere:
Sheffield 2013

Select Festivals:
East End, BFI Flare, Brighton, Cambridge, Cork, Revelation

About:
The filmmaker befriends an eccentric gay man who has lost the ability to retain his memory.

Drako Zarharzar is an affable, rotund gay man with a ridiculous, Daliesque moustache, tattoos, and piercings, who is prone to public nudity and always surprised by the filmmaker showing up to interview him, given his memory issues. He has crammed his apartment with all sorts of pornography, creating a floor-to-ceiling mural of penises, remembers some memories at times, and likes to play with his nipples – he has cut holes in his shirt to give him easy access. While Amies’ film is framed by Drako’s apartment being cleaned out after his death, its focus is the relationship between the filmmaker and his subject over the preceding four years. This includes an awkward meeting with Drako’s sister and the recounting of the accident that eventually cost him his memory – but mostly it’s about their friendship, and the challenges his memory posed to making connections with people. Drako is an intriguing subject, but the film, though at times poignant and generally suprisingly upbeat, fails to make the most of his uniqueness, instead emphasizing the same points over and over again. While this may perhaps be intended as an echo of the repetitive experiences Drako goes through due to his anterograde amnesia, it grows somewhat tiresome before too long.

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On VOD: SONITA

sonitaOn VOD this week:
SONITA

Director:
Rokhsareh Ghaem Maghami

Premiere:
IDFA 2015

Select Festivals:
Sundance, Nantucket, Cleveland, True/False, Montclair, Sydney, AFI Docs, Human Rights Watch

About:
An Afghani teenager dreams of success in hip-hop.

I profiled the doc before Sundance here.

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On VOD: FIRE AT SEA

fire at seaOn VOD this week:
FIRE AT SEA

Director:
Gianfranco Rosi

Premiere:
Berlin 2016

Select Festivals:
DOC NYC, Toronto, Telluride, New York, DocAviv, Sydney, Melbourne, It’s All True, Moscow, Karlovy Vary, New Zealand, Reykjavik

Notable Recognition:
The doc has been nominated for the Academy Awards.

About:
An intimate portrait of Lampedusa, an island at the heart of Europe’s migration crisis.

I previously wrote about the doc here.

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On VOD: MARINONI: THE FIRE IN THE FRAME

marinoniComing to VOD via iTunes today, Tuesday, February 14:
MARINONI: THE FIRE IN THE FRAME

Director:
Tony Girardin

Premiere:
Hot Docs 2014

Select Festivals:
Global Visions

About:
A portrait of a curmudgeonly racing bike manufacturer.

I previously wrote about the doc here.

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On DVD: THE BAD KIDS

bad kidsComing to DVD today, Tuesday, February 14:
THE BAD KIDS

Directors:
Keith Fulton and Lou Pepe

Premiere:
Sundance 2016

Select Festivals:
True/False, Cleveland, Full Frame, Dallas, Visions du Réel, Hot Docs, DocAviv, and Atlantic

About:
A coming-of-age story set in a high school for at-risk students.

My pre-Sundance profile of the doc may be found here.

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On VOD: NATIONAL BIRD

national birdComing to VOD this Friday, February 17:
NATIONAL BIRD

Director:
Sonia Kennebeck

Premiere:
Berlin 2016

Select Festivals:
Tribeca, San Francisco, Sheffield, Sydney, Melbourne, Camden, Hamburg, Zurich

About:
A profile of several whistleblowers who have spoken out against the US drone program.

I previously wrote about the doc here.

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On TV: A NEW COLOR: THE ART OF BEING EDYTHE BOONE

a-new-color-the-art-of-being-edythe-boone-fbComing to PBS’s America ReFramed tonight, Tuesday, February 14:
A NEW COLOR: THE ART OF BEING EDYTHE BOONE

Director:
Marlene “Mo” Morris

Premiere:
Mill Valley 2015

Select Festivals:
Pan African, Sebastopol Doc, Through Women’s Eyes, Oakland, IFF Boston, SF Jewish, Harlem, Sarasota, San Diego and Nashville Black film festivals

About:
A portrait of an African-American mural artist and activist.

Morris follows Edythe Boone, better known as Edy, over the course of three years, telling the septuagenarian’s story and showcasing her efforts to foster art – and social activism – among diverse communities in the San Francisco Bay Area, her home since relocating her family from Harlem to escape the crack epidemic. As Edy is shown working with children on art projects, she reveals her background, which includes an early upbringing by an Orthodox Jewish family, and contributions to local murals focused on African-American, women, and HIV/AIDS issues, and, to a broader extent, to public art which helps uplift disadvantaged communities. Edy is an appealing, positive subject, but Morris’ storytelling is unfortunately erratic, pingponging between two many themes and too-awkwardly shoehorning a consideration of Black Lives Matters. While Edy’s nephew, Eric Garner, was a victim of excessive police force, the film’s attempt to address this feels too separate from the rest of the project and not sufficiently developed, making it an ill fit for what is otherwise a likeable, if smaller, profile of the inspirational power of art.

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