Category Archives: Releases

On TV: THE RACE UNDERGROUND

race undergroundComing to PBS’s American Experience tonight, Tuesday, January 31:
THE RACE UNDERGROUND

Director:
Michael Rossi

Premiere:
American Experience (January 2017)

About:
The story of America’s first subway.

On September 1, 1897, the first passengers descended into the Earth, taking a ride on the country’s first subway line, in Boston MA. All told, 250,000 individuals braved the new technology that day, despite a long build-up of fears of gas explosions, superstitions of traveling close to the netherworld, and political obstacles that called into question whether the engineering project would ever be completed. Rossi reveals the origins of the MBTA and its architects, and if he employs the conventional PBS house style, dominated by narration and talking heads, the project nevertheless offers an illuminating look back at the dawn of this vital part of America’s public transport infrastructure. While the title suggests a competition between Boston and other cities, notably New York City, to achieve a subway system, Rossi’s film is almost exclusively concerned with the challenges faced by the former in pulling off their subway and barely makes mention of NYC’s own efforts – the latter did not open until 1904. At the core of Rossi’s film, which is based on urban historian Doug Most’s book by the same name, is Frank Sprague, a young inventor who revolutionized mass transportation with his electric motor-powered trolley cars. A largely unheralded figure in the shadow of the legendary Thomas Edison, who eventually bought his patents and slapped his name on them, Sprague persevered, with the support of real estate mogul Henry Whitney, despite a huge public fight over disturbing the Boston Common.

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On VOD: MIRIAM: HOME DELIVERY

MIRIAMHOMEDELIVERY-KEYNew to VOD on iTunes today, Tuesday, January 31:
MIRIAM: HOME DELIVERY

Director:
Juliet Jordan

Premiere:
DOC NYC 2015

Select Festivals:
Ambulante

About:
A portrait of a modern-day midwife.

I previously wrote about the film for DOC NYC’s program, saying:
Juliet Jordan offers an inside look at what some consider to be the world’s second-oldest profession: midwifery. As a homebirth midwife, Miriam performs a service once commonplace, but now increasingly rare as the process of childbirth firmly moved to a hospital setting. The filmmaker immerses viewers in Miriam’s mission, driving along with her across NYC as she assists expectant mothers, from her clients among the Orthodox Jewish community to the dramatic home birth that falls during the Hurricane Sandy blackout.

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In Theatres: OKLAHOMA CITY

oklahoma cityComing to theatres this Friday, February 3:
OKLAHOMA CITY

Director:
Barak Goodman

Premiere:
Sundance 2017

About:
A look back at the events which led to the 1995 terrorist bombing of the Oklahoma City Federal Building.

My pre-Sundance profile of the doc may be found here.

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On VOD: LOVE CRIMES OF KABUL

love_crimes_in_kabul_2.470x264New to VOD at iTunes today, Monday, January 30:
LOVE CRIMES OF KABUL

Director:
Tanaz Eshaghian

Premiere:
Hot Docs 2011

Select Festivals:
Jerusalem, Human Rights Watch, Noor, Movies That Matter

About:
A inside look at an Afghan prison for moral crimes.

I previously wrote about the doc here.

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On VOD: GIMME DANGER

gimme dangerComing to VOD tomorrow, Tuesday, January 31:
GIMME DANGER

Director:
Jim Jarmusch

Premiere:
Cannes 2016

Select Festivals:
Toronto, New York, Vancouver, Austin, New Zealand, Sydney, Melbourne, Sarajevo, Helsinki, Mill Valley, Rio, Adelaide, Woodstock, Leeds

About:
An appreciation for the influential band The Stooges.

I previously wrote about the doc here.

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On DVD: DANNY SAYS

danny saysComing to DVD tomorrow, Tuesday, January 31:
DANNY SAYS

Director:
Brendan Toller

Premiere:
SXSW 2015

Select Festivals:
London, San Francisco Jewish, Provincetown, Sound + Vision, Big Sky, Montclair, Melbourne, CPH:DOX, Athens

About:
A portrait of an unsung music world impresario.

I previously wrote about the doc here.

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On TV: SEVEN SONGS FOR A LONG LIFE

seven songsComing to PBS’s POV tonight, Monday, January 31:
SEVEN SONGS FOR A LONG LIFE

Director:
Amy Hardie

Premiere:
Scotland (October 2015)

Select Festivals:
SXSW, Margaret Mead, Aspen, DOXA, GlobeDocs, Guth Gafa, EBS, Documentary Edge, DocPoint

About:
Hospice patients confront mortality through music.

Set in Strathcarron Hospice in Scotland, Hardie’s film follows nurse Mandy Malcomson, whose love of singing has encouraged a music therapy program for the residents, and six of her charges. Not a musical in a strict sense, the doc instead intermittently weaves in a number of songs, supplementing both observational and interview-based footage of the institution, its patients, and their caregivers. Some songs are performed impromptu by patients, like the Sinatra crooning Tosh and amateur opera singer Dorene, while others are more elaborate, produced in a music-video style, such as nurse Mandy and patient Nicola’s poignant duet of REM’s “Everybody Hurts.” Hardie wisely shows restraint here, preventing the proceedings from becoming either too twee or too dour, and ultimately focuses on the powerful impact this community support has on dealing with the complex reality of terminal illness and mortality.

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On VOD: TALES FROM THE ORGAN TRADE

movie-tales-from-the-organ-trade-by-ric-esther-bienstock-s2-mask9New to VOD on Vudu today, Thursday, January 19:
TALES FROM THE ORGAN TRADE

Director:
Ric Esther Bienstock

Premiere:
Documentary Edge 2013

Select Festivals:
Hot Docs, London, Margaret Mead, Dockufest, Hot Springs, Zurich, Bergen, Fantastic Fest

About:
An exposé of the human organ black market.

I previously wrote about the doc here.

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On TV: THE STATE OF EUGENICS

state of eugenicsComing to PBS’s Reel South series next Sunday, January 29:
THE STATE OF EUGENICS

Director:
Dawn Sinclair Shapiro

Premiere:
Columbia Law School screening (November 2016)

About:
An investigation into North Carolina’s four-decade-long modern eugenics program.

Between 1933 and 1974, the state of North Carolina sterilized an estimated 7600 residents without their consent – but legally. Like the majority of the US, NC had adopted eugenics laws prior to World War II, convinced that the dodgy science would help maintain the strength of genetically superior Americans. Targeting those deemed “undesirable” – poor, disabled, feeble-minded, or promiscuous – these laws introduced compulsory sterilization, and in more extreme cases, euthanasia. Class, race, and gender played into these programs, affecting poor white and black residents alike, with NC among the most aggressive of states enforcing the practice until an ACLU lawsuit brought led to reforms. The public had long forgotten this dark chapter of the state’s past until the Winston-Salem Journal revisited the law’s impact in a series of articles in 2002. While fairly conventional in its approach, Shapiro’s film attempts to broaden the story further, giving voice to survivors of the practice, researchers and journalists who exposed it, and lawmakers who have championed reparations to in some small part make up for the abuses of the system.

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In Theatres: BEHEMOTH

behemoths_stillComing to theatres next Friday, January 27:
BEHEMOTH

Director:
Zhao Liang

Premiere:
Venice 2015

Select Festivals:
IDFA, New Directors/New Films, Dubai, True/False, DocAviv, Moscow, Sheffield, Melbourne, Stockholm, Hong Kong, Istanbul

About:
A poetic meditation on the environmental impact of China’s rapid economic development.

Taking a more experimental approach than his past work, the social issue documentarian exposes the ecological and human costs of industry through unsettling tableaux of destroyed landscapes set to Dante’s THE DIVINE COMEDY. Using visually impactful images of the stark borders between verdant fields and neighboring desolation, the filmmaker demonstrates the devastation wrought by dangerous coal mining practices. Occasionally, he inserts naked figures within these hellscapes, but these unnecessary stylistic flourishes carry far less weight than images of miners and their families suffering from their toxic work. While its attempt to merge nonfiction with video art is not always successful, the film’s imagery proves disturbingly memorable.

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