Category Archives: Releases

On VOD: ABOVE AND BELOW

ABOVEANDBELOW-KEYComing to VOD tomorrow, Tuesday, May 31: ABOVE AND BELOW

Nicolas Steiner’s portrait of the lives of outsiders debuted at Rotterdam last year. Its fest circuit also included DOC NYC, Hot Docs, BAFICI, Docs Against Gravity, Edinburgh, Karlovy Vary, Vancouver, CPH:DOX, DocPoint, Big Sky, and Cucalorus, among others.

I previously wrote about the doc here.

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On TV: THE LAST SEASON

Last_Season_01_webComing to PBS’s America ReFramed today, Monday, May 30: THE LAST SEASON

Sara Dosa’s portrait of a mushroom foraging clan debuted at San Francisco in 2014. Screenings followed at New Orleans, Hot Docs, Mountainfilm Telluride, Rooftop Films, Big Sky, Sebastopol Doc, United Nations Association, and the Seattle Asian American fest, among others. The film makes its television premiere in recognition of Asian Pacific American Heritage Month.

I previously wrote about the doc here.

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On TV: OF MEN AND WAR

ofmenandwarimagea_hi_res_creditmenandwarcomComing to PBS’s POV this coming Monday, May 30: OF MEN AND WAR

Laurent Bécue-Renard’s look at a PTSD treatment center for veterans made its premiere at Cannes in 2014. Its extensive fest circuit has included IDFA, Göteborg, DocPoint, Documentary Fortnight, ZagrebDox, True/False, Full Frame, Visions du Réel, Documenta Madrid, San Francisco, DOXA, Sydney, AFI Docs, Human Rights Watch, and DOK.Fest Munich, among others. POV’s screening is appropriately in conjunction with Memorial Day.

I previously wrote about the doc here.

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On DVD: NO NO: A DOCKUMENTARY

no noNew to DVD this week: NO NO: A DOCKUMENTARY

Jeffrey Radice’s look back at an infamous baseball player debuted at Sundance in 2014. The doc went on to screen at SXSW, Montclair, Dallas, Sidewalk, San Francisco, and Florida, among other fests.

My pre-Sundance profile of the film may be found here.

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In Theatres: HOLY HELL

holy hellComing to theatres tomorrow, Friday, May 27: HOLY HELL

Will Allen’s chronicle of his time in a cult made its bow at Sundance earlier this year. Screenings followed at Hot Docs, Nashville, Montclair, Minneapolis-St Paul, DocAviv, Martha’s Vineyard, and the upcoming Biografilm.

I profiled the doc before Sundance here.

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Special Screening & On VOD: LOS PUNKS: WE ARE ALL WE HAVE

los_punks_we_are_all_we_have-_h_2016Coming to NYC’s Rooftop Films tomorrow, Thursday, May 26 and to VOD this Friday, May 27: LOS PUNKS: WE ARE ALL WE HAVE

Angela Boatwright’s portrait of a music subculture made its debut at Slamdance earlier this year. Other events have included IFF Boston, San Francisco Doc, San Antonio Cine Festival, East End, and Topanga.

Displaying an anarchic edge that is both fitting for its subject matter and ultimately to its detriment, Boatwright offers a down and dirty behind the scenes look at a small but appreciated punk music scene that’s taken root among young Latino/a fans in South Central and East Los Angeles. Embracing a DIY code, these fans throw together loud backyard parties, spreading the word through social media, and enjoy themselves until the inevitable noise complaints shut things down. The filmmaker finds some intriguing characters, chief among them Nacho, a party organizer and member of the band Corrupted Youth. The problem is that she doesn’t stop with him, or even two or three other subjects who demonstrate some potential – instead Boatwright keeps introducing more and more one-offs who simply detract from the proceedings and fail to make much of an impression. While it’s understandable to some extent if the goal is to present the scope of the Latino punk scene as a whole, given the film’s very specific Los Angeles setting and distinct core audiences – punk music fans, Latinos – it would have been to the project’s benefit to offer fewer more fleshed out figures like Nacho to help the unconverted viewer have a better chance to connect with the subject matter.

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On VOD: BARGE

BARGE-KEYComing to VOD today, Tuesday, May 24: BARGE

Ben Powell’s immersive portrait of men at sea made its premiere at SXSW last year. The film also screened at DOC NYC, New Orleans, Full Frame, RiverRun, Dallas, IFF Boston, Montclair, Ashland, and Little Rock, among other events.

I previously wrote about the film for DOC NYC’s program, saying:
Intimately capturing an under-acknowledged slice of American industry, Ben Powell’s vibrantly shot film follows the voyage of a Mississippi towboat and its precious cargo to its destination in New Orleans. The hardy crew, representing a diverse microcosm of American river culture, from ambitious newcomers to seasoned sea dogs, sign on for month-long tours of duty. Misfits on land, they find purpose – and a welcome paycheck – for their part in keeping this essential industrial economic ecosystem afloat.

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In Theatres: UNLOCKING THE CAGE

unlocking the cageComing to theatres tomorrow, Wednesday, May 25: UNLOCKING THE CAGE

Chris Hegedus and DA Pennebaker’s chronicle of a crusade to recognize the legal rights of animals debuted at Sundance earlier this year. Festival berths followed at Hot Docs, Full Frame, Sarasota, Minneapolis/St Paul, Montclair, Visions du Réel, DocAviv, and the upcoming New Zealand, Melbourne, and deadCENTER.

I profiled the doc before Sundance here.

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On TV & VOD: MY LIFE IN CHINA

my-life-in-chinaComing to PBS’s America ReFramed and to VOD today, Tuesday, May 24: MY LIFE IN CHINA

Kenneth Eng’s personal look at his father’s American Dream debuted at the San Diego Asian Film Festival in 2014. Other festival appearances have included Florida, St Louis, Bahamas, and Asian/Asian American fests in Dallas, Boston, and Seattle, as well as several community screenings. Concurrent with its television broadcast, tied to Asian Pacific American Heritage Month, the film also becomes available on iTunes.

Eng’s father left China in the 1960s during the Cultural Revolution. Eventually making his way to the United States, he was unable to find opportunities commensurate with his education, and instead felt forced into service jobs. Now older, still struggling financially, and also forced into the role of caretaker for his mentally ill wife, Eng’s father feels like a failure and wonders what his life might have been like had he stayed in China after all. With his native country seeing unparalleled economic prosperity, he sets out on an exploratory visit that might augur a permanent return. While the roughly-made if earnest film that results from this premise unfortunately too often feels like a tourist video, it does succeed in bringing a real vulnerability to the elder Eng as he contemplates a lifetime of regrets.

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Special Screenings, In Theatres, & On VOD: PRESENTING PRINCESS SHAW

princess shawComing to NYC’s JCC for their CineMatters series tomorrow, Tuesday, May 24, to Stranger Than Fiction this Thursday, May 26, and to theatres and VOD this Friday, May 27: PRESENTING PRINCESS SHAW

Ido Haar’s inspirational portrait of an unusual musical collaboration debuted under its original title, THRU YOU PRINCESS, at Jerusalem last year. It went on to screen at Toronto, Miami, SXSW, True/False, Cleveland, Nashville, San Francisco, Montclair, Seattle, Tempo Doc, and Docs Against Gravity, among other events.

Under the pretense of profiling YouTube performers, Haar makes contact with Samantha, a New Orleans-based caregiver to the elderly who records online confessionals alongside original songs under the name Princess Shaw for a small number of followers, and occasionally tries to perform at open mic nights. What she doesn’t know is that her songs have attracted the attention of the renowned Kutiman, an Israeli musician who specializes in mash-ups, carefully sampling an astonishing number of publicly-available music clips and editing them into remarkable new compositions. The film follows both artists in parallel – Princess as she struggles to realize her performing dreams, Kutiman as he composes his latest song, highlighting and validating Princess’ talent – all unbeknownst to her until an unforgettable, emotional reveal that opens up the world to the likeable would-be star.

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