Category Archives: Releases

Coming to The WORLD Channel’s America ReFramed tomorrow, Tuesday, February 16: THE MOSQUE IN MORGANTOWN

Brittany Huckabee’s look at a Muslim woman’s controversial stand against her local mosque debuted at True/False in 2009. It also screened at San Francisco Asian American, where it was awarded best documentary. The film was nominated for an Emmy after its initial public television broadcast.

Morgantown is a West Virginia college town with a small but vibrant Muslim community, largely drawn from the nearby school. The Islamic Center of Morgantown doubles as their place of worship and community hub. When Asra Nomani returns from a stint in Pakistan as a journalist for the Wall Street Journal, she believes her hometown will be the best place to raise her child. After recognizing signs of intolerance among the mosque’s more conservative leaders and prejudicial treatment of women, Asra decides to take a very visible stand, drawing media attention and criticism against supposed “extremism” in the mosque, and, in the process, precipitating a schism among its members. Huckabee deftly charts the fallout, following not only Asra in her crusade, but other members of the mosque, both allies and those alienated by her tactics, to craft a provocative exploration of the tension between tradition and progressive ideas in today’s Islam with regard to gender.

Coming to Al Jazeera America this Sunday, February 14: HELP US FIND SUNTIL TRIPATHI

Neal Broffman’s exploration of a missing man’s unexpected intersection with social media made its debut at Atlanta last year, where it won the Audience Award. It went on to screen at Hot Docs, New Orleans, DMZ Docs, Brooklyn, Boston Asian American, St Louis, Denver, and Oxford, among others.

After Sunil Tripathi, a Brown University student suffering from depression, vanished without a trace from his apartment late one night, his family is desperate to locate him. As detailed in Broffman’s sensitive retelling, they methodically spread Sunil’s story and his picture as far and wide as possible, garnering attention from traditional and social media in the hopes that someone, anyone will recognize their family member and provide a lead. Despite this initial interest, with no one coming forward, the story soon died down. While the family wished for a resurgence of interest, they were soon faced with more media coverage than they wanted when Sunil is inexplicably linked to a grainy photo of one of the Boston Marathon bombers. Through the virality of the Internet, rampant speculation on reddit soon crosses over to the mainstream media, and, despite zero official corroboration, their beloved, lost family member is declared to be a terrorist and murderer, with threats lobbed at him and his relatives from all directions. This cautionary tale demonstrates the dark side of so-called citizen journalism and Internet activism, their infiltration of traditional news, and a young man and his family who are caught in its wake.

Coming to PBS’s American Masters tomorrow, Friday, February 12: BB KING: THE LIFE OF RILEY

Jon Brewer’s profile of the late blues legend debuted in a longer version in London in 2012. This earlier version screened at various fests, including New Orleans, NXNE, and Sedona, and has since been cut down for its television broadcast debut and revised to acknowledge KIng’s passing last year.

Born Riley B King on a cotton plantation in Mississippi, the son of sharecroppers, Brewer’s famed subject rose to the heights of the blues to become synonymous with the American music genre. Working in collaboration with King and his estate, the filmmaker constructs an appreciative biography of the musician through interviews with the man himself and glowing testimonials from family members, fellow musicians and famous fans, including Bonnie Raitt, Bono, Ringo Starr, John Mayer, and Morgan Freeman, who also narrates. Archival footage of performances both classic and more recent supplements the proceedings, amply demonstrating the consummate skills of the King of the Blues, and his well-earned place within cultural history.

Coming to DVD today, Tuesday, February 9: MURDER OF A PRESIDENT

Rob Rapley’s consideration of the legacy of the 20th President of the United States made its world premiere on the PBS strand American Experience at the beginning of this month.

Rapley’s look at James A Garfield stems from Candice Millard’s book DESTINY OF THE REPUBLIC: A TALE OF MADNESS, MEDICINE AND THE MURDER OF A PRESIDENT, which lays out the fuller breadth of concerns addressed than is suggested by the film’s more truncated title. While the program does focus much of its running time on the assassination attempt that precipitated Garfield’s lingering, untimely demise just four months after he took office, Rapley does an admirable job establishing the Ohio congressman’s credentials, charisma, and unusual rise to power against a sadly familiar backdrop of economic disparity and cronyism. In addition to making the case for Garfield as a proto-Kennedy or Obama, the film also sketches out several other key players, including his principled wife Lucretia, political enemy NY Senator Roscoe Conkling, unbalanced assassin and position seeker Charles Guiteau, and the president’s malpracticing personal physician, Dr Doctor Willard Bliss, who, it’s argued here, likely bears a fair amount of the blame for Garfield’s passing. Like several other tales made for American Experience, this one employs numerous re-enactments, and while they are professionally mounted, they ultimately add very little to the otherwise compelling proceedings except a hokey, old-fashioned feeling that’s distinctly out of step with modern nonfiction programming.

Coming to PBS’s American Experience tonight, Tuesday, February 9: THE PERFECT CRIME

Cathleen O’Connell’s re-examination of a notorious murder case makes its debut on the long-running public television series.

The crime in question was that committed by the infamous duo of Nathan Leopold and Richard Loeb, affluent Chicago teenagers who callously killed young Bobby Franks in 1924 just for the thrill of it. Espousing a belief in Nietzschean theories of the Übermensch, positing that they were superior to ordinary people and therefore not bound by laws or morality, they goaded each other into planning a murder which they were certain they could get away with. As summarized in O’Connell’s film, while they disposed of Franks with methodical efficiency, things didn’t go as planned in the aftermath thanks to a pair of lost eyeglasses, and they were soon ratting each other out. Beyond the shock of well-to-do youth committing such a senseless act, the public was riveted by their utter lack of remorse, and newspapers milked the controversy for all it was worth. When prosecutors sought the death penalty, legendary defense attorney Clarence Darrow stepped in in support of Leopold and Loeb – not to try to prove their innocence, as they had already confessed, but instead, noting the high profile nature of the case, to mount a very public argument against the practice of capital punishment. The film successfully demonstrates the brilliance of Darrow and the fascination that still lingers over the case, which inspired several novels and films, including ROPE, COMPULSION, and SWOON.

Coming to HBO tonight, Monday, February 8: HOMEGROWN: THE COUNTER-TERROR DILEMMA

Greg Barker’s exploration of the perceived threat of domestic terrorism makes its debut on the venerable premium cable network.

Once again working with author Peter Bergen after their previous collaboration, MANHUNT, Barker bases this provocative current project on Bergen’s upcoming book UNITED STATES OF JIHAD. Through interviews with both counter-terrorism experts and the family members of convicted terrorists or would-be terrorists, the film investigates the realities and myths of homegrown Islamic extremism in the wake of September 11 and the wars that have followed in the past decade and a half. Muslim Americans speak candidly about the prejudice and fear they regularly face, compounded when one of their own relatives faces terrorism charges, at times based on what the family views as only thought crimes rather than physical acts. While experts defend these prosecutions, seeing clear links between the conspiracy charges leveled against so-called radicalized jihadists and the commission of violent, deadly acts, they curiously also note that despite its ability to engender public hysteria, the actual threat of domestic terrorism is grossly overstated. As a result, the meeting, late in the film, between family members ruing the fate of their convicted relative and a high-level counter-terrorism official, takes on a strange, almost contradictory sense – if the threat is more perceived than real, has the federal government shown extraordinary, unwarranted zeal in prosecuting these cases of nascent- or proto-terrorist inklings, or is a policy of being better safe than sorry, despite the impact on basic American freedoms and values, still somehow justified?