Category Archives: Releases

On TV: NEULAND

neulandComing to PBS’s POV today, Monday, August 17: NEULAND

Anna Thommen’s look at the process of cultural integration debut at Zurich in 2013. Other fests have included Berlin, DOK.fest Munich, and DocPoint, among others.

Over the course of two years, Thommen’s sharply observed verité film profiles several students in one of the special classes mandated by the Swiss government for asylum seekers to facilitate integration within the larger society, a program that simultaneously provides a leg up to newcomers while insisting on the preservation of Swiss culture and languages in the face of rising immigration. Wisely focused on just three adolescent students, Ehsanullah from Afghanistan and siblings Nazlije and Ismail from Serbia, and their frank teacher/de facto father figure, Mr Zingg, the film details the youths’ challenging backgrounds, the factors that led them to migrate, their struggles with language, and balancing sometimes unattainable aspirations for careers and wealth with pragmatism, crafting a complex portrait of immigration, assimilation, and Swiss national identity.

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In Theatres: ROSENWALD

rosenwaldComing to theatres today, Friday, August 14: ROSENWALD

Aviva Kempner’s portrait of an unsung philanthropist made its world premiere at the Washington DC Jewish Film Festival earlier this year. Other screenings have included Nashville and the Toronto and San Francisco Jewish fests, as well as special events such as the NAACP National Convention.

In her latest doc, Kempner continues to explore the rich history of unheralded or under-recognized Jewish-American figures following THE LIFE AND TIMES OF HANK GREENBERG and YOO-HOO, MRS GOLDBERG by taking on the work and legacy of Julius Rosenwald, a midwestern businessman who was the head of Sears and devoted his philanthropical efforts to supporting the African-American community in the early 1900s. Impressed with Booker T Washington’s Tuskegee Institute, and seeing the need for educational opportunities for African Americans, particularly in the Jim Crow South, he partnered with Washington to build more than 5300 schools via challenge grants that encouraged the cooperation between local African American and white communities, conquering fear with familiarity. These efforts proved so successful, he used them for a campaign to provide black YMCAs to communities around the US, and to build housing for African Americans who moved North in the Great Migration. Kempner recounts Rosenwald’s life and accomplishments, exploring how his Jewish faith, and the concept of tikkun olam – repairing the world, influenced his actions, while a range of notable African American figures – from civil rights leaders Justin Bond and John Lewis, theatre producer George C Wolfe, and the late Maya Angelou – reflect on the opportunities afforded them due to their enrollment in Rosenwald schools. Though hampered here by a too-conventional telling heavy in talking heads and repetitive interviews, Rosenwald makes for a compelling figure and a welcome reminder of the power of generosity.

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In Theatres: MERU

meruComing to theatres tomorrow, Friday, August 14: MERU

Jimmy Chin and E Chai Vasarhelyi’s study of three determined men against a seemingly unscalable peak made its debut at Sundance earlier this year, where it won an audience award. Since then, it has screened at Nantucket, True/False, Full Frame, San Francisco, Telluride Mountainfilm, and Nashville, among others.

I profiled the doc before Sundance here.

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In Theatres: WE COME AS FRIENDS

we come as friendsComing to theatres this Friday, August 14: WE COME AS FRIENDS

Hubert Sauper’s investigation into modern day colonialism in Africa had its world premiere at Sundance last year, where it won a special jury award. It went on to screen at Berlin, New Directors/New Films, BAFICI, Istanbul, San Francisco, Durban, Dokufest, Rio, Busan, London, Jihlava, CPH:DOX, IDFA, and Traverse City, among many others.

My pre-Sundance profile of the doc may be found here.

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On VOD: JOURNEY TO THE SAFEST PLACE ON EARTH

journeyComing to VOD today, Tuesday, August 11: JOURNEY TO THE SAFEST PLACE ON EARTH

Edgar Hagen’s search for a proper resting ground for nuclear waste premiered at DOK Leipzig in 2013. It has gone on to screen at CPH:DOX, DOXA, Planete+ Doc, Dokufest Kosovo, and DC’s Environmental fest, among others. FilmBuff now makes the doc available on various VOD platforms.

Hagen’s guide on his quest is Charles McCombie, an expert in the nuclear industry for the better part of four decades. Recognizing that humanity has already generated a staggering amount of waste in the short time that nuclear energy has been employed, various nations have invested decades of time and money researching viable options for disposal – locations which are geologically stable enough to permit long-term burial on the scale of hundreds of thousands of years. The unhurried McCombie leads Hagen – who offers a too-wry, occasionally irksome narration – around the globe to assess various sites, from China’s Gobi Desert to Nevada’s Yucca Mountain – some already deemed bad ideas, others which might hold promise, but are in need of further research. Along the way, questions of community cooperation emerge, as when nuclear nations wrongheadedly propose that remote, and notoriously anti-nuclear, Australia take one for the team as their disposal site; while in other locations, like Carlsbad NM, the economic benefits of welcoming such endeavors outweigh future concerns – for now.

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On VOD: THE LIFE AND CRIMES OF DORIS PAYNE

The_Life_And_Crimes_Of_Doris_Payne_3.470x264Coming to VOD today, Tuesday, August 11: THE LIFE AND CRIMES OF DORIS PAYNE

Matthew Pond and Kirk Marcolina’s profile of a notorious jewel thief debuted at Hot Docs in 2013. Its fest circuit also included IDFA, Woodstock, Tallgrass, Antenna, Hot Springs, Cleveland, Docaviv, and ArcLight Hollywood Doc, among others.

I previously included the film in my Hot Docs coverage here.

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On DVD: I AM BIG BIRD

I_Am_Big_Bird_2Coming to DVD tomorrow, Tuesday, August 11: I AM BIG BIRD

Dave LaMattina and Chad Walker’s look at one of SESAME STREET’s beloved muppeteers had its world premiere at Hot Docs last year. Other fest engagements included DOC NYC, AFI Docs, Los Angeles, Cleveland, Philadelphia, Seattle, Montclair, and Melbourne, among others.

I previously wrote about the doc here.

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On Cable & DVD/VOD: I AM CHRIS FARLEY

farleyComing to the Spike network today, Monday, August 10 and to DVD/VOD tomorrow, Tuesday, August 11: I AM CHRIS FARLEY

Brent Hodge and Derik Murray’s look back the life and career of the late comedian debuted in theatres last month. It now makes its broadcast debut just prior to its home video release.

I previously wrote about the doc here.

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On VOD: DON’T THINK I’VE FORGOTTEN: CAMBODIA’S LOST ROCK AND ROLL

don't thinkNew to VOD this week: DON’T THINK I’VE FORGOTTEN: CAMBODIA’S LOST ROCK AND ROLL

John Pirozzi’s exhumation of Cambodia’s forgotten pop music debuted in Phnom Penh last year. It went on to screen at DOC NYC, Big Sky, Rotterdam, Reel Asian, CAMFest, DOXA, and Seattle, among others. The doc was released on iTunes, Google Play, Amazon Instant, VUDU, Vimeo, and CinemaNow earlier this week.

I previously wrote about the film here.

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In Theatres: HOMME LESS

1201x782-KEY-IMAGE-HOMMELESS_keypic_wide-Thomas-Wirthensohn-400x200Coming to theatres tomorrow, Friday, August 7: HOMME LESS

Thomas Wirthensohn’s portrait of unexpected homelessness debuted at last year’s Film Festival Kitzbuehel, where it won the best doc award. It has gone on to screen at DOC NYC (where it won the Metropolis competition), DocAviv, Sarasota, and Hof.

I previously wrote about the film for DOC NYC’s program, saying:
From all outside appearances, Mark seems to have the glamorous New York City life that many would envy. Handsome and always impeccably dressed, the charismatic former male model works as a fashion photographer, appears in movies, and attends the best parties. When he leaves those events, however, he heads to the East Village – not to an overpriced loft, but to a hidden corner of a rooftop to sleep each night. Thomas Wirthensohn exposes the dark underbelly of the American Dream in an often-merciless city.

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