Category Archives: Releases

On TV: OUR MOCKINGBIRD

mockingbirdComing to PBS’s America ReFramed tonight, Tuesday, February 3: OUR MOCKINGBIRD

Sandra Jaffe’s exploration of race and class in America has had various work-in-progress and community screenings since 2010, including Sidewalk, Newburyport Doc, Roxbury, and the Boston Jewish film fests.

Using TO KILL A MOCKINGBIRD as its focal point, Jaffe’s film considers the progress – and lack thereof – of race relations in the more than five decades since the publication of Harper Lee’s seminal novel. At its core is the collaborative staging of a play adapted from Lee’s singular work by two Birmingham AL high schools – one exclusively white, the other exclusively black – demonstrating the lingering shadow of segregation in areas of the South. While Jaffe follows the teens in their preparations, tackling the story’s themes of racism and injustice even as they navigate their first real encounters and friendships with peers of a different race, the filmmaker supplements their stories with those of familiar figures who speak to the influence and lasting impact of Lee’s book, from civil rights leaders like US Congressman John Lewis and cast members from the film adaptation, to US Attorney General Eric Holder and television journalist Katie Couric. Culminating with the successful mounting of the play – attended by Nelle Harper Lee herself – the film proves watchable, even if it occasionally meanders, attempting to cover too much territory in its relatively brief running time.

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On DVD/VOD: SEX(ED)

sex edComing to DVD and VOD today, Tuesday, February 3: SEX(ED)

Brenda Goodman’s exploration of sex ed films premiered at Cinequest last year. It went on to screen at DOC NYC, Cleveland, Full Frame, DOXA, and Dances With Films, among other events.

I previously wrote about the film for DOC NYC’s program, saying:
How did you first learn about sex? Before the Internet put a shocking amount of sexually explicit information at our fingertips, generations of Americans first encountered the birds and the bees at school, usually through educational films. Brenda Goodman assembles an eye-opening array of these well-intentioned but often funny teaching tools to reveal our culture’s ever-fraught relationship to sex and the human body. Revisit the health class of your awkward teenage years and join us for SEX(ED)!

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On DVD: THE NEW PUBLIC

The-New-Public_570-x-317Coming to DVD today, Tuesday, February 3: THE NEW PUBLIC

Jyllian Gunther’s exploration of an alternative inner city high school made its debut at the Hamptons in 2012. Additional screenings followed at Urbanworld, African Diaspora, deadCENTER, Hot Springs, Boulder, and the San Francisco Doc fests, among others.

I previously wrote about the doc here.

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On TV & DVD: THE BIG BURN

big burnComing to PBS’s American Experience and to DVD today, Tuesday, February 3: THE BIG BURN

Stephen Ives’ recounting of an infamous forest fire makes its debut on the venerable PBS program as well as on DVD.

In the Summer of 1910, an unprecedented wildfire claimed more than three million acres of forest in the Northern Rockies in about a day and a half. As the nascent – and overconfident – US Forest Service attempted to combat the blaze, calling upon several companies of African American recruits – the Buffalo Soldiers – to aid the effort, they found themselves facing the near-impossible task of reining in Mother Nature. As argued in Ives’ informative if conventionally structured film, which is based on historian Timothy Egan’s book, the grave lessons learned from the devastating blaze spurred Washington to expand the protection of the nation’s public lands, and to adopt policies to prevent its repetition – with both good and bad consequences. While the 1910 fire made legends of the valiant men who fought it, creating the image of the forest ranger as a selfless national hero, the standing order that resulted, to suppress every subsequent forest fire, may have unintentionally backfired, removing a natural, replenishing cycle of small wildfires and instead turning swaths of forest into fuel for larger, more destructive fires to again blaze out of control.

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On DVD/VOD: THE OVERNIGHTERS

overnightersComing to DVD and VOD tomorrow, Tuesday, February 3: THE OVERNIGHTERS

Jesse Moss’ look at one man’s attempts to welcome outsiders to a small community had its world premiere at Sundance last year, winning a special jury prize. Its festival circuit also included DOC NYC, Traverse City, Hot Docs, True/False, Tribeca, Miami, San Francisco, Los Angeles, and Dallas, among others. The film was shortlisted for the Academy Awards.

I profiled the doc before Sundance here.

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On VOD: THROUGH A LENS DARKLY

through a lensComing to iTunes today, Monday, February 2, and to Netflix on Tuesday, February 17: THROUGH A LENS DARKLY: BLACK PHOTOGRAPHERS AND THE EMERGENCE OF A PEOPLE

Thomas Allen Harris’ excavation of African-American photographic history debuted at Sundance last year. Its festival circuit has included Berlin, Santa Barbara, Montclair, Pan African, Atlanta, Boston LGBT, and Frameline, among several others.

I profiled the doc before Sundance here.

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On VOD: EVOLUTION OF A CRIMINAL

evolutionNew to VOD this week: EVOLUTION OF A CRIMINAL

Darius Clark Monroe’s attempt to seek redemption for past mistakes debuted at SXSW last year. It went on to screen at New Orleans, Full Frame, Dallas, Los Angeles, BlackStar, and BAMcinemaFest, among others. It now comes to iTunes with the assistance of the Sundance Institute’s #ArtistServices program.

I previously wrote about the film upon its theatrical release here.

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On TV: GAUCHO DEL NORTE

gauchoComing to PBS’s America ReFramed this coming Tuesday, January 27: GAUCHO DEL NORTE

Sofian Khan and Andres Caballero’s study of Latin American shepherds in Idaho has its world premiere on PBS. Its first festival screening will follow next month at Big Sky.

A study in economic disparity in microcosm, Khan and Caballero’s observational portrait focuses on the personal sacrifices made by two shepherd guest workers, one from Chile, the other from Peru, as they seek better economic opportunities in the United States. As the film begins, Chilean Eraldo prepares to leave his Patagonian home to take on a three-year contract in Idaho to earn money for his children’s education, recognizing, with anxiety, that he may not see his aged parents again. In Salt Lake City UT, a younger worker, Jhonny, arrives with other migrants, sharing the same motivation for the family he left behind in Peru. Their labor – tending sheep, protecting them from predators – used to be done by Native American workers, but has in recent decades been the province of Latin Americans. With sensitivity, and aided by impressive lensing, Khan and Caballero capture the dilemma of family men forced to separate from their loved ones due to forces beyond their control. Isolated aside from their animal companions, and preoccupied with thoughts of family faraway, will each man be able to withstand the pressure?

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On VOD: SWEET DREAMS

sweet dreamsNew to VOD this week: SWEET DREAMS

Rob and Lisa Fruchtman’s look at a industrious group of Rwandan women made its debut at Silverdocs in 2012. Screenings followed at DOC NYC, Mill Valley, IDFA, Margaret Mead, DocPoint, Big Sky, Thessaloniki Doc, Ashland, and DOXA, among others. It now comes to VOD with the assistance of the Sundance Institute’s #ArtistServices program.

I previously wrote about the film out of Thessaloniki Doc here.

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Special Screening & In Theatres: ABOVE AND BEYOND

1201-X-782-ABOVE-AND-BEYOND1-400x200Coming to the JCC in Manhattan’s CineMatters series next Tuesday, January 27 and to theatres next Friday, January 30: ABOVE AND BEYOND

Roberta Grossman’s chronicle of the secret history of the Israeli Air Force made its debut at Jerusalem last year. It went on to screen at DOC NYC, Palm Springs, Sedona, Heartland, and at Jewish fests in San Francisco, Toronto, Sao Paulo, Boston, Nashville, Hong Kong, Cleveland, and Vancouver, among several others.

The foundation of the state of Israel in 1948 was met with immediate anxiety. As the countdown to the British withdrawal from Palestine commenced, so too did the preparation for invasion from the fledgling, would-be nation’s neighboring Arab countries. In the absence of a military infrastructure – or trained pilots – Jewish leaders sought planes, ammunitions, and the expertise of war-tested veterans in the US, Canada, South Africa, and elsewhere. This unlikely, motley crew, Jewish and non-Jewish alike, formed a skeletal, but surprisingly effective, air squadron that, as argued in Grossman’s film, meant all the difference in ensuring the survival of the Zionist dream of statehood. A project initiated by producer Nancy Spielberg, the well-crafted film tracks down survivors to recount the untold and often electrifying story of the 101 squadron – so named as to suggest that Israel actually had 100 other squadrons at the ready – and the sacrifices they made to secretly fight for the Jewish people, risking citizenship in defiance of America’s Neutrality Act, and potential death in the sky.

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