Category Archives: Releases

On DVD: DICK: THE DOCUMENTARY

dickComing to DVD tomorrow, Tuesday, January 20: DICK: THE DOCUMENTARY

Brian Fender’s candid profile of men and their privates made its bow at the Seattle Lesbian and Gay Film Festival in 2013. IndiePix released the doc this past Fall on VOD.

I previously wrote about the film here.

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On DVD: THE INTERNET’S OWN BOY

internet's own boyComing to DVD tomorrow, Tuesday, January 20: THE INTERNET’S OWN BOY: THE STORY OF AARON SWARTZ

Brian Knappenberger’s portrait of the late Internet activist bowed at Sundance last year. It went on to screen at SXSW, Nantucket, Hot Docs, Atlanta, IFF Boston, and Seattle, among other events. The film made the shortlist for the Best Documentary Academy Award.

My pre-Sundance profile of the doc may be found here.

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On TV: THE KILL TEAM

kill teamComing to PBS’s Independent Lens this coming Monday, January 19: THE KILL TEAM

Dan Krauss’ exposé of war crimes committed by US soldiers premiered at Tribeca in 2013, picking up a jury prize. Other festival play included AFI Docs, San Francisco, Hot Docs, Little Rock, Camden, Vancouver, London, Warsaw, Zagreb, DOK Leipzig, Abu Dhabi, Big Sky, Cucalorus, and Denver. The film was shortlisted for the Best Documentary Oscar.

I previously wrote about the film out of AFI Docs here.

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On TV: THE CARRIER

Coming to PBS’s AfroPoP as the opening film of their seventh season this coming Monday, January 19: THE CARRIER

Maggie Betts’ profile of a Zambian woman with HIV premiered at Tribeca in 2011. It went on to screen at Zurich, Big Sky, Documentary Edge, One World, Sedona, Watch Docs, and Lone Star, among others.

I previously wrote about the film here.

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In Theatres: JOY OF MAN’S DESIRING

joy of man's desiringComing to NYC’s Anthology Film Archives tonight, Friday, January 16: JOY OF MAN’S DESIRING

Denis Côté’s hybrid meditation on work made its debut last year the Berlinale. It has screened at CPH:DOX, Viennale, Chicago, Hot Docs, Melbourne, Poland’s New Horizons, Edinburgh, Sydney, Los Angeles, Cinema du Reel, and Transylvania, among others.

Côté has moved between the realms of fiction and nonfiction in previous works, and his latest continues this playful mixture as he integrates moments of scripted narrative in this otherwise largely observational study of mechanization and workers. On the nonfiction side, the camera is trained over images of factories and other large workplaces – primarily shots of machinery – creating an industrial symphony of sorts, though the workers caught in the drudgery of repetitive manual labor are also glimpsed. The hypnotic quality of these carefully composed shots is interrupted to introduce short fictionalized moments – interactions between workers, cheeky monologues, etc – which flesh out the themes of work, though not completely in an expected way. Rather than focusing on their clear alienation and dissatisfaction, these scenes instead suggest if not happiness, a sense of more-or-less satisfaction in their work, tedious as it might be. Still, as often is the case with hybrid projects, the nonfiction elements seem weakened by the scripted ones, making the project feel uneven on the whole.

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On DVD: THE GREEN PRINCE

green princeComing to DVD this coming Tuesday, January 20: THE GREEN PRINCE

Nadav Schirman’s exploration of the unexpected partnership between Israeli’s Shin Bet and the son of a Hamas leader made its bow at Sundance last year, winning the World Cinema Documentary Audience Award. Further festival play followed at Human Rights Watch, San Francisco Jewish, Dallas Jewish, Seattle, Sarasota, Moscow, DocAviv, and Atlantic.

I previously profiled the doc before Sundance here.

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In Theatres: GIUSEPPE MAKES A MOVIE

giuseppe makesComing to NYC’s Anthology Film Archives tonight, Thursday, January 15: GIUSEPPE MAKES A MOVIE

Adam Rifkin’s behind-the-scenes look at outsider filmmaker Giuseppe Andrews debuted at Hot Docs last year. It went on to screen at Los Angeles Film Festival, Rooftop Films, Houston Cinema Arts Festival, Hot Springs, Atlantic, and Poland’s New Horizons. In conjunction with the theatrical run of the documentary, Anthology will also hold screenings of two of Andrews’ lo-fi works.

I previously wrote about the doc here.

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On DVD: FINDING FELA

finding felaComing to DVD today, Tuesday, January 13: FINDING FELA

Alex Gibney’s tribute to the Nigerian music legend made its premiere at Sundance last year. The doc went on to screen at Montclair, Sydney, Martha’s Vineyard, and Seattle, among others, and to have a limited theatrical and VOD release.

My pre-Sundance profile of the doc may be found here.

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On DVD: KEEP ON KEEPIN’ ON

keep onComing to DVD today, Tuesday, January 13: KEEP ON KEEPIN’ ON

Alan Hicks’ study of music and mentorship made its bow at Tribeca last year. The film went on to screen at DOC NYC, Hot Docs, London, Sydney, Telluride, and Provincetown among others, and made the Oscar shortlist for Best Documentary Feature.

I previously wrote about the film upon its theatrical release here.

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ON VOD: PUMP

pumpComing to VOD today, Tuesday, January 13: PUMP

Josh Tickell and Rebecca Harrell Tickell’s call for an end to the gasoline monopoly was released theatrically this past September. It largely bypassed the film festival circuit, but did appear at Zurich as a special screening. The doc now comes to iTunes.

The Tickells’ previous work, including the Cannes-debuting THE BIG FIX and Sundance audience award-winner FUEL, has tackled the Deepwater Horizon accident and alternative energy, respectively. Their newest documentary is once again focused on the world’s dependence on fossil fuels, but takes a different, more practical, tack. As signaled by its title, the film proffers that the solution to our oil problem boils down to consumer choice: Give car owners options beyond gasoline at the point of sale, and market forces will lead to energy diversification and independence. Before the Tickells run through what those options might be, they provide an overview of how we’ve got to the point we’re at now, a necessary part of their argument, but tends toward a dry survey which covers fairly familiar ground – from John D Rockefeller’s Standard Oil monopoly and backing of Prohibition to eliminate alcohol-based fuel options, to the cycles of oil crisis, recession, and war that have wreaked havoc on our economy for decades. Much more effective, and sometimes surprising, is the film’s second half, which shifts away from this sobering, frustrating history to instead present a hopeful, sensible corrective which, importantly, is also empowering on a personal level. Recognizing that promising solutions like the electric car will require decades to make a true impact – after all, how quickly do most people purchase new cars? – the more obvious answer is to work with consumers’ pre-existing vehicles. Little promoted “flex fuel” cars are already on the road, with most of their owners not even knowing their vehicles can use cheaper, environmentally safer, and job-generating ethanol, or a combination of gas and ethanol, and, even more startling, virtually all cars can be converted to accept alternative fuels by simply adjusting their software. While obstacles stand in the way – government regulation and oil company control, primarily – the Tickells’ advocacy film holds forth the promise of making change through consumer empowerment enabled by awareness and education.

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