Category Archives: Releases

In Theatres: MEN OF THE CLOTH

Men-of-the-Cloth-Key-Image-Photo-by-Jessica-KostinComing to select theatres starting today, Thursday, January 8: MEN OF THE CLOTH

Vicki Vasilopoulos’ profile of master tailors had its world premiere at DOC NYC in 2013. Other screenings include Montclair, LA Femme, and Hamptons Take 2 Doc fests.

I previously wrote about the film for DOC NYC’s program, saying:
Italians Nino Corvato, Joe Centofanti, and Checchino Fonticoli are master tailors who have spent years perfecting all the skills necessary to construct flawless custom-made suits for their clients in NYC, Philadelphia and Penne, Italy, a fascinating process broken down step by step here. As they grow older, they fear their Old World knowledge will vanish with them. Enter Joe Genuardi, a tailoring apprentice who reflects the resurgence of popular interest in artisanal craftsmanship as an alternative to corporate mass production, providing hope for the future of the craft.

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In Theatres & Special Screenings: FAREWELL HERR SCHWARZ

farewellComing to theatres this Friday, January 9 and also screening as part of the JCC in Manhattan’s CineMatters series this weekend: FAREWELL HERR SCHWARZ

Yael Reuveny’s investigation into her great-uncle’s disappearance during the Holocaust debuted at Haifa in 2013, where it won the Best Israeli Documentary. Other fest berths included DOK Leipzig, Cottbus, and at the Miami, Toronto, and Palm Beach Jewish fests, among others.

Reuveny is part of Israel’s third generation, the grandchild of Holocaust survivor Michla Schwarz, whose stories of survival and loss the filmmaker grew up listening to. Michla – who believed herself to be her family’s sole survivor after her beloved brother Feiv’ke failed to make a pre-arranged meeting at a train station in Lodz, Poland – moved to Israel, raised a family, and cursed Germany for the rest of her unhappy life. Reuveny recognizes that her own decision to move to Germany would not have been met with approval by Michla – as it is, her mother, Etty, Michla’s daughter, isn’t particularly happy about it either – but Reuveny was drawn there because of the fate of Michla’s family. Shortly before her grandmother’s death, Yael learns that Feiv’ke survived the concentration camps, but surprisingly elected to stay in the same small German town where he had been imprisoned, changed his name to Peter, and married a German woman. Reuveny sets out to understand why – and why Feiv’ke never showed up in Lodz or ever contacted Michla – and in the process explores the impact of Michla and Feiv’ke’s splintering on three generations of their families. While personal quests can more often than not feel incredibly self-indulgent, in this case Reuveny successfully broadens the questions raised by the decisions of her great-uncle and his offspring – not to mention her own – into a thoughtful consideration of modern Jewish identity and the legacy of the Holocaust.

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On DVD: AI WEIWEI: THE FAKE CASE

the_fake_case-624x421New to DVD this week: AI WEIWEI: THE FAKE CASE

Andreas Johnsen’s detailing of the Chinese government’s continued persecution of the activist artist debuted at IDFA in 2013. It also screened at Hot Docs, One World, Istanbul, Tempo, Tampere, and DocsBarcelona, among others.

I previously wrote about the film upon its theatrical release here.

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On TV: PURGATORIO: A JOURNEY INTO THE HEART OF THE BORDER

purgatorioComing to The WORLD Channel’s America Reframed series tonight, Tuesday, January 6: PURGATORIO

Rodrigo Reyes’ meditation on the US/Mexico border debuted at Guadalajara in 2013. It went on to screen at Los Angeles, New Orleans, Ann Arbor, San Diego Latino, Chicago, Documentary Fortnight, and Traverse City, among others.

Reimagining the dangerous, expansive, and heavily politicized border between America and its southern neighbors as the middle, purifying realm in Dante’s allegorical DIVINE COMEDY, Reyes dispenses with explicit rhetoric in this essay film to instead present a series of snapshots of life along this limbo region. To the South, there is poverty, violence, drugs, and crime – a general sense of lawlessness pervades. To the North, there’s a dogged focus on the border, from those who would try to help desperate, thirsty people making the treacherous journey, to their opposing number, who make it their mission to remove any potential aid. Despite this confrontation with such bleakness, the film’s haunting camerawork is able to find beauty where the viewer would least expect.

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On DVD/VOD: A WILL FOR THE WOODS

A-Will-for-the-Woods-Key-Image-Photo-by-Jeremy-Kaplan-280x140Coming to DVD and VOD today, Tuesday, January 6: A WILL FOR THE WOODS

Amy Browne, Jeremy Kaplan, Tony Hale, and Brian Wilson’s sensitive exploration of green burial premiered at Full Frame in 2013. Other fest engagements included DOC NYC, New Orleans, AFI Docs, Sidewalk, DocuWest, Camden, Big Sky, Cleveland, Sebastopol Doc, and Atlanta, among others.

I previously wrote about the film out of AFI Docs here.

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On VOD: ART AND CRAFT

art-and-craft-film-tribecaComing to VOD today, Tuesday, January 6: ART AND CRAFT

Directors Sam Cullman and Jennifer Grausman and co-director Mark Becker’s look at a curious case of forgery and “philanthropy” had its world premiere at Tribeca last year. Its festival circuit has also included Nantucket, Hot Docs, Montclair, and San Francisco, among others. The film has been selected as one of the fifteen Documentary Feature Oscar shortlist titles.

I previously wrote about the doc here.

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On TV: RIPLEY: BELIEVE IT OR NOT

ripleyComing to PBS’s American Experience tomorrow, Tuesday, January 6: RIPLEY: BELIEVE IT OR NOT

Cathleen O’Connell’s biography of the man behind the popular curiosity empire makes its broadcast debut tomorrow evening.

LeRoy Robert Ripley became one of the wealthiest men during the Great Depression when he transitioned from newspaper sports cartoonist to America’s guide to random factoids, faraway cultures, and curious oddities – or “curi-oddities,” as the man liked to call them. Starting through his newspaper column, his “Believe It or Not!” series of cartoons eventually spanned books, radio shows, film, and even early television – and that was just in his lifetime. After his death in 1949, the franchise continued, spawning a tourist-friendly museum chain on four continents. O’Connell’s watchable but workmanlike profile reveals how an athletic, buck-toothed young man from Santa Rosa CA built an entertainment empire and became an unlikely celebrity. His round the world explorations of remote in the search to uncover exotic subjects for his cartoon strip allowed readers to travel vicariously through his exploits at a time when international travel was a privilege of the very few, while newspaper contests allowed his fans to submit their own peculiar feats for a chance to be immortalized by Ripley in print and gain their pre-Warhol fifteen minutes of fame. O’Connell posits Ripley’s spotlighting of the odd and obscure as a precursor of sorts to YouTube, which seems like an unnecessary stretch, the point being sufficiently made that he found a way to popularize a palatable version of the carnival freak show, essentially, for general audiences via the various mass media available in his time. Most interesting here are excerpts from Ripley’s early forays into radio and television, all the more fascinating in showing how awkward he was at being a showman, despite his success.

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On DVD/VOD: THE PLEASURES OF BEING OUT OF STEP

The-Pleasures-of-Being-Out-of-Step-Key-Image-580x300Coming to DVD/VOD tomorrow, Tuesday, January 6: THE PLEASURES OF BEING OUT OF STEP

David L Lewis’ portrait of music critic Nat Hentoff premiered at Full Frame last year. Other festival screenings have included DOC NYC, New Orleans, IFF Boston, DocuWest, Palm Beach, and St Louis.

I previously wrote about the doc here.

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Special Screening & In Theatres: VESSEL

vesselComing to the JCC in Manhattan’s CineMatters series tomorrow, Tuesday, January 6 and to theatres this Friday, January 9: VESSEL

Diana Whitten’s profile of an intrepid reproductive rights activist and her nautical mission bowed at SXSW this Spring. It has gone on the screen at Nantucket, DOC NYC, Hot Docs, Sheffield, Jerusalem, Sarasota, and IFF Boston, among others.

I previously wrote about the doc for Nantucket’s program, saying:
Moved by the plight of desperate women in countries with restrictive reproductive rights, Dutch physician Rebecca Gomperts founded Women on Waves, which uses laws governing international waters to bring much-needed abortion and contraceptive services to those with no other recourse. As demonstrated in Diana Whitten’s SXSW audience award and special jury prize winning film, despite a quagmire of legal, religious, political, and logistical obstacles, Gomperts and her impassioned team persevere, coming up with creative workarounds that enable them to educate and empower women around the world to take charge of their own bodies.

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On DVD: DINOSAUR 13

dinosaur 13Coming to DVD tomorrow, Tuesday, January 6: DINOSAUR 13

Todd Miller’s recounting of the fight over a dinosaur called Sue made its debut at Sundance this year. It also screened at Traverse City, Sydney, Melbourne, and its local setting of the Black Hills.

My pre-Sundance profile of the doc may be found here.

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