New York Jewish Film Festival 2019: Documentary Overview

Festival:
The 28th New York Jewish Film Festival

Dates:
January 9-22

About:
This annual event, co-presented by The Jewish Museum and the Film Society of Lincoln Center, offers eight documentary features among its 21 new feature offerings. Continue reading

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2019 Sundance Docs in Focus: LAPÜ

Courtesy of Sundance Institute | photo by Angello Faccini

LAPÜ
Juan Pablo Polanco and César Alejandro Jaimes accompany an indigenous Colombian woman on a vital spiritual journey.

Festival Section:
World Cinema Documentary Competition

Country:
Colombia
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On DVD/VOD: QUEERCORE: HOW TO PUNK A REVOLUTION

New to DVD and VOD this week:
QUEERCORE: HOW TO PUNK A REVOLUTION

Director:
Yony Leyser

Premiere:
Sheffield 2017

Select Festivals:
DOC NYC, IDFA, One World, Docs Against Gravity, Vienna, Frameline, Outfest, and LGBT fests in Copenhagen, Belgrade, and Brussels

About:
An entertaining cultural history of the development and influence of the queer punk scene.

I previously wrote about the film for DOC NYC’s program, saying:
In the mid-1980s, Bruce LaBruce and GB Jones, a pair of young Canadians, introduced the world to the burgeoning Toronto queer punk scene through homemade zines and scrappy films. In this pre-Internet era, there was no way of knowing that queercore consisted of just two people. Soon enough, their subversive creation spread beyond their bedrooms to attract actual adherents, spawning a radical underground subculture that challenged both the mainstream gay and homophobic punk scenes.

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2019 Sundance Docs in Focus: HONEYLAND

Courtesy of Sundance Institute | photo by Samir Ljuma

HONEYLAND
Ljubomir Stefanov and Tamara Kotevska enter the world of a traditional beekeeper in Macedonia.

Festival Section:
World Cinema Documentary Competition

Country:
Macedonia
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2019 Sundance Docs in Focus: GAZA

Courtesy of Sundance Institute | photo by Andrew McConnell

GAZA
Garry Keane and Andrew McConnell present a ground-level, multi-faceted portrait of life in the Palestinian city.

Festival Section:
World Cinema Documentary Competition

Country:
Ireland/Canada
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On VOD: HILLBILLY

Coming to VOD today, Tuesday, January 8:
HILLBILLY

Directors:
Sally Rubin and Ashley York

Premiere:
Nashville 2018

Select Festivals:
DOC NYC, Los Angeles, Traverse City, SF DocFest, Hot Springs Doc, Heartland, Southern Circuit

About:
A personal exploration of the representation of rural America.

I previously wrote about the doc here.

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2019 Sundance Docs in Focus: THE EDGE OF DEMOCRACY

Courtesy of Sundance Institute | photo by Orlando Brito

THE EDGE OF DEMOCRACY
Petra Costa offers a cautionary tale as she explores Brazil’s recent political scandals.

Festival Section:
World Cinema Documentary Competition

Country:
Brazil
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2019 Sundance Docs in Focus: THE DISAPPEARANCE OF MY MOTHER

Courtesy of Sundance Institute | photo by Beniamino Barrese

THE DISAPPEARANCE OF MY MOTHER
Beniamino Barrese films his mother as she plans to leave the modern world behind.

Festival Section:
World Cinema Documentary Competition

Country:
Italy
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2019 Sundance Docs in Focus: COLD CASE HAMMARSKJÖLD

Courtesy of Sundance Institute | photo by Tore Vollan

COLD CASE HAMMARSKJÖLD
Mads Brügger investigates the possibility of foul play in the 1961 death of the United Nations Secretary-General.

Festival Section:
World Cinema Documentary Competition

Country:
Denmark/Norway/Sweden/Belgium
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On TV: MY COUNTRY NO MORE

Coming to PBS’s Independent Lens tonight, Monday, January 7:
MY COUNTRY NO MORE

Directors:
Rita Baghdadi and Jeremiah Hammerling

Premiere:
Big Sky Doc 2018

Select Festivals:
SF DocFest, Docutah, Chagrin Doc, AmDocs

About:
A North Dakota family and their community fight plans to develop an oil refinery in their backyard.

Fracking has become a largely accepted part of life and a boon to North Dakota’s economy since the discovery of a massive oil field in 2006, but it comes with consequences. Baghdadi and Hammerling examines the impact of the oil boom on the small community of Trenton, where local ranchers face the choice between giving up long-held family farms and land, or cashing in for the short-term financial benefits. At the core of the film is Kalie Rider and her family, who emerges as an unlikely leader in the fight to stop the construction of an oil processing plant, spearheaded by North Dakota Processing’s Mel Falcon, who has made headway in rezoning requests and in convincing others in the community to sell their land. While the film struggles at times to enliven what amounts to numerous scenes of public hearings and meetings, the conflict facing Trenton serves as a thoughtful microcosm for larger national questions around energy, economic growth, and land use.

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