In the Works: BIG MOCCASIN

A New York City-based filmmaking duo craft an intimate portrait of life in the Appalachian Mountains.

big moccasinSet in small town Nickelsville VA, and centered around its titular road, the stories of six residents reveal a different way of life. Through their subjects’ perspectives, filmmakers Chelsea Brodsky and Andrew Moynehan explore mountain life, marked by self-sufficiency and tradition, with a heavy dose of music and religion. Positing Nickelsville in an almost timeless space, where longtime residents largely eschew the trappings of modern conveniences and concerns, the filmmakers document the history, arts, and culture of the region to create a universal portrait of community. Continue reading →

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On DVD: GIRL MODEL

Coming to DVD next Tuesday, February 12: GIRL MODEL

Ashley Sabin and David Redmon’s provocative look at the dark side of international modeling premiered at Toronto in 2011. It’s gone on to screen at numerous festivals, including Camden, CPH: DOX, IDFA, Tallinn Black Nights, SXSW, Cleveland, Full Frame, DOXA, the Southern Circuit, and Rome, where it claimed two awards. It enjoyed a limited theatrical release this past Summer and is coming to POV next month.

I included the film in my Toronto coverage here.

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Special Screening: THE LIFEGUARD

lifeguardComing to NYC’s 92YTribeca as part of the Cinema Tropical Festival this Saturday, February 9: THE LIFEGUARD (EL SALVAVIDAS)

Maite Alberdi’s portrait of a by-the-book Chilean lifeguard made its world premiere at IDFA in 2011. It went on to screen at Full Frame, New Horizons, DOXA, and Edinburgh, among others, and was the winner of Cinema Tropical’s Best Documentary Film award.

I included the doc in my IDFA coverage here.

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On DVD: PLANET OF SNAIL

Coming to DVD next Tuesday, February 12: PLANET OF SNAIL

Seung-Jun Yi’s acclaimed profile of a disabled couple premiered at IDFA in 2011, taking home the fest’s top prize. Its festival circuit has included Thessaloniki Doc, Tribeca, Planete Doc, Tempo Doc, Hot Docs, and Silverdocs, among others, and it enjoyed a theatrical run at NYC’s Film Forum this past Summer.

I included the doc in my IDFA coverage here.

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Special Screening: WHY WE LAUGH

whywelaughtMAINComing to NYC’s Maysles Cinema as part of Filmwax’s Docularious! series this Saturday, February 9: WHY WE LAUGH: BLACK COMEDIANS ON BLACK COMEDY

Robert Townsend’s overview of the history of black comedy in America made its world premiere at Sundance in 2009. The documentary was acquired by Showtime for its cable broadcast premiere in 2010, and went on to tour at various festivals, film series, and college engagements.

Aided by a copious amount of entertaining clips, a who’s who of comedy weigh in on the development of their profession, and the specific influence black comedians have had, in Townsend’s entertaining and appreciative survey. Going back to the racially charged tradition of minstrel shows and blackface, to early performers like Bert Williams and Lincoln “Stepin Fetchit” Perry, the film explores the representations of black entertainment and entertainers as it moved from stereotypes like Amos ‘n’ Andy to more rounded, yet often still limited, figures over the past century. Cultural critics like Dr Cornel West offer their appreciation for those performers, like Richard Pryor, who candidly expressed a freer point of view, and achieved success because of it. Covering luminaries like Redd Foxx, Dick Gregory, Bill Cosby, Eddie Murphy, Whoopi Goldberg, and Dave Chappelle, and exploring the impact of pioneering programming like the 1970s sitcoms THE JEFFERSONS and GOOD TIMES, as well as later showcases for black comedians such as IN LIVING COLOR, and DEF COMEDY JAM, Townsend cuts a wide swath, addressing the way black comics have used their talents to succeed in the face of societal barriers, employed humor to point out inequalities and rally mainstream support for change, and – perhaps for varying reasons – made us all laugh.

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Berlin 2013: Documentary Overview

berlinale_logo_3057The 63rd annual Berlin International Film Festival, or Berlinale, opens this Thursday, February 7 and runs through Sunday, February 17. Nearly 300 feature length films will screen across more than a dozen different sections, with documentaries making up about a third of that impressive tally.

Despite the at times inhospitable winter weather, the Berlinale has consistently drawn the international film community to experience an expansive selection of world cinema in both the main festival and in its accompanying market, the European Film Market. The vibrant city of Berlin itself is arguably the festival’s greatest asset – but that may be my own bias, as I’ve been in love with the city and its people since I spent part of my junior year of college studying there. It pains me to once again miss the festival after attending regularly for over a decade, but if I were there, the following are among the docs I’d want to check out: Continue reading →

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On VOD: BROOKLYN CASTLE

Coming to VOD today, Tuesday, February 5: BROOKLYN CASTLE

Katie Dellamaggiore’s profile of the impact of a chess program on junior high school students premiered at SXSW last year, picking up an audience award in the process. It went on to screen extensively at other festivals, including Cleveland, Hot Docs, Dallas, and Silverdocs, among others. It becomes available on iTunes and Movies on Demand today.

I wrote about the doc out of SXSW here.

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On DVD: SOMEWHERE BETWEEN

Coming to DVD today, Tuesday, February 5: SOMEWHERE BETWEEN

Linda Goldstein Knowlton’s exploration of cross-cultural adoption made its premiere at Hot Docs in 2011, where it won an audience award. Its festival circuit has included Vancouver, Los Angeles, Milwaukee, Portland, and Sidewalk, among others. It continues to play around the US via theatrical screenings organized via Tugg.

I wrote about the doc out of Hot Docs here.

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On VOD: CONNECTED

Coming to VOD today, Tuesday, February 5: CONNECTED

Tiffany Schlain’s personal meditation on our (inter)dependence on technology premiered at Sundance in 2011. Since then, it has screened extensively at fests around the world, enjoyed a limited theatrical release, and picked up numerous awards, including from Tribeca, National Geographic, and Berlin. The doc becomes available via iTunes today.

My pre-Sundance profile of the film may be found here.

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On DVD/VOD & On TV: AS GOES JANESVILLE

as goes janesvilleAvailable on DVD/VOD and screening tonight on PBS’ Independent Lens: AS GOES JANESVILLE

Brad Lichtenstein’s look at the wide-ranging impact of the closure of a GM plant premiered on Independent Lens last October. In addition to its national broadcast, the doc’s festival run has included Chicago, Milwaukee, Albuquerque, Kansas, and Oregon, with Big Sky coming up this month. FilmBuff has made the film available on VOD platforms including iTunes, Amazon, YouTube, Vudu, Roxionow, Xbox, and Playstation.

Lichtenstein exposes the US financial crisis in microcosm, focusing on a small Wisconsin town over three years, beginning in 2009. Faced with the closure of a long-standing, job-providing GM auto plant, Janesville’s citizens are facing desperate times. While some workers are able to keep their jobs, they’re essentially forced to relocate or lose all their benefits, leading to subjects like Angie and Gayle leaving their families in order to provide for them. Others, like Cindy, depend on unemployment and federally-funded re-education programs, in the hopes that they’ll be able to find better jobs in the end. Meanwhile, local business leaders try to kickstart the economy by banding together to woo new enterprises to set up shop in their town, promising costly incentives in the form of tax breaks and reduced regulation. In the midst of this, Republican Governor Scott Walker begins his all-out assault on unions, precipitating massive protests and a divisive recall election. Balancing multiple threads, Lichtenstein’s eye-opening doc reveals the heavy price of partisan politics, corporate greed, and failed economic policies – with the average citizen left wondering how s/he will pay the bills.

Tied to tonight’s Independent Lens’ re-broadcast is the launch of BizVizz, a new iPhone app aiming to provide citizens with information about corporate accountability. Featuring 300 companies and nearly 1000 brands, the app displays a corporation’s tax data, government subsidies, and campaign donation records, helping consumers who want more transparency from the businesses they support. For more information about the app or to download it, visit its website.

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