Festival:
The 20th anniversary Docaviv: The Tel Aviv International Documentary Film Festival
Dates:
May 17-26
About:
The Tel Aviv nonfiction event closes out its second decade with approximately 90 new and recent features.
WILD
Among the 15 titles in the Israeli Competition are: Danae Elon’s
A SISTER’S SONG, focused on a nun and her long estranged sister; Uriel Sinai and Danel Elpeleg’s
WILD, about the relationship between a vet and a wildlife hospital caretaker and their charges; Nahar Shabtai’s
DER-NISTER (THE HIDDEN), drawing from the filmmaker’s two decades capturing his large Jerusalem family, and especially his codependent mother and brother; Jane Bibi’s
A PERFECT HOUSEWIFE, a personal film about the director’s refusal to abide by Georgian ideas of womanhood; Yair Lev and David Deri’s
YOU ONLY DIE TWICE, an investigation into a man who maintained two identities; and Yochay Rosenberg’s
THE WOUNDED HEALER, in which a criminologist focused on sex crimes reckons with a dark secret from his own childhood.
HEBREW KISSES
The festival’s International Competition includes a dozen titles that have all enjoyed premieres at other notable events; the quirkier Depth of Field Competition includes titles like Amir Yatziv and Guy Slabinnck’s
STANDBY PAINTER, the tale of an unlikely museum heist in Poland; while the features of the Student Competition are Sharon Shahanny’s
A TRAIN TO THE HORIZON, a profile of four women in a housing project, and Manya Lozovskaya’s
HEBREW KISSES, which follows a Russian Jewish woman newly arrived to Israeli as she undergoes Orthodox conversion to be with an Israeli Jew.
THE KING OF BÖREK
The Panorama section offers additional Israeli nonfiction, including: Noga Nezer’s hybrid
THE GERMAN, in which the filmmaker suspects her German lover of nefarious intent; Orit Ofir Ronell’s
THE KING OF BÖREK, tracing the rise and fall of a self-made Bulgarian-Israeli baking family dynasty; Nili Tal’s
DADDY, WHERE IS MOM AND GRANDMA?, a true crime tale of a double murder and child abduction case; Avi Weissblei’s
THE ASSASSINATION, an investigation into an unsolved case of the murder of a Zionist leader in 1933; and Rachel Elitzur’s
COVERED UP, the filmmaker’s personal exploration of ultra-Orthodox strictures around women’s rights and self-expression. Remaining strands include a focus on auteurs, art, music, and fashion, as well as retrospective programming from the festival’s earlier editions.