Author Archives: basiltsiokos

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About basiltsiokos

Basil Tsiokos is a Senior Programmer for the Sundance Film Festival, focusing on nonfiction features. He was most recently with DOC NYC for nearly a decade, where he served as Director of Programming since 2014, and with the Nantucket Film Festival as its Film Program Director. Prior to those positions, Basil was the longtime Artistic and Executive Director of NewFest. He has been affiliated with Sundance since 2005 as a Programming Associate. Basil serves on the feature nominating committees for the International Documentary Association Awards and Cinema Eye Honors. He has written about documentaries daily since 2010 on what (not) to doc. Basil holds a Masters degree from New York University and two undergraduate degrees from Stanford University.

On TV: TONI MORRISON: THE PIECES I AM

photo by Timothy Greenfield-Sanders

Coming to PBS’s American Masters tomorrow, Tuesday, June 23:
TONI MORRISON: THE PIECES I AM

Director:
Timothy Greenfield-Sanders

Premiere:
Sundance 2019

Select Festivals:
Nantucket, Miami, Cleveland, Montclair, Wisconsin

About:
An intimate profile of the Nobel and Pulitzer Prize-winning literary icon.

I profiled the doc before Sundance here.

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On TV: PIPE DREAMS

Coming to PBS’s Independent Lens tonight, Monday, June 22:
PIPE DREAMS

Director:
Stacey Tenenbaum

World Premiere:
Hot Docs 2019

Select Festivals:
Austin, Sound Unseen

About:
Young pipe organists vie for the top prize in a major competition.

Taking place in Montreal every three years, the Canadian International Organ Competition draws the best pipe organists to compete for prizes and acclaim in this particular part of the music world. Filmmaker Stacey Tenenbaum focuses on the 2017 edition, profiling several young musicians as they prepare for and compete in Montreal. In adapting her feature project for a broadcast hour slot, Tenenbaum cut one of her original five subjects, but she likely should have gone even further. Of the remaining organists, Yuan Shen and Alcee Chriss III are the most compelling, with more developed storylines and interesting backgrounds than the other two virtuosi, Nick Cappozoli or Sebastian Heindl. Excising one of the latter would have helped reduce the sometimes choppy feel of the film, which, while breaking no new ground in the competition doc sub-genre, is notably and appropriately cinematic on both a visual and audio level.

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On VOD: DIANA KENNEDY: NOTHING FANCY

Coming to VOD today, Friday, June 19:
DIANA KENNEDY: NOTHING FANCY

Director:
Elizabeth Carroll

World Premiere:
SXSW 2019

Select Festivals:
DOC NYC, Hot Docs, San Francisco, Hawaii, Vermont, Tallinn Black Nights, Sedona

About:
A portrait of the nonagenarian British author, an expert in regional Mexican cuisine.

I previously wrote about the doc here.

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In Virtual Release: CREATING A CHARACTER: THE MONI YAKIM LEGACY

Coming to virtual theatrical today, Friday, June 19:
CREATING A CHARACTER: THE MONI YAKIM LEGACY

Director:
Rauzar Alexander

World Premiere:
DOC NYC 2019

About:
A legendary Juilliard acting teacher gets his time in the spotlight.

The film screened as part of DOC NYC, for which our program notes read:
What do Jessica Chastain, Viola Davis, Patti LuPone, and Alex Sharp have in common? They are but a few of the extraordinary actors who have studied under Moni Yakim at Juilliard, America’s greatest performing arts school. With interviews with Laura Linney, Anthony Mackie, and Kevin Kline, this compelling portrait of the master teacher – the sole remaining founder of the school’s legendary Drama Division – takes us inside the drama classes where Moni and his wife Mina pour their love and passion into preparing the next generation of actors for the spotlight.

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In Virtual Release: RUNNER

Coming to virtual theatrical today, Friday, June 19:
RUNNER

Director:
Bill Gallagher

World Premiere:
DocLands 2019

Select Festivals:
Margaret Mead, Big Sky Doc, Woods Hole, Heartland, Hot Springs Doc, Lone Star

About:
A profile in perseverance, following a Sudanese refugee with an Olympic dream.

As a teenager, Guor Mading Maker (formerly Marial) managed to escape the civil war in Sudan, which eventually claimed the lives of most of his siblings, becoming a refugee in the US. When he settled in Concord NH, he was encouraged to join his high school’s track team, and continued to run in college, ultimately qualifying for the 2012 Olympics. Unable to run for the still nascent South Sudan, and unwilling to betray his people by competing under the Sudanese flag, he instead was able to compete under the Olympic flag. When he returned to the Olympics four years later, he proudly represented South Sudan. Director Bill Gallagher benefits from an immensely likeable protagonist, but his film unfortunately suffers from structural issues that often undercut any surprise or drama. Still, Maker’s story is inspiring, and it has won over audiences at festivals over the past year.

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In Virtual Release: PICTURE OF HIS LIFE

Coming to virtual theatrical today, Friday, June 19:
PICTURE OF HIS LIFE

Directors:
Yonatan Nir and Dani Menkin

World Premiere:
Docaviv 2019

Select Festivals:
Doc Edge, Gold Coast, Jewish and Israeli fests in San Francisco, New York, Boston, Virginia, Atlanta, Philadelphia, Austin, Los Angeles, and Chicago

About:
A portrait of a famed underwater photographer’s elusive quest.

Amos Nachoum is an internationally acclaimed wildlife photographer, particularly known for his stunning underwater work. One specific shot has long eluded him, however: capturing an image of a polar bear while swimming alongside it. Filmmakers Yonatan Nir and Dani Menkin follow the 65-year-old Nachoum as he takes a trek to the Canadian Arctic to try to finally realize his dream. The film notes the real dangers of his mission, while also filling in the Israeli photographer’s background, which includes a difficult relationship with his ailing father and lasting trauma from the Yom Kippur War. Nachoum is a relatively quiet protagonist, so this biographical information is useful, if not always as compelling or connected to the polar bear quest as it seems the filmmakers believe it to be. While the stakes never feel quite as large as they are portrayed here, the Arctic expedition is beautifully lensed and achieves a satisfying conclusion.

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On VOD: DISCLOSURE

Coming to Netflix today, Friday, June 19:
DISCLOSURE

Director:
Sam Feder

World Premiere:
Sundance 2020

Select Festivals:
Hot Docs, CPH:DOX, Tribeca

About:
An exploration of the representation of transgender lives in film and television.

I profiled the doc before Sundance here.

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On VOD: DADS

Coming to Apple TV+ tomorrow, Friday, June 19:
DADS

Director:
Bryce Dallas Howard

World Premiere:
Toronto 2019

About:
An exploration and celebration of fatherhood.

There are relatively few documentaries focused exclusively on fathers. While actress Bryce Dallas Howard’s feature directorial debut takes a decidedly lighter and heartwarming approach, by design, it’s far from being the celebrity vanity project that some cynical viewers might too quickly dismiss. While she certainly gets a lot of traction by featuring famous fathers – among them, her own dad, Ron Howard, as well the likes of Jimmy Fallon, Ken Jeong, Neil Patrick Harris, Will Smith, Jimmy Kimmel, Conan O’Brien, and Kenan Thompson, among others – offering heartfelt reflections on fatherhood, her charming film shines when it spotlights several ordinary dads as they contend with the mundane realities of raising kids without the privilege and wealth afforded to their famed counterparts. While not a groundbreaking not particularly deep project, it remains a perfectly likeable one.

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In Virtual Release: QUEEN OF LAPA

Coming to virtual theatrical tomorrow, Friday, June 19:
QUEEN OF LAPA

Directors:
Theodore Collatos and Carolina Monnerat

World Premiere:
Maryland 2019

Select Festivals:
Göteborg, RiverRun, Antenna Doc, NewFest, San Francisco IndieFest, Sidewalk, Rhode Island, Oxford, Philadelphia Latino

About:
A portrait of a legendary Brazilian sex worker activist.

Nearing sixty at the time of filming, unforgettable trans cabaret performer and activist Luana Muniz has been a sex worker since age eleven. More than two decades ago, she created a hostel in the seedy Lapa district of Rio de Janeiro to provide a safe space for other trans sex workers in a society mired by transphobia and corruption. Filmmakers Theodore Collatos and Carolina Monnerat train their camera on the outspoken, larger-than-life Luana, highlighting her no-nonsense relationships with her surrogate daughters, and capturing the atmosphere of the community they’ve created with a relaxed familiarity. The result is a refreshingly nonjudgemental immersion into Luana’s world, made all the more poignant when it’s revealed that the house mother has since passed away.

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In Virtual Release: MY DARLING VIVIAN

Coming to virtual theatrical tomorrow, Friday, June 19:
MY DARLING VIVIAN

Director:
Matt Riddlehoover

World Premiere:
SXSW 2020 (online)

About:
A portrait of Johnny Cash’s first wife, long misrepresented in the performer’s mythology.

Johnny Cash struggled to win over his demons of addiction with the selfless love and devotion of his true love, June Carter, following a difficult marriage to the mother of his four daughters – or so goes the Cash legend, as immortalized in the Oscar-winning biopic WALK THE LINE. Director Matt Riddlehoover’s respectful doc aims to serve as a corrective, rehabilitating the image and understanding of Vivian Liberto, Cash’s long-suffering first love and first wife. As signaled by its title, the film foregrounds the deep love between Liberto and Cash, revealed here not only through interviews with their children, but through a trove of letters showing just how besotted The Man in Black was over the Italian beauty he met in 1951 while still an Air Force cadet. At the same time, Riddlehoover details Liberto’s side of the story in the eventual demise of the relationship after he found fame – a mix of neglect compounded by Cash’s troubles with drugs and affair with June Carter, as well as the racist fallout of Liberto being mistaken for being African American by the media. In the ensuing years, Cash and Carter’s worldwide platform allowed them to revise history, which eventually led to Liberto being reframed as a harridan and often erased from the story entirely. While distractingly overscored, this thoughtful profile benefits from absolute candor from the Cash daughters and from a rich archive, helping to illuminate Vivian in all her fullness.

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