Author Archives: basiltsiokos

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About basiltsiokos

Basil Tsiokos is a Senior Programmer for the Sundance Film Festival, focusing on nonfiction features. He was most recently with DOC NYC for nearly a decade, where he served as Director of Programming since 2014, and with the Nantucket Film Festival as its Film Program Director. Prior to those positions, Basil was the longtime Artistic and Executive Director of NewFest. He has been affiliated with Sundance since 2005 as a Programming Associate. Basil serves on the feature nominating committees for the International Documentary Association Awards and Cinema Eye Honors. He has written about documentaries daily since 2010 on what (not) to doc. Basil holds a Masters degree from New York University and two undergraduate degrees from Stanford University.

On TV: DEEJ

Coming to PBS’s America ReFramed for an encore screening tonight, Tuesday, December 26:
DEEJ

Director:
Robert Rooy

Premiere:
Woods Hole 2017

Select Festivals:
Newburyport, Superfest, Chagrin Doc

About:
A non-verbal autistic man pushes for inclusion as he pursues higher education.

As a young child, DJ Savarese was abandoned by his birth parents, faced abuse in foster care, and was too-readily dismissed as a lost cause. His adoptive parents disagreed, insisting on mainstreaming him in school, and providing the necessary tools to help him communicate and thrive. Rooy follows Deej and his parents over several years as the young man completes high school and begins his college studies, gaining acceptance at Oberlin, his first choice. Speaking through a computer-aided device, Deej, who takes a producer credit here, emerges as an advocate for disability awareness and inclusion, while also sharing his writing, with themes of isolation and his desire for, yet fears about, independence from his parents.

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In Theatres: A GERMAN LIFE

Coming to theatres today, Friday, December 22:
A GERMAN LIFE

Directors:
Christian Krönes, Florian Weigensamer, Olaf Müller, and Roland Schrotthofer

Premiere:
Visions du Réel 2016

Select Festivals:
Munich, Jerusalem, DMZ, Docslisboa, Docpoint, Zagreb Dox, One World, It’s All True, CNEX Doc, Bergen, Jewish fests in San Francisco, UK, Washington, and Barcelona

About:
Joseph Goebbel’s secretary looks back on her life.

In Krönes, Weigensamer, Müller, and Schrotthofer’s captivating portrait, Brunhilde Pomsel is presented in stark black and white, her wrinkled face framed in close-up, underlining her 103 years, as she recounts how she came to work for the notorious Nazi Propaganda Minister. Intercut with these reflections are quotations from Goebbels and footage from the period produced by both Germany and Allied forces. Pomsel notes that she was apolitical and, beyond that, “one of the cowards,” and that, despite what viewers might want to think about themselves, they too would likely have complied rather than resisted when faced with the Nazi regime. At the same time, Pomsel offers contradictory views about what she did and didn’t know about the actions of the Nazi high command for which she worked – she claims not to know what was being done to the Jews in concentration camps, but her friendship with a Jewish friend who suffered under the Nazis is a recurrent thread here. Still, the filmmakers aren’t engaged in some kind of trial here – instead, they allow the centenarian’s words to underscore the human costs of compliance and expose the moral complicity in unquestioningly permitting hatred and persecution to become the new normal.

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On TV: THE FAMILY I HAD

Coming to Investigation Discovery tonight, Thursday, December 21:
THE FAMILY I HAD

Directors:
Katie Green and Carlye Rubin

Premiere:
Tribeca 2017

Select Festivals:
New Orleans, Docaviv, Camden, Hamptons, Melbourne

About:
A mother reckons with the aftermath of her son’s horrific crime.

In 2007, 13-year-old Paris brutally killed his four-year-old half-sister Ella, stabbing the child to death and then reporting the incident to 911. Left to pick up the pieces was their single mother, Charity, grieving for her lost daughter while facing separation from her clearly troubled son. Green and Rubin revisit the terrible crime while also combing through the family’s archives to try to make sense of Paris’ violent action, revealing along the way a surprising history of tragedy in Charity’s own upbringing. As the resilient woman starts over, having another child pointedly named Phoenix, Charity balances her fear of Paris and his potential future actions with a genuine forgiveness for him and a drive to help others impacted by crime. While offering no easy answers to this family tragedy, the film sensitively explores the complex ties of family and love.

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On VOD: CIRCUS KID

Coming to VOD via Sundance Now tomorrow, Thursday, December 21:
CIRCUS KID

Director:
Lorenzo Pisoni

Premiere:
Mill Valley 2016

Select Festivals:
DOC NYC, Florida, Woodstock, Berkshire

About:
The director reflects on his unorthodox upbringing in the circus.

The film screened as part of DOC NYC, for which our program notes read:
The Pickle Family Circus was founded by a young couple in 1974, paving the way for the New American Circus Movement. Their son Lorenzo became a performer from a young age. Now an actor, he looks for answers to a lifetime of questions as he explores an unconventional relationship with a father who was also his coach, employer, and clown-act partner. In his compelling personal film, Pisoni captures the spirit, lunacy, daring, and dynamics of growing up in a circus family.

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On VOD: THE BILL MURRAY EXPERIENCE

New to VOD this week:
THE BILL MURRAY EXPERIENCE

Director:
Sadie Katz

Premiere:
American Documentary Film Festival 2017

About:
An actress becomes obsessed with having a “magical” encounter with the famed comic actor.

Having learned about Bill Murray’s quirky tendency to surprise strangers with unexpected, unforgettable, and sometimes plain unbelievable experiences – such as crashing a wedding, throwing an ice cream social, or joining a kickball game – actress-turned-filmmaker Katz decides that she simply must have one – and, sadly, that she absolutely must film the entire self-indulgent process. While she initially recruits some friends to join in the supposed fun, Katz’s unhealthy obsessiveness scares them off eventually, leaving her to carry on with just a small crew in her not-at-all-compelling mission to meet her icon and hand him a bunch of balloons. Katz is an unfortunately unappealing, annoying protagonist, making a hopelessly overlong, forced vanity project that never transcends a home movie feel, with poor technical qualities across the board, and a “the journey is more important than the destination” moral that was obvious five minutes in.

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Sundance 2018: Additional Feature Programming Announced

This post is a pointer to the fourth lineup announcement for the 2018 Sundance Film Festival. Additional selections in the Documentary Premieres, Premieres, Spotlight, New Frontier, Midnight, Special Events, and From the Collection sections have just been announced and may be found here.

Previous announcements include the US and World Cinema Documentary and Dramatic Competitions, NEXT, Documentary Premieres, Premieres, Midnight, Spotlight, and Kids sections, Indie Episodic, Special Events, and Shorts, and New Frontier.

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On DVD: BEHIND THE CURTAIN: TODRICK HALL

Coming to DVD today, Tuesday, December 19:
BEHIND THE CURTAIN: TODRICK HALL

Director:
Katherine Fairfax Wright

Premiere:
SXSW 2017

Select Festivals:
DOC NYC, Seattle, Martha’s Vineyard, Baltimore Black, San Diego, Calgary Underground, Frameline, Outfest, Image+Nation, Inside Out, LGBT fests in Salt Lake City, Denver, Honolulu, North Carolina, Vancouver, Austin, Memphis, and Sydney

About:
A profile of the performer and YouTube sensation.

I previously wrote about the doc here.

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On TV: SUPERGIRL

Coming to PBS’s Independent Lens tonight, Monday, December 18:
SUPERGIRL

Director:
Jessie Auritt

Premiere:
Hamptons 2016

Select Festivals:
DOC NYC, Big Sky Doc, Cucalorus, Slamdance, Doc Edge, Cleveland, Sarasota, RiverRun, Florida, Montclair, Annapolis, Milwaukee, Woods Hole, Jewish fests in Philadelphia, Palm Beach, Hartford, Seattle, Washington, San Francisco, and London

About:
A portrait of the world’s strongest girl.

I previously wrote about the film for DOC NYC’s program, saying:
Naomi seems like a typical Orthodox Jewish preteen, but she happens to be the strongest girl in the world. Since breaking a powerlifting world record at the age of nine, her fame has spread from her northern New Jersey community around the globe. Auritt’s appealing film follows Naomi over several years as she remains determined to live up to her nickname, drawing on the encouragement of her tight-knit family as she faces the myriad challenges of growing up.

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On TV: TICKLING GIANTS

tickling-giants-3Coming to Starz this coming Monday, December 18:
TICKLING GIANTS

Director:
Sara Taksler

Premiere:
Tribeca 2016

Select Festivals:
BFI London, Just for Laughs, Bergen, Vancouver, DocPoint, Glasgow, Big Sky Doc, Stockholm, Salem, Human Rights Watch London and Toronto, Movies That Matter, Cleveland

About:
A heart surgeon-turned-comedian tests the limits of free speech in post-Mubarak Egypt.

I previously wrote about the doc here.

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In Theatres: THE RAPE OF RECY TAYLOR

Coming to theatres today, Friday, December 15:
THE RAPE OF RECY TAYLOR

Director:
Nancy Buirski

Premiere:
Venice 2017

Select Festivals:
New York Film Festival, Chicago, Film Columbia, Woodstock, Double Exposure,

About:
An exploration of a 1944 case of sexual assault against an African-American woman in Alabama.

On September 3, 1944 in Abbeville AL, Recy Taylor, a 24-year-old African American sharecropper, wife, and mother, was abducted at gunpoint by a group of six young white men and raped. Though sadly not unique in experiencing this kind of violence, Taylor defied convention by speaking out against her assailants, demanding justice. As Buirski reveals in her thoughtful if sometimes clunky recounting of the case, she has yet to receive proper satisfaction, underlining the persistent issues faced by both people of color and women in the justice system that continue to the present day. Despite the confession of one of the men who raped her – the others having either denied involvement or claimed Taylor was a willing prostitute – none was ever arrested or tried for the crime. While Taylor is still alive, while her rapists are not, she only appears in the film very briefly, largely leaving the telling of her story to her brother, sister, and Yale professor Crystal Feimster, among others. While their talking heads interviews offer compelling, sobering viewpoints, Buirski has a tendency to too-often employ music and visual cutaways that threaten to distract the viewer from their words. Facing the challenge of not having much footage from the time, the filmmaker thankfully opts not to film re-enactments, and instead intriguingly makes use of clips from race films and some archival material. These – far more successful than the pseudo-impressionistic, shaky images of woods and graves that are unfortunately presented at times – offer modes of representation in contrast to white mainstream sources that willfully omitted such stories from the “official” record.

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