Author Archives: basiltsiokos

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About basiltsiokos

Basil Tsiokos is a Senior Programmer for the Sundance Film Festival, focusing on nonfiction features. He was most recently with DOC NYC for nearly a decade, where he served as Director of Programming since 2014, and with the Nantucket Film Festival as its Film Program Director. Prior to those positions, Basil was the longtime Artistic and Executive Director of NewFest. He has been affiliated with Sundance since 2005 as a Programming Associate. Basil serves on the feature nominating committees for the International Documentary Association Awards and Cinema Eye Honors. He has written about documentaries daily since 2010 on what (not) to doc. Basil holds a Masters degree from New York University and two undergraduate degrees from Stanford University.

On VOD: HOMME LESS

1201x782-KEY-IMAGE-HOMMELESS_keypic_wide-Thomas-Wirthensohn-400x200Coming to VOD today, Monday, November 9: HOMME LESS

Thomas Wirthensohn’s look at a man’s unexpected life premiered at Film Festival Kitzbuehel last year, where it won the best documentary award. It also picked up an award at DOC NYC, and has screened at DocAviv, Sarasota, and Hof, among other events. The doc now comes to VOD via iTunes.

I previously wrote about the doc here.

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On DVD: MR DYNAMITE: THE RISE OF JAMES BROWN

mr-dynamite-the-rise-of-james-brown-tv-review-hboComing to DVD today, Friday, November 6: MR DYNAMITE: THE RISE OF JAMES BROWN

Alex Gibney’s profile of the iconic performer screened as a work-in-progress at Tribeca last year. The finished film appeared at Camden, IDFA, Sydney, Melbourne, and Doc Aviv.

I previously wrote about the film upon its cable broadcast here.

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2015 DOC NYC in Focus: Behind the Scenes

OizptNvuwnuWFRPvYqgeTQU6lLJd9Qowb8R3KYDoIpwThis week’s DOC NYC preview closes out with the fourth of our four new thematic sections: Behind the Scenes, which features films about filmmaking. Continue reading

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On DVD: THE PRICE WE PAY

pricewepayComing to DVD today, Friday, November 6: THE PRICE WE PAY

Harold Crooks’ exploration of corporate tax avoidance premiered at Toronto last year. Other fest appearances have included Vancouver, Planete+ Doc, Open City, and CPH:DOX.

I previously wrote about the doc upon its theatrical release here.

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2015 DOC NYC in Focus: Doc Eat Doc

oWQGb9hJyhJUBidJMu-RL6BB8YDUWMHiwPGbtjOjzZwThe third of four new thematic sections begins today’s DOC NYC preview: Doc Eat Doc puts the spotlight on restaurants and food culture. Continue reading

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In Theatres: OF MEN AND WAR

ofmenandwarimagea_hi_res_creditmenandwarcomComing to theatres today, Friday, November 6: OF MEN AND WAR

Laurent Bécue-Renard’s candid portrait of veterans struggling with PTSD made its bow at Cannes last year. Since then, it has screened at IDFA, Göteborg, DocPoint, Documentary Fortnight, ZagrebDox, True/False, Full Frame, Visions du Réel, Documenta Madrid, San Francisco, DOXA, Sydney, AFI Docs, Human Rights Watch, and DOK.Fest Munich, among others.

Bécue-Renard’s second film in a planned trilogy dubbed “Genealogy of Wrath” takes an intimate, difficult look at war-scarred US vets who are receiving group therapy at The Pathway Home, a Northern Californian treatment center catering to service members. A carefully-measured work filmed over five years, which incorporates nine months of nearly daily recording sessions at Pathway, the doc captures the frustration, anger, and recurring trauma its subjects are facing after tours of duty in Iraq. Bécue-Renard confines his footage to the present-day, avoiding combat scenes that might typically be used to illustrate his subjects’ harrowing tales to instead force the viewer to focus on the men themselves, and to really hear from them the impact of their experiences, unmediated. Offering no false happy endings, the film instead presents the realities of combat and its aftermath, for both the soldiers and those in their lives.

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2015 DOC NYC in Focus: DOC NYC PRO – Masterclasses

PRO-1110x620DOC NYC 2015’s weekend DOC NYC PRO programming on Saturday, November 14 and Sunday, November 15 includes several Masterclasses, allowing documentary filmmakers and curious film lovers an inside look into the creative process. Continue reading

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On VOD: HOT SUGAR’S COLD WORLD

hot sugarComing to VOD tomorrow, Friday, November 6: HOT SUGAR’S COLD WORLD

Adam Bhala Lough hybrid profile of an electronic artist debuted at SXSW this year. It also went on to screen at Hot Docs, London, Philadelphia, and San Francisco Jewish, among others. The doc now comes to VOD via iTunes, Xbox, VUDU, Vimeo, Amazon, Playstation, Google Play, and VHX.

Nick Koenig, known to his online fans as Hot Sugar, is a music producer whose primary medium is “associative music” – reworkings of everyday sounds and noises into new compositions. Through the course of Lough’s quirky portrait, Koenig spends considerable time seeking out new inspiration, from the sound of kicking a plastic bag to fireworks going off in a school gym – a creative practice that frankly wears thin after the first couple of times it’s shown. Framed around these endeavors are partly true/partly fictionalized scenes from the artist’s life, as he deals with a break-up from a fellow Internet-focused performer, Kitty by jetting off to Paris to work on his music and meet famous folks like Dr Neil deGrasse Tyson, Jim Jarmusch, and Martin Starr. While decidedly too hipster by half, Lough’s film is breezy enough to endear itself to Koenig’s fanbase and other potential scenesters, even if it might leave the unconverted cold.

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2015 DOC NYC in Focus: The Wild Life

RV-qwwM2V6brqglOr_Mohu7sviXNwikLvPcHlzcCnewToday’s DOC NYC preview continues with another new section: The Wild Life explores the connection between animals and humans. Continue reading

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In Theatres: PEGGY GUGGENHEIM: ART ADDICT

PeggyGuggenheim_HeroComing to theatres tomorrow, Friday, November 6: PEGGY GUGGENHEIM: ART ADDICT

Lisa Immordino Vreeland’s portrait of an art world iconoclast had its world premiere at Tribeca this Spring. It went on to screen at Nantucket, AFI Docs, Provincetown, San Francisco Jewish, New Zealand, Melbourne, Adelaide, Vancouver, Chicago, and Stockholm, among others.

I previously wrote about the doc for the Nantucket program, saying:
Born into a noted family but intent on making her own mark, Peggy Guggenheim acquired a reputation as a bohemian by eschewing the proscriptive roles of her social status to explore her sexuality and to follow her passion: modern art. Guggenheim befriended emerging figures in the art world in the 1920s and 1930s and began acquiring and exhibiting their work. For a planned museum, she shrewdly amassed an impressive collection of works that would go on to be deemed masterpieces – and was able to save them from the ravages of World War II in the nick of time. Filmmaker Lisa Immordino Vreeland paints a comprehensive portrait of a singular patron of the arts whose pioneering vision has left an indelible mark on art history.

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